This unique book of 36 spectacular houses and gardens - whose owners include Madonna, Donna Karan, Christian Louboutin and Karl Lagerfeld to name a few - draws not only on stories that have appeared in Vogue and Vogue Living over the past two decades, but also on previously unpublished images. These dazzling photographs take readers into the style-makers' private realms - bringing to life interiors and exteriors that are both inspiring and transporting. Features photographs by Mario Testino, Cecil Beaton, Annie Leibovitz and many more!

From stunning urban oases to lavish gardens and waterfront estates, this is an irresistible look at the homes of important figures in fashion, design, art, and society that have appeared in the pages of Vogue. Here is Tory Burch’s stylish and informal Southampton estate, Lauren and Andres Santo Domingo’s glamorous duplex in Paris, Dries Van Noten’s romantic house and garden in Belgium, Alexa and Trevor Traina’s dramatic and colorful San Francisco house, Cindy Crawford and Rande Gerber’s lakeside Canadian cabin, shoe maestro Bruno Frisoni and designer Hervé Van der Straeten’s modern house in the heart of Tangier, Stella McCartney’s grand English country garden, Olya and Charles Thompson’s richly patterned Brooklyn house, and the old-world Wilshire estate of Gela Nash-Taylor and Duran Duran’s John Nash Taylor and many more. These breathtaking houses and gardens have been photographed by such celebrated photographers as François Halard, Oberto Gili, Mario Testino and Bruce Weber among others; such writers as Hamish Bowles, Joan Juliet Buck, Plum Sykes, Jonathan Van Meter and Chloe Malle give you an intimate view of the owners and how they live. This book is a look at some of the world’s most iconic houses and gardens—not only rich in ideas for all readers but a resource and inspiration for designers, architects, and landscape architects as well.

A dream book of empowering and fantastical fashion narratives—from Brothers Grimm to futuristic scenarios—told in Vogue’s inimitable style Lavishly illustrated, Vogue: Fantasy & Fashion celebrates the magazine’s strong and deeply rooted tradition of storytelling through magical, narrative portfolios. Fashion’s greatest power is its ability to make people dream; to create new worlds. Whether falling down a rabbit hole, conquering new, digital frontiers, or exploring the limits of surrealism, the heroines who feature in photographs by great talents like Annie Leibovitz, Steven Meisel, Irving Penn, and Steven Klein are writing their own tales, deï¬?ning their own destinies. Featuring well-known images as well as unexpected gems from the archive, Vogue: Fantasy & Fashion documents fashion at its most magical and affirms its transformative power.

A stunning collection of 300 photographs of some of the most celebrated actors, artists, models, First Ladies, and social figures from around the world, drawing on stories from the pages of Vogue as well as never-before-published images by iconic photographers. These trendsetters and newsmakers are captured by such famous photographers as Cecil Beaton, Jonathan Becker, Eric Boman, Horst P. Horst, Edward Steichen, Irving Penn, Richard Avedon, François Halard, Helmut Newton, Stephen Meisel, Snowdon, Toni Frissell, Bruce Weber, Herb Ritts, and Annie Leibovitz. Not only did these photographers take dazzling portraits—in studios or on location—that caught these iconic figures in classic, playful, or dramatic moments but they also documented their parties, weddings, houses, and gardens. Writers like Hamish Bowles, Paul Rudnick, Truman Capote, Francis Wyndham, Jeffrey Steingarten, Joan Juliet Buck, William Norwich, Gloria Steinem, Georgina Howell, Vicki Woods, Marina Rust, Michael Specter, and Jonathan Van Meter tell you the stories behind these figures and events. Here are the glamorous weddings of Plum Sykes in Yorkshire, Lauren Davis in Cartagena, and Minnie Cushing in Newport; Truman Capote writing about cruising the Yugoslavian coast with Lee Radziwill, Luciana Pignatelli, and the Agnellis; gardens from East Hampton to Corfu designed by landscape architect Miranda Brooks; Inès de La Fressange’s apartment in Paris; Gloria Steinem reporting on the 540 masked partygoers at the Black and White Ball Truman Capote threw for Katharine Graham at the Plaza hotel; the gardens of Valentino’s seventeenth-century Château de Wideville, outside Paris; the designers, the best-dressed, and the stars at the annual Costume Institute party at the Metropolitan Museum; Mick Jagger and his family in Mustique; Jacqueline Kennedy and Michelle Obama; Kate Moss, Madonna, Angelina Jolie, Cate Blanchett, Ali MacGraw, Anjelica Huston, Nicole Kidman, Cher, Iman and David Bowie, Penélope Cruz, Charlotte Rampling, and many more. Richly illustrated in black-and-white and color, The World in Vogue: People, Parties, Places is a stunning look at portraits, houses, gardens, and parties of celebrated figures from many worlds.

