On the life of Sundaram Balachander, 1927-1990, Indian Veena player.

Mangalampalli Balamuralikrishna, an internationally renowned Carnatic musician from the illustrious musical lineage of composer Saint Tyagaraja, wore many hats in his lifetime. Having made a stage debut at the age of seven, he was hailed as a child prodigy. From then till the time he passed away, at age eighty-six in 2016, he continued to be in the spotlight, not just for his extraordinary talent and versatility as a vocalist and multi-instrumentalist, but as a composer, playback singer and even, briefly, as a character actor. He was a primary school dropout, a teenage poet and composer, a restless mind, a polyglot, a legacy upholder, a wordsmith, an ice cream lover and a pathbreaker. This is a story of the many lives of Dr Mangalampalli Balamuralikrishna. Veejay Sai's in-depth research into his life and work led him deep into unseen archival material and across the Carnatic musical landscape of erstwhile Andhra Pradesh, Karnataka and Tamil Nadu. Fortified by interviews with his family members, disciples and peers, The Many Lives of Mangalampalli Balamuralikrishna, a definitive biography of the musical genius, is not only a revealing account of the personal traits and facets of an unparallelled genius, but is also a portrait of India's classical music world, a place as much of beauty as of untrammelled egos.

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 30 NOVEMBER, 1980 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 56 VOLUME NUMBER: Vol. XLV. No. 51 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 17-50 ARTICLE: 1. What the 1981 Census of India Really Means 2.The Youngest Daughter reigns Supreme Among Khasis 3. Hem Chandra Barua 4. Meditation for Peace and Pure Consciousness 5. Quest for Truth and Authentic Living 6. Cancer of the Eye does not recognise age 7. Now is the Time to check Pollution AUTHOR: 1. P. Admanabha 2. Plnangsningi Kharlukhi 3. Ranjit Kr. Dev Goswami 4. R. Kirubhakaran 5. Bade Griffiths 6. Dr. D. C. Sood 7. Dr. B. B. Sundaresan KEYWORDS : 1.The lists 2.Organisation, cooperation needed 3.Supreme position, Misco nception 4.The milieu,pride in language,agony and ecstasy 5.Sane advice, expansion of mind Document ID : APE-1980 (S-D) Vol-III-09 Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.

With the onset of modernity in twentieth-century India, new social arrangements gave rise to new forms of music-making. The musicians were no longer performing exclusively in the princely courts or in the private homes of the wealthy. Not only did the act of listening to and appreciating music change, it became an important feature of public life, thus influencing how modernity shaped itself. This volume attempts to study the connections between music and the creation of new ideas of publicness during the early twentieth century. How was music labelled as folk or classical? How did music come to play such a catalytic role in forming identities of nationhood, politics, or ethnicity? And how did twentieth-century technologies of sound reproduction and commercial marketing contribute to changing notions of cultural distinction? Exploring these interdisciplinary questions across multiple languages, regions, and musical genres, the essays provide fresh perspectives on the history of musicians and migration in colonial India, the formation of modern spaces of performance, and the articulation of national as well as nationalist traditions.

In 1902 The Gramophone Company in London sent out recording experts on "expeditions" across the world to record voices from different cultures and backgrounds. All over India, it was women who embraced the challenge of overcoming numerous social taboos and aesthetic handicaps that came along with this nascent technology. Women who took the plunge and recorded largely belonged to the courtesan community, called tawaifs and devadasis, in North and South India, respectively. Recording brought with it great fame, brand recognition, freedom from exploitative patrons, and monetary benefits to the women singers. They were to become pioneers of the music industry in the Indian sub-continent. However, despite the pioneering role played by these women, their stories have largely been forgotten. Contemporaneous with the courtesan women adapting to recording technology was the anti-nautch campaign that sought to abolish these women from the performing space and brand them as common prostitutes. A vigorous renaissance and arts revival movement followed, leading to the creation of a new classical paradigm in both North Indian (Hindustani) and South Indian (Carnatic) classical music. This resulted in the standardization, universalization, and institutionalization of Indian classical music. This newly created classical paradigm impacted future recordings of The Gramophone Company in terms of a shift in genres and styles. Vikram Sampath sheds light on the role and impact of The Gramophone Company’s early recording expeditions on Indian classical music by examining the phenomenon through a sociocultural, historical and musical lens. The book features the indefatigable stories of the women and their experiences in adapting to recording technology. The artists from across India featured are: Gauhar Jaan of Calcutta, Janki Bai of Allahabad, Zohra Bai of Agra, Malka Jaan of Agra, Salem Godavari, Bangalore Nagarathnamma, Coimbatore Thayi, Dhanakoti of Kanchipuram, Bai Sundarabai of Pune, and Husna Jaan of Banaras.

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener.It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio,New Delhi. From 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 04-09-1960 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XXV. No. 36. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 08-48 ARTICLE: 1. Ibn Khaldun 2. Book Review 3. Religions in Contact-II AUTHOR: 1. A. A. A. Fyzee, Vice Chancellor,Jammu & Kashmir University 2. Anne Brinicombe 3. R. K. Ramadhyani KEYWORDS : Greatest historian, wide scholarship Indian writing, Indian scene, centrifugal movement Religious ferment,the vedas, heaven idea Document ID : APE-1960-(J-D)-Vol-II-10 Prasar Bharati Archives has the copyright in all matters published in this and other AIR journals.For reproduction previous permission is essential.

Biography of Gauhar Jan, 1870-1930, Indian musician

It was the summer of AD 1399 that disaster struck a small principality of southern India. Mahisuru, which later went on to become Mysore, had lost its chieftain and was vulnerable to the machinations of a cunning upstart. At around the same time, two young aspirants left their ancestral home in Dwaraka, Gujarat and proceeded southwards in search of fame. Yaduraya, the elder of the two aspirants, was destiny s chosen man, to lead a valiant attack against the vile upstart, rescue the family in distress, wed the princess and assume the lordship of the place. This event marked the birth of the Wodeyar Dynasty.

Across India women, mostly from the courtesan community, were the stellar pioneers of recording technology in the early twentieth-century. Yet, their stories have been completely lost in the sands of time. This book revisits their lives & features the indefatigable saga of 25 inspiring Indian women musicians from across the country, from 1902 to 1947. Also, hear their original voices that have been restored & reconstructed in the accompanying CD.

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.From July 3 ,1949,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 11-11-1951 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 44 VOLUME NUMBER: Vol. XVI. No. 46. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 12-39 ARTICLE: 1. Industry and Labour 2. Thailand Today AUTHOR: 1. A. R. E. Lockhart 2. Dr. P. E. Dustoor KEYWORDS: 1. labour, Company Law, Chambers of Commerce 2. Siam, Persia, Thialand Document ID: INL-1951 (J-D) Vol-II (20)