Clothing appears in all forms of figurative painting, often taking up two thirds of a frame; yet it can often go unnoticed. Far more than a simple means of identifying the status or occupation of a figure, clothes and cloth are used creatively by artists to hint at ambiguities in character, adjust the emotional temperature, direct the eye or make subtle allusions. Drawing on works by artists over a period of six centuries, from Giotto to El Greco, Matisse to Cindy Sherman, the author reveals through paintings, fashion plates, photographs and film stills how drapery in art evolved from Renaissance extravagance to Neoclassical simplicity at the end of the 18th century, and has extended to infinite uses in all genres of Modern art. First published in 2002 to accompany an exhibition of the same name at the National Gallery, London, this beautifully illustrated - and beautifully written - book by pioneering art historian and critic Anne Hollander, is reissued with a new Foreword by Valerie Steele. As penetrating and insightful as when it was first published, it remains a must-read for today's generation of students and anyone with an interest in art and fashion.

A philosopher offers a non-physicalist theory of mind, revisiting and defending a key doctrine of emergentism. The presence of sentience in a basically material reality is among the mysteries of existence. Many philosophers of mind argue that conscious states and properties are nothing beyond the matter that brings them about. Finding these arguments less than satisfactory, Gerald Vision offers a nonphysicalist theory of mind. Revisiting and defending a key doctrine of the once widely accepted school of philosophy known as emergentism, Vision proposes that conscious states are emergents, although they depend for their existence on their material bases. Although many previous emergentist theories have been decisively undermined, Vision argues that emergent options are still viable on some issues. In Re-Emergence he explores the question of conscious properties arising from brute, unthinking matter, making the case that there is no equally plausible non-emergent alternative. Vision defends emergentism even while conceding that conscious properties and states are realized by or strongly supervene on the physical. He argues, however, that conscious properties cannot be reduced to, identified with, or given the right kind of materialist explanation in terms of the physical reality on which they depend. Rather than use emergentism simply to assail the current physicalist orthodoxy, Vision views emergentism as a contribution to understanding conscious aspects. After describing and defending his version of emergentism, Vision reviews several varieties of physicalism and near-physicalism, finding that his emergent theory does a better job of coming to grips with these phenomena.

Preliminary Material /Susan Niditch -- Introduction /Susan Niditch -- Stage I of the Symbolic Vision Form /Susan Niditch -- Stage II, A Literary-Narrative Direction in the Visions of Zechariah /Susan Niditch -- The Baroque Stage of the Symbolic Vision Form /Susan Niditch -- Conclusions /Susan Niditch -- Bibliography /Susan Niditch.

Competition Science Vision (monthly magazine) is published by Pratiyogita Darpan Group in India and is one of the best Science monthly magazines available for medical entrance examination students in India. Well-qualified professionals of Physics, Chemistry, Zoology and Botany make contributions to this magazine and craft it with focus on providing complete and to-the-point study material for aspiring candidates. The magazine covers General Knowledge, Science and Technology news, Interviews of toppers of examinations, study material of Physics, Chemistry, Zoology and Botany with model papers, reasoning test questions, facts, quiz contest, general awareness and mental ability test in every monthly issue.

Over the last two decades the historiography of medieval art has been defined by two seemingly contradictory trends: a focus on questions of visuality, and more recently an emphasis on materiality. The latter, which has encouraged multi-sensorial approaches to medieval art, has come to be perceived as a counterpoint to the study of visuality as defined in ocularcentric terms. Bringing together specialists from different areas of art history, this book grapples with this dialectic and poses new avenues for reconciling these two opposing tendencies. The essays in this volume demonstrate the necessity of returning to questions of visuality, taking into account the insights gained from the 'material turn'. They highlight conceptions of vision that attribute a haptic quality to the act of seeing and draw on bodily perception to shed new light on visuality in the Middle Ages.

This book revolutionizes how vision can be taught to undergraduate and graduate students in cognitive science, psychology, and optometry. It is the first comprehensive textbook on vision to reflect the integrated computational approach of modern research scientists. This new interdisciplinary approach, called "vision science," integrates psychological, computational, and neuroscientific perspectives. The book covers all major topics related to vision, from early neural processing of image structure in the retina to high-level visual attention, memory, imagery, and awareness. The presentation throughout is theoretically sophisticated yet requires minimal knowledge of mathematics. There is also an extensive glossary, as well as appendices on psychophysical methods, connectionist modeling, and color technology. The book will serve not only as a comprehensive textbook on vision, but also as a valuable reference for researchers in cognitive science, psychology, neuroscience, computer science, optometry, and philosophy.

Vision is more than the ability to see 20/20. It is comprised of eye movements, eye alignment, focusing, visual processing, and much more. When you have a vision problem beyond glasses, we call that a Functional Vision Disorder. With Vision Therapy for Home Study, Dr. Goldstein reveals therapy techniques to enhance your vision function and to treat symptoms of Functional Vision Disorders. This book contains the same techniques Dr. Goldstein has successfully treated thousands of patients in Connecticut for 20 years.