Vogue's Book of Houses, Gardens, People (1968) was a landmark publication among decorating books, and it chronicles an important chapter in the history of Vogue. Vogue's Horst P. Horst, a leading fashion photographer of his time, developed an intense interest in seeing the world's great homes and meeting their owners; beginning in the early 1960s, he journeyed in an elite world that would soon be lost. With accompanying lyrical essays about homes and their occupants by the famed writer Valentine Lawford (Horst's partner in work and life), the book is a virtual who's who of society, politics, and the arts in the mid-20th century. Around That Time showcases much of the material featured in the original book, plus never-before-seen photographs from those homes as well as images from additional homes Horst shot well into the 1980s. This book introduces this work to a new generation of design, decorating, and visual art professionals, academics, and enthusiasts.

In more than 2,000 issues, British Vogue magazine has acted as a cultural barometer, putting fashion in the context of the larger world in which we live - how we dress, how we entertain, what we eat, listen to, watch, who leads us, excites us and inspires us. The century's most talented photographers, illustrators and a rtists have contributed to it. In Lee Miller it had, unexpectedly, its own war photographer; in Norman Parkinson, Cecil Beaton, David Bailey, Snowdon and Mario Testino the greatest portrait and fashion photographers of their generation; and in Beaton and Irving Penn two giants of twentieth - century photography. From 1892, American Vogue chronicled the life of beautiful people - their clothes, parties, houses and habits - and the magazine was exported for intrigued British readers. In 1916, when the First Wo rld War made trans atlantic shipments impossible, its proprietor, Condé Nast, authorised a British edition. It was an immediate success, and over the following ten decades of uninterrupted publication continued to mirror its times - the austerity and optimi sm that followed two world wars, the 'Swinging London' scene of the sixties, the radical seventies, the image - conscious eighties - and in its second century remains at the cutting edge of photography and design. Decade by decade, Vogue 100 : A Century of St yle celebrates the greatest moments in fashion, beauty and portrait photography. Illustrated throughout with well - known images, as well as th e less familiar and recently rediscovered, the book focuses on the faces that shaped the cultural landscape: from Matisse to Bacon, Freud and Hirst, from Dietrich to Paltrow, from Fred Astaire to David Beckham, from Lady Diana Cooper to Lady Diana Spencer. It features the fashion designers who defined the century - Dior , Galliano , Balenciaga, Saint Laurent, McQueen - and explores more broadly the changing form of the twentieth - century woman.

Cool breezes, miles of pristine beaches, and vast, open farmland have long attracted visitors to Long Island's South Fork, known worldwide as "The Hamptons." Residents in picturesque seaside communities from Southampton to Montauk are calling upon world-class designers to fine-tune their visions, giving rise to a fresh design vernacular: homes that are testaments to what can be achieved when inspired by the natural beauty of a unique locale--and when imagination is one's only limitation. Out East captures the enduring appeal of shingled houses, modernist oceanfront designs, artists' compounds, and Montauk surf shacks. Jennifer Ash Rudick, a long-time Southampton resident, leads an insider's tour of more than 25 houses, cottages, and pool houses. Tria Giovan, a Sag Harbor-based photographer, captures extraordinary gardens, verandas, lakeside pavilions, farmhouses, and converted barns.

Vogue fashion photography with essays drawn from the magazine's Nostalgia column.

The Mount, Edith Wharton’s country place in the Berkshires, is truly an autobiographical house. There Wharton wrote some of her best-known and successful novels, including Ethan Frome and House of Mirth. The house itself, completed in 1902, embodies principles set forth in Wharton's famous book The Decoration of Houses, and the surrounding landscape displays her deep knowledge of Italian gardens. Wandering the grounds of this historic home, one can see the influence of Wharton’s inimitable spirit in its architecture and design, just as one can sense the Mount’s impact on the extraordinary life of Edith Wharton herself. The Mount sits in the rolling landscape of the Berkshire Hills, with views overlooking Laurel Lake and all the way out to the mountains. At the turn of the century, Lenox and Stockbridge were thriving summer resort communities, home to Vanderbilts, Sloanes, and other prominent families of the Gilded Age. At once a leader and a recorder of this glamorous society, Edith Wharton stands at the pinnacle of turn of the twentieth-century American literature and social history. The Mount was crucial to her success, and the story of her life there is filled with gatherings of literary figures and artists. Edith Wharton at Home presents Wharton’s life at The Mount in vivid detail with authoritative text by Richard Guy Wilson and archival images, as well as new color photography of the restoration of The Mount and its spectacular gardens. "The Mount was to give me country cares and joys, long happy rides and drives through the wooded lanes of that loveliest region, the companionship of dear friends, and the freedom from trivial obligations, which was necessary if I was to go on with my writing. The Mount was my first real home . . . its blessed influence still lives in me." —Edith Wharton, 1934