In 1987, the apartheid minister of law and order boasted that the security forces had crushed Umkhonto we Sizwe in the Western Cape. He could not have been more wrong. The Ashley Kriel Detachment, named after one of their slain comrades, conducted over thirty operations between late 1987 and early 1990, playing a crucial role in the defeat of an unjust system. In Voices from the Underground, eighteen members of the AKD give accounts of their involvement in the armed struggle. The book traces their varying journeys into MK, via student activism, trade unions, religious organisations and UDF politics. It details their training in Angola, Botswana, Tanzania, Cuba and South Africa, and their experiences of detention and interrogation. Members recall the stresses of couriering arms and explosives across police roadblocks, hiding in safe houses and evading capture. They talk about the operations they executed, the measures they took to avoid civilian casualties, and their responses to security breaches and the deaths of comrades in the line of duty. Above all, this is a book about people, showing the effects of apartheid on their lives, their reasons for joining the armed struggle, the challenges of surviving in the underground while raising children, and their experiences of returning to civilian life or, in some cases, integrating into the SANDF. Voices from the Underground gives a human face to ordinary people who took up arms to fight a violent state for the freedom of all South Africans.

From the creators of Voices from the Oregon Trail and Colonial Voices, an unflinching story of two young runaway slaves on the Underground Railroad, told in their voices and those who helped and hindered them It's the 1850s and enslaved siblings Jeb and Mattie are about the make a break for freedom. The pair travel north from Maryland to New Bedford, Massachusetts along the Underground Railroad. Each spread tells about a step of their journey through a poem in the first person perspective. The main and repeating voices are Jeb and Mattie, but we also hear from the stationmasters and conductors, those who offer them haven, as well as those who want to capture them. Like its predecessors in the Voices series, this richly researched and beautifully illustrated picture book brings a difficult chapter of American history to life for young readers.

In China, university students use the Internet to save the life of an attempted murder victim. In Cuba, authorities unsuccessfully try to silence an online critic by sowing seeds of distrust in her marriage. And in Russia, a lone blogger rises to become one of the most prominent opposition figures since the fall of the Soviet Union. Authoritarian governments try to isolate individuals from one another, but in the age of social media freedom of speech is impossible to contain. Online, people discover that they are not alone. As one blogger put it, "Now I know who my comrades are." In her groundbreaking book, Now I Know Who My Comrades Are: Voices from the Internet Underground, Emily Parker, formerly a State Department policy advisor, writer at The Wall Street Journal and editor at The New York Times, provides on-the-ground accounts of how the Internet is transforming lives in China, Cuba, and Russia. It's a new phenomenon, but one that's already brought about significant political change. In 2011 ordinary Egyptians, many armed with little more than mobile phones, helped topple a thirty-year-old dictatorship. It was an extraordinary moment in modern history—and Now I Know Who My Comrades Are takes us beyond the Middle East to the next major civil rights battles between the Internet and state control.Star dissidents such as Cuba's Yoani Sánchez and China's Ai Weiwei are profiled. Here you'll also find lesser-known bloggers, as well as the back-stories of Internet activism celebrities. Parker charts the rise of Russia's Alexey Navalny from ordinary blogger to one of the greatest threats to Vladimir Putin's regime. This book introduces us to an army of bloggers and tweeters—generals and foot soldiers alike. These activists write in code to outsmart censors and launch online campaigns to get their friends out of jail. They refuse to be intimidated by surveillance cameras or citizen informers. Even as they navigate the risks of authoritarian life, they feel free. Now I Know Who My Comrades Are is their story.

Jonothan Green offers a time trip from lat-fifties CND, beatniks and bop to the threshold of our own decade's designer revolutionaries and style warriors. . . His chosen form is the oral history pioneered by Studs Terkel in which cross-cut voices recount a shared experience or epoch. . . what anecdotes!'Guardian. Green has collected 101 quintessential sixties groovers and lovingly teased out their memories, all of them refreshingly self-critical and remarkably sharpened by hindsight. 'Glasgow Herald. `This is the first publication I've seen on the 1960s to address all closely the question: how did it feel in that dawn to be alive?. . . An action packed tapestry of illuminating flashbacks. 'Spectator.

The Ugly Australian Underground documents the music, song writing, aesthetics, lives and struggles of 50 of Australia's most innovative and creatively significant bands and artists at the creative peak of their careers. The book provides a rare insight into the most happening cult music scenes in Australia. The author, Jimi Kritzler is both a journalist and a musician and is personally connected to the musicians he interviews through his own involvement in this music sub culture. The interviews are extremely personal and reveal much more than any interview granted to street press or blogs. The interviews deal with not only the music and song writing processes of each band but in some circumstances their struggles with drugs, the death of bands members and involvement in crime. The book is complimented by previously unpublished photographs of all the bands interviewed.

Máirtín Ó Cadhain’s irresistible and infamous novel The Dirty Dust is consistently ranked as the most important prose work in modern Irish, yet no translation for English-language readers has ever before been published. Alan Titley’s vigorous new translation, full of the brio and guts of Ó Cadhain’s original, at last brings the pleasures of this great satiric novel to the far wider audience it deserves. In The Dirty Dust all characters lie dead in their graves. This, however, does not impair their banter or their appetite for news of aboveground happenings from the recently arrived. Told entirely in dialogue, Ó Cadhain’s daring novel listens in on the gossip, rumors, backbiting, complaining, and obsessing of the local community. In the afterlife, it seems, the same old life goes on beneath the sod. Only nothing can be done about it—apart from talk. In this merciless yet comical portrayal of a closely bound community, Ó Cadhain remains keenly attuned to the absurdity of human behavior, the lilt of Irish gab, and the nasty, deceptive magic of human connection.

In 1963, Michigan State University, the nation’s first land grant college, attracted a record number of National Merit Scholars by offering competitive scholarships. One of these exceptional students was Michael Kindman. After the beginning of the Free Speech Movement in Berkeley, Kindman, in line to be editor-in-chief of the official MSU student newspaper, felt compelled to seek a more radical forum of intellectual debate. In 1965, he dropped out of school and founded The Paper, one of the first five members of Underground Press Syndicate. This gripping autobiography follows Kindman’s inspiring journey of self-discovery, from MSU to Boston, where he joined the staff of Avatar, unaware that the large commune that controlled the paper was a charismatic cult. Five years later, he fled the commune’s outpost in Kansas and headed to San Francisco, where he came out as a gay man, changed his name to Mica, and continued his work as an activist and visionary.

"An account of several families and individuals making the long and often dangerous trek across the United States from Missouri to the West Coast in the 1800s"--

This is an important collection. I do not say that lightly.---Chris Atton, Professor of Media and Culture, Edinburgh Napier University, Scotland --