A sequel to VLORs & VICE: Rise of a Bio-Being, this third volume, VLORs & VICE: Awakening, finds Agent Z and his cohorts battling evil forces who pose a threat to the world in 2107. Zadarion discreetly searches for clues while he’s disguised as Vex Z he hopes this leads him to his grandfather’s whereabout. He’s also struggling more and more with the mystery arm band. Will he ever discover what it’s truly capable of? One of Zadarion’s classmates was recruited by DiLusion, joining his side for whatever he’s planning. Will she be able to return home to her loved ones? Valery has rambunctiously joined a hero’s crusade against VICE HQ and the many evil forces threatening both dimensions. But is she also harboring a deep, dark secret that could harm her? Alecxander and Zhariah continue to struggle with their inner demons. What more can push them further into the darkness they’re already in?

This final, explosive series concludes with an in-depth look to the warrior, Xanpo’s past and the two Xeiar wizards, Asarios and Maleena. There’s more to all tales. A mysterious power can be extracted from the dark dimensional prison world, Valdesmon. Think once and act, you’ll most likely suffer consequences in the long run. Beware the Hell-Power, because it’s the essence of lost warriors from all parts of the universe and beyond coinciding and trapped consciously for eons. There may be a similarity to Hell, as Earth humans may refer to it. Their revenge will have to wait, for now. The two wizards land on planet Earth in search of the creature Asarios created back in Volume II and two others whom they are unsure about but know in their souls they need to find in order to keep the Hell Power from causing their physical forms to take on another form. Xanpo and the Damonarian Prince are joined by the new heroes to stop what the evil wizards and the revived Quinoragoras Generals’ are planning. Will they achieve their goals, bringing down the wizards who wrongfully sent them to a dimensional prison?

By recasting instances of ‘German’ cultural production around the turns of centuries – 1800, 1900, 2000 – the essays in this volume examine the role that color has played in perceiving and representing ethnic difference. In innovative essays, literary scholars, historians, anthropologists and art historians support an overarching thesis: that the ‘origins’ of a modern, ‘ethnic’ imagination, inscribe patterns of seeing, whereas more recent developments involve processes of de-colorization and metaphorization. By preserving the difference in disciplinary approaches, methods and writing styles, the volume presents a genuinely interdisciplinary approach to German Studies, and is therefore of interest to Germanists, as well as to all others engaged in the study and scholarship of German Culture. Contributors: Christine Achinger, Nana Badenberg, Helen Cafferty, Fatima El-Tayeb, Gudrun Hentges, Uli Linke, Andreas Michel, Thomas Miller, Daniel Purdy, Assenka Oksiloff, Wendy Sutherland, Birgit Tautz. Der Band untersucht die Rolle der Farbe in Prozessen der Wahrnehmung und Darstellung ethnischer Unterschiede in der deutschsprachigen Kultur an drei Jahrhundertwenden: 1800, 1900, 2000. Die interdisziplinären Essays von Literaturwissenschaftlern, Historikern, Anthropologen und Kunsthistorikern bieten Lesarten, die sich auf vielfältige Phänomene beziehen und die These unterstützen, daß das Ethnische zunächst überwiegend visuell vorgestellt und versprachlicht wurde, bevor es einer zunehmenden Metaphorisierung und “Entfärbung” unterlag. Die angebotenen Deutungsmuster repräsentieren keine kohärente Wahrheit; vielmehr sind sie als Symptome unterschiedlicher Wissensformationen, d.h. unterschiedlicher Disziplinen, Methoden und “Schreibverfahren“, zu sehen. Mit Beiträgen von Achinger, Badenberg, Cafferty, El-Tayeb, Hentges, Linke, Michel, Miller, Purdy, Oksiloff, Sutherland, Tautz.

Cult favorite Letters to Wendy's has sold thousands of copies through web, direct and special orders, and will appeal to a wide variety of readers at independent and chain stores.

Inhalt: Birgit TAUTZ: Introduction: Color and Ethnic Difference or Ways of Seeing Part I: 1800 Gudrun HENTGES: Die Erfindung der 'Rasse' um 1800 - Klima, Säfte und Phlogiston in de Rassentheorie Immanuel Kants Wendy SUTHERLAND: Black Skin, White Skin and the Aesthetics of the Female Body in: Karl Friedrich Wilhelm Ziegler's Die Mohrinn Daniel PURDY: The Whiteness of Beauty: Weimar Neo-Classicism and the Sculptural Transcendence of Color Assenka OKSILOFF: The Eye of the Ethnographer: Adalbert von Chamisso's Voyage Around the World Part II: 1900 Thomas R. MILLER: Seeing Eyes, Reading Bodies: Visuality, Race and Color Perception or a Threshold in the History of Human Sciences Andreas MICHEL: "Our European Arrogance": Wilhelm Worringer and Carl Einstein on Non-European Art Nana BADENBERG: Mohrenwäschen, Völkerschauen: Der Konsum des Schwarzen um 1900 Fatima EL-TAYEB: "We are Germans, We are Whites, and We Want to Stay White!" African Germans and Citizenship in the early 20th Century Part III: 2000 Uli LINKE: Shame on the Skin: Post-Holocaust Memory and the German Aesthetics of Whiteness Christine ACHINGER: Colouring the invisible: The figure of the 'black drug dealer' as a projection of socially produced fears Helen CAFFERTY: Orfeo and Sam: Racial, Sexual, and Ethnic Otherness in Dörrie's Keiner liebt mich (1994) and Sanoussi-Bliss' Zurück auf los (1999) Birgit TAUTZ: Epilog: Farblose Räume

Through careful analysis of contemporary records in the engineering profession, the author shows how management invented itself and carved its own domain in the face of hostility and resistance from both manufacturers and workers. The book demonstrates how the new language and rhetoric of management emerged, and how it confronted and replaced the language of traditional capitalism: "system" instead of "individuals"; "jobs" instead of "natural rights"; "planning" instead of "free initiatives".

Overflowing with full-color images that demonstrate techniques and illustrate the correct use of materials, this is an art school in a book. A team of experienced professionals furnishes the budding painter with all the tools to finish a project: invaluable instruction in color theory and composition; the basics of drawing and painting, from strokes to perspective; and meticulous coverage of each medium, from pencil to wax crayon. Detailed exercises cover still lifes, nudes, landscapes, self-portraits, impressionist techniques, and more.