"No designer draws on religious themes to quite such glorious effect as Givenchy’s Riccardo Tisci. Thus, it made perfect sense that Tisci came on board to guest-edit Visionaire’s 60th issue, Religion. Housed inside a distressed wood case lined in black Plexiglas, a book of images revealed Tisci’s world and the inspiration behind his work. Naturally, the works were loaded with symbolism, like a photo of Tisci suckling at the teat of Marina Abramovic — an image the performance artist says echoed the relationship between art and fashion. “When Riccardo was asked who I wanted to collaborate with,” Abramovic recalls, “I said the only thing I want is to collaborate with you. That was my ultimatum. I said to him, This is the situation: do you admit that fashion is inspired by art? Well I am the art, you are the fashion, now suck my tits! He’s very shy, so it took him a while to come around. But he did. During the shoot, I wanted to be in a state of mind as if I were delivering the emotions of the artist whose work is being used as inspiration—luminous yet strong. Art is giving. Art is nourishing. Art is oxygen to society. I was thinking what the title would be, and I thought of The Contract.” For Tisci, it was an opportunity to meditate on his past and present. “Visionaire was a truly important moment of reflection for me,” he says. “This collection of work celebrates inner truths, inner dialogues, and moments which words cannot quantify""--Publisher's description.

Profiles the life and career of the famed fashion designer, including his childhood, the kidnapping of his daughter, and his rise to being a design powerhouse.

Showcasing twenty-five years of iconic art, fashion, and design content from renowned New York–based publication Visionaire. A publishing experiment that began in 1991, Visionaire has taken the shape of everything from a leather-bound portfolio to 12-inch vinyl records to a collection of dolls. With intimate reflections by contributors, a prized collection of nearly 450 images selected from sixty-five issues produced by an astounding cast of artists, photographers, and designers, this book delivers a rich panorama of two decades of media and fashion revolution from the perspective of independent publishing. Original commentary by cofounders Cecilia Dean and James Kaliardos provides unprecedented access to a pivotal New York scene and the creative life behind Visionaire as it shaped the fashion zeitgeist, propelling emerging voices and exceptional content while challenging the limits of print media. This volume is an essential piece of contemporary fashion and media history that traces the shape of things to come. Visionaire contributors include photographers Bruce Weber, Inez & Vinoodh, Mario Sorrenti, Mert and Marcus, Steven Klein, and Steven Meisel; artists Alex Katz, John Baldessari, KAWS, Marina Abramovic, and Yoko Ono; designers Karl Lagerfeld, Rei Kawakubo, and Riccardo Tisci; pop icons Bjork, David Bowie, Kate Moss, Lady Gaga, and Miley Cyrus; and many more. Art and fashion connoisseurs and anyone interested in media, design, and culture will find this landmark volume indispensable.

Many modernist and avant-garde artists and authors were fascinated by the occult movements of their day. This volume explores how Occultism came to shape modernist art, literature, and film. Individual chapters examine the presence and role of Occultism in the work of such modernist luminaries as Rainer Maria Rilke, August Strindberg, W.B. Yeats, Joséphin Péladan and the artist Jan Švankmaier, as well as in avant-garde film, post-war Greek Surrealism, and Scandinavian Retrogardism. Combining the theoretical and methodological foundations of the field of Esotericism Studies with those of Literary Studies, Art History, and Cinema Studies, this volume provides in-depth and nuanced perspectives upon the relationship between Occultism and Modernism in the Western arts from the nineteenth century to the present day.

This volume leads the reader through the essential stages of creating a garment, from pattern cutting and draping a mannequin, to finishing and haberdashery.

Digital technology is now a normal part of everyday life. The mutation of music and film into bits and bytes, downloads and streams is now taken for granted. For the world of book and magazine publishing however, this transformation has only just begun. Still, the vision of this transformation is far from new. For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over? In this book, Alessandro Ludovico rereads the history of the avant-garde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics. Ludovico is the editor and publisher of Neural, a magazine for critical digital culture and media arts. For more than 20 years now, he has been working at the cutting edge (and the outer fringes) of both print publishing and politically engaged digital art.

"Stephen met Jean-Louis Dumas, the president of Hermes, in Moscow one snowy winter night. Jean-Louis carries around a little sketchbook wherever he goes and uses it to record all of his various travel experiences. Years later, the idea for this Hermes travel pouch-designed by Jean-Louis himself-came up. We were traveling a lot at the time and were amused by the idea of a collection of imaginary, faraway places and the silly postcards that say things like ''Greetings from Mars.'' Contributors included Andreas Gursky, Mary Ellen Mark, Wolfgang Tillmans, Bruce Weber, Lauren Greenfield, Peter Lindbergh, and Jeff Burton. The postcards were made individual not only by the singular vision of each contributing artist but also by the original graphic treatment on the reverse side of each of the fifty-five silver-edged images. They also proved to be excellent party invitations. We sent boxes of them to friends in such far-flung places as Tokyo, Bangkok, Paris, and Brooklyn, which they then mailed back to us with the requisite postage stamps, and the inevitable wear and tear of shipping and handling." -- Publisher's website.

Recent years have seen extensive discussion about the continuing retreat from marriage, the increasing demand for the right to marry from previously excluded groups, and the need to protect those who do not wish to marry from being forced to do so. At the same time, weddings are big business, couples are spending more than ever before on getting married, and marriage ceremonies are increasingly elaborate. It is therefore timely to reflect on the rites of marriage, as well as the right to marry (or not to marry), and the relationship between them. To this end, this new interdisciplinary collection brings together scholars from numerous fields, including law, sociology, anthropology, psychology, demography, theology and art and design. Focusing on England and Wales, it explores in depth the specific issues arising from this jurisdiction's Anglican heritage, demographic development, current laws and social practices.

At the end of World War II, Eric Brown had the extraordinary experience of testing no fewer than 55 captured individual German aircraft types. These ranged from such exotic creations as the prone-pilot Berlin B9 and Horten IV, the push-and-pull Dornier DO335 and the remarkable little Heinkel He 162 Volksjager, to the highly innovative combat types that were entering the inventory of the Luftwaffe shortly before the demise of Germany's Third Reich. Brown also interrogated many of the leading German wartime aviation personalities, such as Willy Messerschmitt, Ernst Heinkel, Kurt Tank and Hanna Reitsch. From this background knowledge of German aviation he has selected those he considers the most important, and presents detailed descriptions of their background and characteristics.