When SALON magazine went on-line with their first annual VIRGIN FICTION contest announcement, hundreds upon hundreds of entries poured into their offices. The rules: entrants must be under 35 and previously unpublished. Now, the results are in. From Iowa to Brooklyn to Texas and back again, a chorus of new voices evokes a remarkable range of emotional landscapes in prose that is sometimes witty, often piercing, and, in every moment, utterly original.

A confident and mesmerizing fiction debut, from the winner of the Plimpton Prize Set in the South, at the crossroads of a world that is both secular and devoutly Christian, April Ayers Lawson's stories evoke the inner lives of young women and men navigating sexual, emotional, and spiritual awakenings. In "The Negative Effects of Homeschooling," Conner, sixteen, accompanies his grieving mother to the funeral of her best friend, Charlene, a woman who was once a man. In "The Way You Must Play Always," Gretchen, who looks young even for thirteen, heads into her weekly piano lesson in nervous anticipation of her next illicit meeting with her teacher's brother, Wesley. Thin and sickly, wasting from a brain tumor, Wesley spends his days watching pornography and smoking pot, and yet Gretchen can only interpret his advances as the first budding of love. And in the title story, Jake grapples with the growing chasm between him and his wife, Sheila, who was still a virgin when they wed. At a cocktail party thrown by a wealthy donor to his hospital, he ponders the intertwining imperatives of marriage--sex and love, violation and trust, spirituality and desire--even as he finds himself succumbing to the temptations of his host. Self-assured and sensual, Virgin and Other Stories is the first work of a young writer of unusual mastery.

As the first encyclopedia solely devoted to the popular romance fiction genre, this resource provides a wealth of information on all aspects of the subject. Romance fiction accounts for a large share of book sales each year, and contrary to popular belief, not all of its readers are women: roughly 16 percent are men. This enormously popular genre continues to captivate people reading for pleasure, and it also commands a growing amount of academic interest. Included are alphabetically arranged reference entries on significant authors along with works, themes, and other topics. The articles are written by scholars, librarians, and industry professionals with a deep knowledge of the genre and so provide a thorough understanding of the subject. An index provides easy access to information within the entries, and bibliographies at the end of each entry, a general bibliography, and a suggested romance reading list allow for further study of the genre.

This Guide examines the key critical responses to Byatt's fiction (both her novels and short stories) tracing the wider debates about realism, postmodernism and feminism with which they engage. The Guide also explores the themes which are central to Byatt's work, such as her depiction of writer-figures and her conception of artistic vision.

A mesmerizing historical novel about the next generation of Tudor royals, filled with rich period detail, vividly drawn characters, and all the glamour and seduction of the fabled Tudor court—the second installation of the Tudor Legacy trilogy “Fantastic . . . [A] dramatic thriller complete with spies, battles, ruthless villains, and twists on historical events.”—RT Book Reviews Queen Elizabeth I remains sovereign of England and Ireland. For the moment, at least. An Irish rebellion is growing and Catholic Spain, led by the Queen’s former husband, King Philip, plans to seize advantage of the turmoil. Stephen Courtenay, eldest son of Dominic and Minuette, Elizabeth’s most trusted confidantes, has accepted a command in Ireland to quell the unrest. But the task will prove dangerous in more ways than one. The Princess of Wales, Elizabeth’s daughter, Anabel, looks to play a greater role in her nation, ever mindful that there is only one Queen of England. But how is Anabel to one day rule a country when she cannot even govern her own heart? Don’t miss any of Laura Andersen’s captivating Tudor Legacy trilogy: THE VIRGIN’S DAUGHTER • THE VIRGIN’S SPY • THE VIRGIN’S WAR

A comprehensive guide that defines the literature and the outlines the best-selling genre of all time: romance fiction. More than 2,000 romances are published annually, making it difficult for fans and the librarians who advise them to keep pace with new titles, emerging authors, and constant evolution of this dynamic genre. Fortunately, romance expert and librarian Kristin Ramsdell provides a definitive guide to this fiction genre that serves as an indispensible resource for those interested in it—including fans searching for reading material—as well as for library staff, scholars, and romance writers themselves. This title updates the last edition of Romance Fiction: A Guide to the Genre, published in 1999.While the emphasis is on newer titles, many of the important older classics are retained, keeping the focus of the book on the entire genre, instead of only those titles published during the last decade. Specific changes include new chapters on linked and continuing romances, a new section on "Chick Lit" in the Contemporary Romance chapter, an expansion of coverage on the alternative reality subset. This is THE romance genre guide to have.

