The Chinese “Book of Odes” (Shijing) is a collection of 305 poems dating from between 1000 and 600 B.C., and, thus, is one of the earliest literary works in any living language. It offers vignettes of life in an almost unimaginably remote society; many of the poems have great charm, for instance, some are authored by women about their love problems. (For such early literature it is remarkable how many poems are by women.) Over the centuries the content of the Odes has become obscured by developments in the Chinese language, by prudishness and pomposity on the part of commentators, and because earlier translators were often more interested in philological technicalities than in the poems’ human significance. This book cuts through these obscurities to present a new translation into straightforward, down-to-earth English. The Odes are the earliest rhyming poetry in any language, and they make use of alliteration and assonance to achieve their poetic effects, but changes in the sounds of modern Chinese have destroyed all this speech-music. This book restores it: alongside the author’s translations, it spells the Chinese wording out in the sounds used by the original poets—something which has only recently become possible through advances in the reconstruction of Old Chinese speech.

Andrew Ford here addresses, in a manner both engaging and richly informed, the perennial questions of what poetry is, how it came to be, and what it is for. Focusing on the critical moment in Western literature when the heroic tales of the Greek oral tradition began to be preserved in writing, he examines these questions in the light of Homeric poetry. Through fresh readings of the Iliad and the Odyssey, and referring to other early epics as well, Ford deepens our understanding of what poetry was at a time before written texts, before a developed sense of authorship, and before the existence of institutionalized criticism. Placing what is known about Homer's art in the wider context of Homer's world, Ford traces the effects of the oral tradition upon the development of the epic and addresses such issues as the sources of the poet's inspiration and the generic constraints upon epic composition. After exploring Homer's poetic vocabulary and his fictional and mythical representations of the art of singing, Ford reconstructs an idea of poetry much different from that put forth by previous interpreters. Arguing that Homer grounds his project in religious rather than literary or historical terms, he concludes that archaic poetry claims to give a uniquely transparent and immediate rendering of the past. Homer: The Poetry of the Past will be stimulating and enjoyable reading for anyone interested in the traditions of poetry, as well as for students and scholars in the fields of classics, literary theory and literary history, and intellectual history.

Item contains cartoons, letters, articles, essays, etc resulting from the debate (or outcry) following the purchase of Barnett Newman's "Voice of fire" by National Gallery of Canada. Also includes papers from a symposium organised by the National Gallery of Canada.

This book addresses the many interlocking problems in understanding the modes of performance, dissemination, and transmission of Greek poetry of the seventh to the fifth centuries BC whose first performers were a choral group, sometimes singing in a ritual context, sometimes in more secular celebrations of victories in competitive games. It explores the different ways such a group presented itself and was perceived by its audiences; the place of tyrants, of other prominent individuals and of communities in commissioning and funding choral performances and in securing the further circulation of the songs' texts and music; the social and political role of choral songs and the extent to which such songs continued to be performed both inside and outside the immediate family and polis-community, whether chorally or in archaic Greece's important cultural engine, the elite male symposium, with the consequence that Athenian theatre audiences could be expected to appreciate allusion to or reworking of such poetic forms in tragedy and comedy; and how various types of performance contributed to transmission of written texts of the poems until they were collected and edited by Alexandrian scholars in the third and second centuries BC.

Student Journal has expanded writing opportunities, enhanced lesson activities, and exciting end-of-selection projects to ensure that multiple skills are addressed with each lesson.

'An exciting, highly informative and also enjoyable read: Shepherd writes with clarity and verve... this book should find its way into the hands of all schools, universities and lovers of Herodotus.' - Peter Jones, Classics for All Weaving together the accounts of the ancient historian Herodotus with other ancient sources, this is the engrossing story of the triumph of Greece over the mighty Persian Empire. The Persian War is the name generally given to the first two decades of the period of conflict between the Greeks and the Persians that began in 499 BC and ended around 450. The pivotal moment came in 479, when a massive Persian invasion force was defeated and driven out of mainland Greece and Europe, never to return. The victory of a few Greek city-states over the world's first superpower was an extraordinary military feat that secured the future of Western civilization. All modern accounts of the war as a whole, and of the best-known battles of Marathon, Thermopylae and Salamis, depend on the ancient sources, foremost amongst them Herodotus. Yet although these modern narratives generally include numerous references to the ancient authors, they quote little directly from them. This is the first book to bring together Herodotus' entire narrative and interweave it with other ancient voices alongside detailed commentary to present and clarify the original texts. The extracts from other ancient writers add value to Herodotus' narrative in various ways: some offer fresh analysis and credible extra detail; some contradict him interestingly; some provide background illumination; and some add drama and colour. All are woven into a compelling narrative tapestry that brings this immense clash of arms vividly to life. 'Distinguished military historian of the Persian Wars William Shepherd [...] shows himself to be also a most sensitive interpreter of those Wars' original historian Herodotus. With Shepherd as our guide and Herodotus by our side this key moment in West-East relations is given its full cultural and strategic due.' Paul Cartledge, A.G. Leventis Senior Research Fellow of Clare College, Cambridge

The NIV Voices of Faith Devotional Bible combines Scriptural insights from both the past and present to reveal God’s truth for your life today. Writers such as C.S. Lewis and Eugene Peterson, Oswald Chambers and Joni Eareckson Tada, St. Augustine and Brennan Manning, Thomas à Kempis and Dallas Willard—voices from yesterday and voices from today—join together to address a topic for a timeless and relevant devotional experience every day.

Grade level: 7-12.