An impassioned guide to opera's political dimension. Taking us on a tour of 200 years of great opera, from "The Marriage of Figaro" to "Nixon in China", Anthony Arblaster uncovers the political dimension of an art form all too often considered as purely aesthetic and reveals opera's full vitality and passion for liberty.

Don Giovanni has been called the greatest opera ever composed, an almost perfect work. Along with "Aida," "La Boheme," and "Carmen," Mozart's masterpiece is one of the most often performed operas. The work is so admired that when the Italian composer Gioacchino Rossini was asked which of his own operas he liked best, Rossini unhesitatingly replied, ""Don Giovanni."" This Dover edition contains the standard Italian libretto of "Don Giovanni," side by side with a complete new English translation. Convenient and portable, it also includes an informative Introduction, a complete List of Characters, and an easy-to-follow Plot Summary. All repeats are given in full, so you can follow the text as it is sung, without losing your place. With this inexpensive, handy guide, opera lovers can appreciate every word of Mozart's brilliant comic drama in the original Italian or in modern English. An ideal companion for reading along with a recording, a broadcast, or at the performance itself, this superb volume is a first-rate aid to enjoyment of one of the world's most celebrated operas. "

A study of Mozart's Don Giovanni, one of the best known and most often performed opears of the last 200 years.

A late nineteenth century American author, F. Marion Crawford was a prolific novelist and noted writer of classic weird and fantastic stories. Crawford objected to the prevailing taste for realistic fiction and preferred to write gripping romance fiction. His novels are noted for vivid characterisations and their versatile and colourful depictions of European settings. Many of his works are set in Italy, the country he made his long-time home. His most celebrated achievement is the ‘Saracinesca’ trilogy of novels, which explores the effect of recent social changes on the aristocracy at a time when its influence and status were under attack from the emerging forces of modernity. For the first time in publishing history, this edition presents Crawford’s complete fictional works, with numerous illustrations, rare texts, informative introductions and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Crawford’s life and works * Concise introductions to the novels and other texts * All 44 novels, with individual contents tables * Special ‘Saracinesca Series’ contents table to help navigate the novels * Rare novels appearing for the first time in digital publishing, including ‘With the Immortals’ and Crawford’s last novel, ‘The Undesirable Governess’ * Images of how the books were first published, giving your eReader a taste of the original texts * Excellent formatting of the texts * Includes Crawford’s non-fiction works, including his detailed history and travel books * Scholarly ordering of texts into chronological order and genres Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Saracinesca Series The Novels Mr. Isaacs Doctor Claudius To Leeward A Roman Singer An American Politician Zoroaster A Tale of a Lonely Parish Saracinesca Marzio’s Crucifix Paul Patoff With the Immortals Greifenstein Sant’ Ilario A Cigarette-Maker’s Romance Khaled The Witch of Prague The Three Fates Don Orsino The Children of the King Pietro Ghisleri Marion Darche Katharine Lauderdale Love in Idleness The Ralstons Casa Braccio Adam Johnstone’s Son Taquisara A Rose of Yesterday Corleone Via Crucis In the Palace of the King Marietta Cecilia The Heart of Rome Whosoever Shall Offend Soprano A Lady of Rome Arethusa The Little City of Hope The Primadonna The Diva’s Ruby The White Sister Stradella The Undesirable Governess The Shorter Fiction Wandering Ghosts The King’s Messenger The Non-Fiction Our Silver The Novel: What It Is Constantinople Bar Harbor Ave Roma Immortalis Rulers of the South Please visit www.delphiclassics.com to browse through our range of exciting titles or to purchase this eBook as a Parts Edition of individual eBooks

Performed throughout Europe during the 1700s, Italian heroic opera, or opera seria, was the century’s most significant musical art form, profoundly engaging such figures as Handel, Haydn, and Mozart. Opera and Sovereignty is the first book to address this genre as cultural history, arguing that eighteenth-century opera seria must be understood in light of the period’s social and political upheavals. Taking an anthropological approach to European music that’s as bold as it is unusual, Martha Feldman traces Italian opera’s shift from a mythical assertion of sovereignty, with its festive forms and rituals, to a dramatic vehicle that increasingly questioned absolute ideals. She situates these transformations against the backdrop of eighteenth-century Italian culture to show how opera seria both reflected and affected the struggles of rulers to maintain sovereignty in the face of a growing public sphere. In so doing, Feldman explains why the form had such great international success and how audience experiences of the period differed from ours today. Ambitiously interdisciplinary, Opera and Sovereignty will appeal not only to scholars of music and anthropology, but also to those interested in theater, dance, and the history of the Enlightenment.

For observers of the European film scene, Federico Fellini’s death in 1993 came to stand for the demise of Italian cinema as a whole. Exploring an eclectic sampling of works from the new millennium, Italian Film in the Present Tense confronts this narrative of decline with strong evidence to the contrary. Millicent Marcus highlights Italian cinema’s new sources of industrial strength, its re-placement of the Rome-centred studio system with regional film commissions, its contemporary breakthroughs on the aesthetic front, and its vital engagement with the changing economic and socio-political circumstances in twenty-first-century Italian life. Examining works that stand out for their formal brilliance and their moral urgency, the book presents a series of fourteen case studies, featuring analyses of such renowned films as Il Divo, Gomorrah, The Great Beauty, We Have a Pope, The Mafia Only Kills in the Summer, and Fire at Sea, along with lesser-known works deserving of serious critical scrutiny. In doing so, Italian Film in the Present Tense contests the widely held perception of a medium languishing in its "post-Fellini" moment, and instead acknowledges the ethical persistence and forward-looking currents of Italian cinema in the present tense.