The anthology '50 Christian Books: Scripture, History, Theology, Spirituality and Fiction' represents an unprecedented assembly of philosophical, theological, and literary genius spanning centuries of Christian thought and storytelling. It binds together an eclectic mixture of genresfrom theological treatises and spiritual autobiographies to allegorical fiction and philosophical discourse. The diversity present within this collection allows for a comprehensive exploration of Christian ideals, ethics, and spiritual struggles. Among these pages, readers will find seminal works that have shaped Christian thought and influenced global literary movements, providing insights into the perennial questions of faith, good and evil, and human destiny. The contributing authors and editors, ranging from early church fathers like Saint Augustine and Gregory of Nyssa to Renaissance luminaries such as John Milton, up to modern philosophers like Friedrich Nietzsche and G.K. Chesterton, embody a wide spectrum of theological, philosophical, and cultural perspectives. This diversity reflects the anthology's commitment to displaying the rich tapestry of Christian literature, encompassing various epochs, cultures, and doctrinal viewpoints. Their collective works chart the development of Christian theology and philosophy, engage with the socio-political challenges of their times, and continue to provoke thoughtful reflection on moral and spiritual questions today. This collection is essential reading for anyone interested in the depth and diversity of Christian literary tradition. It offers readers the unique opportunity to engage with a myriad of perspectives and voices, all united by the theme of exploring the Christian faith but varied in their approaches and conclusions. Whether one approaches these works with scholarly intent, spiritual seeking, or mere curiosity about the influence of Christianity on world literature, there is much to be gleaned from the dialogue these texts provoke. '50 Christian Books' invites a journey through history, thought, and beliefa journey well worth taking for the richness of its scenery and the company of its guides.

DigiCat presents the essential works of Christian faith - the scriptures, the history of Christianity, the most important philosophical works on religion & spirituality, as well as most famous Christian novels and stories: Scripture: Bible First Clement Second Clement Didache Epistle of Barnabas Shepherd of Hermas The Infancy Gospel of Thomas Apocalypse of Peter History: History of the Christian Church Creeds of Christendom Philosophy of Religion: The Confessions of St. Augustine On the Incarnation (Athanasius) On the Soul and the Resurrection (Gregory of Nyssa) On the Holy Spirit (Basil) Pastoral Care (Gregory I) An Exact Exposition of the Orthodox Faith (John of Damascus) Summa Theologica (St. Thomas Aquinas) The Imitation of Christ (Thomas à Kempis) A Treatise on Christian Liberty (Martin Luther) The Interior Castle (St. Teresa of Ávila) The Practice of the Presence of God (Brother Lawrence) The Age of Reason (Thomas Paine) The Natural History of Religion (David Hume) The Religious Affections (Jonathan Edwards) The Essence of Christianity (Ludwig Feuerbach) Beyond Good and Evil (Nietzsche) All of Grace (Charles Spurgeon) Humility: The Journey Toward Holiness (Andrew Murray) Orthodoxy (Chesterton) The Everlasting Man (Chesterton) The Sovereignty of God (Arthur Pink) The Kingdom of God Is Within You (Tolstoy) Religious Fiction: Divine Comedy (Dante) Paradise Lost (John Milton) The Pilgrim's Progress (John Bunyan) Zadig (Voltaire) Ben-Hur: A Tale of the Christ (Lew Wallace) Quo Vadis (Henryk Sienkiewicz) In His Steps (Charles M. Sheldon) The Story of the Other Wise Man (Henry Van Dyke) The Ball and the Cross (Chesterton) The Enchanted Barn (Grace Livingston Hill) The Grand Inquisitor (Dostoevsky) Wilhelm Meister's Apprenticeship (Goethe) Thus Spoke Zarathustra (Nietzsche) Spirituality: The Conduct of Life (Ralph Waldo Emerson) Lessons in Truth (H. Emilie Cady) As a Man Thinketh (James Allen) Thoughts are Things (Prentice Mulford) The Game of Life and How to Play It (Florence Scovel Shinn)

Kate O'Brien's work is now widely considered canonical in the English language, and the author herself an icon for Ireland seeking to reinvent itself. O'Brien's novel Mary Lavelle, banned upon publication in 1936, is a key work of the twentieth century that has suffered from critical neglect despite its wider popularity with readers. This book reexamines Mary Lavelle, exploring its role in the modernist canon and its importance to political and queer activism. The novel's biographical and autobiographical experimentation is of particular note. Through the lens of this crucial novel, the oeuvre of Kate O'Brien is recontextualized and reassessed.