Visions and Revisions of Europe offers a multidisciplinary debate on the various political, social, and cultural issues that are at the heart of contemporary European discourse, with a focus on the relations between the so-called “New” and “Old” Europe. A range of possible scenarios for the future of the EU, as well as a discussion of the factors affecting current crises are at the forefront of the debate, which lead the reader to reflect upon often overlooked aspects of European integration, such as Germany’s hegemonic role in the Union, or historical narratives and myths that need to be deconstructed and critically analysed. Contemporary populist movements also play a key role, as do the often difficult processes of migration and EU mobility, which reveal the tensions, fears, and lines of exclusion in contemporary European societies. Finally, the role of values – namely an adherence to human rights and responsibility over the global social order – which in the 1970s was a cornerstone of EU discursive action and identity building, serves as a lasting point of reflection on the uncertain future of the EU’s axio-normative direction(s).

Literary texts are more or less obliged to make reference to entities beyond themselves. Drawing on other texts, ideas previously written, or on the resources of language, they make their attempts to communicate, entertain, and enlist sympathy, or even to offer counsel. Some texts profess an a priori vision, others adopt a style of reporting only contingencies. A dialogic relation can be posited between the ideal and the real, heaven and earth, imagination and reason, langue and parole, essence and substance, poetry and prose. The poetic and creative impulse is engaged with an ever present need to purify the dialect of the tribe. The topics in Visions and Revisions reflect writersâ (TM) labours with form at whatever distance from the original sources of inspiration. The authors discussed include William Blake, Marilynne Robinson, Salman Rushdie, William Golding, John Irving, David Lodge, Sara Maitland and Hilary Mantel. Verbal by definition, texts make use of other texts and are dependent on the cultural matrix. Readers are also writers in one kind or another. In both modes they may gain impetus or inspiration by re-visioning their origins as well as their ends. This book will offer readers new ways to understand the literary creations of some writers with affinities to the Western spiritual, and specifically Christian, tradition.

This volume brings together eight essays (all but one previously unpublished) that offer innovative strategies for studying society and culture in eighteenth-century France. Divided into three sections, the chapters map out current research paths in social, cultural, and political history. The authors engage the most heated subjects of debate in the field today, including the changing nature of political life in the age of Enlightenment, the role of public opinion in undermining absolutism, and the impact of gender on social relationships and political language in the late eighteenth century. They demonstrate a marked interest in the lives of ordinary and humble French people, finding that exclusion from the main corridors of power fostered cunning and resourcefulness, not political indifference or ignorance. The articles encompass the Old Regime and the revolutionary era without falling into the teleological trap of using the former as the backdrop for the events of 1789. On the contrary, many of the authors consciously avoid this bias by investigating the Old Regime in its own right or by consciously linking the pre- and postrevolutionary eras. This decision alone marks an important turning of the tide. By establishing a dialogue between the Old Regime and the revolution, this volume implicitly pays homage to those historians who insist on the structural continuities that underlay the rupture of 1789. Contributors are Cissie Fairchilds, Christine Adams, Orest Ranum, Lisa Jane Graham, Harvey Chisick, John Garrigus, Lenard Berlanstein, and Jack Censer.

Ernst Jünger embodies the enigma of that catastrophic turn taken by European civilization in German history and culture during the period of the two world wars. This study undertakes more than a critical account of an individual German writer. It examines how the interior explorations of Jünger's writing can be interpreted as the counterpart to those exterior events that determined German national life. Jünger's position as witness to and representative of this century is unique. His long and distinguished career as a writer began in the aftermath of the first World War, sharing its origins with those of German fascism, and has continued through to our own time. The journals, essays, and fiction in which he comments on the horrors of modernity and postmodernity from the period preceding World War II up to the present are often chilling. Everything on which he reflects is presented simultaneously through its place in a planetary perspective and as the object of the most minute scrutiny. He moves with dizzying rapidity from speculations on the vast movement of history to the fascination of entomology, a field in which he has earned a worldwide reputation. The Violent Eye is the first complete critical study in English of Ernst Jünger's writing and his place in the history of German fascist culture. Marcus Paul Bullock has written this book in order to understand the increasing rarity of the right-wing intellectual in our century. Bullock's purpose is not to side with Jünger, nor to seek to justify his position. He does not aim to salvage Jünger's reputation, but to clear a way to the real significance of his writing. His study attempts to derive an understanding of history from Jünger's work according to values entirely distinct from Jünger's own.

