Viviane Sassen is one of today's most innovative photographers and this stunning book looks back at a decade of her work, including new collages and previously unpublished photographs. This mid-career retrospective volume focuses on Viviane Sassen's fine art photography, revealing a surrealist undercurrent in her work. Sassen recognizes Surrealism as one of her earliest artistic influences, seen in the uncanny shadows, fragmented bodies, and otherworldly landscapes she captures in her work. In addition to images from the acclaimed series "Umbra," this volume draws from the series "Flamboya," in which she returned to Kenya, "Parasomnia," a dreamlike exploration of sleep, the "Roxane" series, a mutual portrait created with her muse, Roxane Danset, "Of Lotus and Mud," a study of procreation and fecundity, and "Pikin Slee," a journey to a remote village in Suriname. This book features a contextualizing essay and an insightful interview with the artist. Throughout, Sassen emerges as a poetic photographer obsessed with light and shadow and a brilliant technician, who is a master of both vibrant color and muted hues. Selected by Sassen herself from across the last ten years, the images draw on the surrealist strategies of collage and unexpected juxtapositions to give a survey of her practice.

Bringing together seventeen years of work in the fashion world, this eye-catching volume features selections from Sassen's award-winning series and campaigns for fashion designers and magazines. It includes essays that offer a context for Sassen's work in the history of fashion photography as well as a bibliography of nearly all her fashion series.

The flamboya is a tropical, bright, colorful flower. Viviane Sassen used these colors for her African pictures.

Saturated with color and boldly composed, Viviane Sassen's photographs straddle the boundaries of fashion, art, and documentary photography. This monograph by the award-winning Dutch-born photographer Viviane Sassen features photographs from throughout West and East Africa. Sassen's overriding theme is parasomnia, a sleep disorder involving strange movements, behaviors, emotions, and dreams. The otherworldly feel of these photographs, involving both human and inanimate subjects, aptly conveys an altered-consciousness point of view-one that is at home in the pages of a fashion magazine, newspaper, or a modern art gallery. Indeed, Sassen's images have appeared in all three venues to wide acclaim. Sassen's photographic series is engaging and thrillingly beautiful, filled with shadow and ambiguity, and it offers a challenge to the viewers to come up with their own narrative.

Known for her unique approach to fashion photography, Viviane Sassen has taken yet another stylistic detour in her latest collection, which focuese on the inhabitants of a remote village on the Upper Suriname River. Sassen's lens captures the natural beauty of the very traditional way of living, where mundane objects can appear extraordinary against the background of nature's overwhelming presence.

This highly collectible, limited-edition pop-up book is a work of art in itself, rendering Daniel Gordon's sculptural forms into a new layer of materiality and animating them in a pop-up performance. The book consists of six works in pop-up form, some featuring simple plants, others unfolding more elaborate tableaux. Inspired by his interest in the popularity of certain subjects on the internet--houseplants among them--Gordon meticulously cuts up pictures found online to create sculptural and fantastical still lifes. He uses photography not to show reality, but to present a new version of it. The crumpled paper and mix of realistic and unnatural colors render the objects slightly goofy. "Without seams and faults and limitations, my project would be very different," Gordon says. "The seamlessness of the ether is boring to me, but the materialization of that ether, I think, can be very interesting." His pieces are a perfect marriage of digital and analog processes and of high and low artistic references, complicating what is understood as sculpture, photography, painting, and the cutout.

In his first published monograph, Tyler Mitchell, one of America's distinguished photographers, imagines what a Black utopia could look like. I Can Make You Feel Good, is a 206-page celebration of photographer and filmmaker Tyler Mitchell's distinctive vision of a Black utopia. The book unifies and expands upon Mitchell's body of photography and film from his first US solo exhibition at the International Center of Photography (ICP) in New York. Each page of I Can Make You Feel Good is full bleed and bathed in Mitchell's signature candy-colored palette. With no white space visible, the book's design mirrors the photographer's all-encompassing vision which is characterized by a use of glowing natural light and rich color to portray the young Black men and women he photographs with intimacy and optimism. The monograph features written contributions from Hans Ulrich Obrist (Artistic Director, Serpentine Galleries), Deborah Willis (Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York University), Mirjam Kooiman (Curator, Foam) and Isolde Brielmaier (Curator-at-Large, ICP), whose critical voices examine the cultural prevalence of Mitchell's reimagining of the Black experience. Based in Brooklyn, Mitchell works across many genres to explore and document a new aesthetic of Blackness. He is regularly published in avant- garde magazines, commissioned by prominent fashion houses, and exhibited in renowned art institutions, Mitchell has lectured at many such institutions including Harvard University, Paris Photo and the International Center of Photography (ICP), on the politics of image making.

In 1950, Robert Frank left his job as a photographer in New York to travel through Europe with his family. That summer he arrived in Valencia, Spain, which was at the time a humble, bleak place enduring the austere conditions of the postwar period like the rest of the country. The pictures Frank took of Valencia depict the daily life of a fishing village. The photographs in this book, many of which have never been published before, allow dignity to override poverty.

The lifetime work of recently discovered street photographer Vivian Maier has captivated the world and spawned comparisons to photography's masters including Diane Arbus, Helen Levitt, Lisette Model, Walker Evans and Weegee. Now, for the first time, Vivian Maier: Self-Portrait will present the fullest and most intimate portrait of the artist herself with approximately 60 never-before-seen black-and-white and colour self-portraits culled from the extensive Maloof archive, the preeminent collector of the work of Vivian Maier.

Stylists have become increasingly influential in shaping fashion imagery. They have moved from the backstage, as unrecognised players, to the frontstage of fashion, becoming celebrated for their creative work as image makers for magazines, advertising and fashion designers. Yet little is known about the profession, its diverse incarnations and its aesthetic economy. Featuring contributions from leading experts and stylists, this collection is the first to explore the history, meaning and practice of fashion styling through interviews and historic and present-day case studies. Featuring in-depth contributions from prominent fashion scholars, chapters span historical periods, cultural contexts and theoretical frameworks, employing a range of methodologies in the international case studies upon which they're based. Interspersed with interviews with innovative fashion stylists working today, and drawing on examples from advertising, the catwalk and magazines, this book explores the challenges faced by stylists in a fashion system increasingly shaped by commercial pressures and by growing numbers of collections and seasons. Fashion Stylists is an invaluable resource for students and professionals interested in image-making, the representation of style and fashion, entrepreneurship and the history of fashion professionals.