Martin Preib is an officer in the Chicago Police Department—a beat cop whose first assignment as a rookie policeman was working on the wagon that picks up the dead. Inspired by Preib’s daily life on the job, The Wagon and Other Stories from the City chronicles the outer and inner lives of both a Chicago cop and the city itself. The book follows Preib as he transports body bags, forges an unlikely connection with his female partner, trains a younger officer, and finds himself among people long forgotten—or rendered invisible—by the rest of society. Preib recounts how he navigates the tenuous labyrinths of race and class in the urban metropolis, such as a domestic disturbance call involving a gang member and his abused girlfriend or a run-in with a group of drunk yuppies. As he encounters the real and imagined geographies of Chicago, the city reveals itself to be not just a backdrop, but a central force in his narrative of life and death. Preib’s accounts, all told in his breathtaking prose, come alive in ways that readers will long remember.

In Constitutive Visions, Christa Olson presents the rhetorical history of republican Ecuador as punctuated by repeated arguments over national identity. Those arguments—as they advanced theories of citizenship, popular sovereignty, and republican modernity—struggled to reconcile the presence of Ecuador’s large indigenous population with the dominance of a white-mestizo minority. Even as indigenous people were excluded from civic life, images of them proliferated in speeches, periodicals, and artworks during Ecuador’s long process of nation formation. Tracing how that contradiction illuminates the textures of national-identity formation, Constitutive Visions places petitions from indigenous laborers alongside oil paintings, overlays woodblock illustrations with legislative debates, and analyzes Ecuador’s nineteen constitutions in light of landscape painting. Taken together, these juxtapositions make sense of the contradictions that sustained and unsettled the postcolonial nation-state.

The essays in this volume contribute diversely towards a revision and a reconceptualization of nineteenth-century France, with many adopting interdisciplinary methodologies attentive to the interplay between literature, history, art, popular and high culture, politics and science.

Antologi. Indeholder en undersøgelse af de transatlantiske forbindelser siden terrorangrebene d. 11. september 2001 i USA samt den efterfølgende krig i Irak. Bogen søger at identificere de grupper, som skaber politiken og offentlighedens opfattelse af relationerne på begge sideraf Atlanten. Ligeledes forsøger den at spore oprindelsen til den opståede splid efter 11.september, samt at belyse de nuværende og fremtidige udfordringer til de bilaterale relationer og forholdet generelt mellem USA og Europa. Perspektiverne belyses ved fem europæiske bidragydere med fokus primært på England, Frankrig, Tyskland, Italien og Rusland og suppleret med tre amerikanske bidragydere.

Sports fans nationwide know Soldier Field as the home of the Chicago Bears. For decades its signature columns provided an iconic backdrop for gridiron matches. But few realize that the stadium has been much more than that. Soldier Field: A Stadium and Its City explores how this amphitheater evolved from a public war memorial into a majestic arena that helped define Chicago. Chicago Tribune staff writer Liam Ford led the reporting on the stadium’s controversial 2003 renovation—and simultaneously found himself unearthing a dramatic history. As he tells it, the tale of Soldier Field truly is the story of Chicago, filled with political intrigue and civic pride. Designed by Holabird and Roche, Soldier Field arose through a serendipitous combination of local tax dollars, City Beautiful boosterism, and the machinations of Mayor “Big Bill” Thompson. The result was a stadium that stood at the center of Chicago’s political, cultural, and sporting life for nearly sixty years before the arrival of Walter Payton and William “The Refrigerator” Perry. Ford describes it all in the voice of a seasoned reporter: the high school football games, track and field contests, rodeos, and even NASCAR races. Photographs, including many from the Chicago Park District’s own collections, capture these remarkable scenes: the swelling crowds at ethnic festivals, Catholic masses, and political rallies. Few remember that Soldier Field hosted Billy Graham and Martin Luther King Jr., Judy Garland and Johnny Cash—as well as Grateful Dead’s final show. Soldier Field captures the dramatic history of Chicago’s stadium on the lake and will captivate sports fans and historians alike.