Virgil Finlay left behind thirty-five years of fantasy and science-fiction art-work - and a reputation as the most meticulous pulp magazine illustrator of his generation. Finlay sold his first professional drawings to Weird Tales magazine in 1935 and within a year he had established himself as the finest artist in his field. Throughout the 1930's, 40s and 50s, Finlay reigned supreme as the acknowledged master of black-and-white fantasy, science fiction and horror illustration. Women of the Ages offers the best of Finlay's artwork - exquisite line drawings, which display the jewel-like rendering of Finlay's painstaking technique. Women of the Ages features ravishing illustrations from the pages of Weird Tales, Famous Fantastic Mysteries, Startling Stories, American Weekly and many others. This lavish cornerstone collection showcases the work of a unique 20th century artist.

Virgil Finlay had a life-long interest in -- ghoulies and ghosties and long leggety beasties. This great artist had a preoccupation with the fantastic and weird, and the myths and legends of antiquity fascinated him and were to become his models. When changing trends brought a decline in fantasy magazine art during the 1930s and 1940s, Finlay turned to the astrology magazines which gave him an opportunity to continue with his first love, fantasy art. Almost one hundred illustrations have been assembled for this book, including three color pieces. It was Finlay's belief that they were among his finest work, and it was a dream of his to see them collected in book form. With an introduction revealing much of his approach to the subject.

Collection of works by artists who published psychedelic posters with Big O Posters Features hundreds of works by 19 artists, including Martin Sharp, Roger Dean, and H.R. Giger Posters and art for glam rock, hippie music, counterculture literature, film, and more

Like its companion volume, "The Encyclopedia of Science Fiction", this massive reference of 4,000 entries covers all aspects of fantasy, from literature to art.

The essays presented in this book focus on Psycho, both the novel by Robert Bloch (1950) and the film by Alfred Hitchcock (1960). Therefore, the different approaches range from film studies to literary criticism. Norman Bates has become an icon of the late twentieth century horror genre, and the movie set the basis for later cinematic developments. Over 50 years after the release of the book and the movie it inspired, new readings, revisions and adaptations of the domestic tragedy of Norman Bates and his mother are still being produced, as recently as Sacha Gervasi’s Hitchock in 2012. Now the curtains (either on the stage or in the bathroom) are about to open and a most peculiar house – with its silhouette and endorsement of doom – is waiting up on the hill. No cameras or pencils are allowed; you’re invited to a ritual that only your eyes will view and your imagination will embody. Leave all hope behind and enter at your own risk. The Bates’ terrifying rollercoaster welcomes you. Nothing is over here … at least not until it overcomes you.

Known as the "World Wrecker" for his galaxy-smashing space operas, Edmond Hamilton wrote intelligent, exciting, and readable science fiction for over 40 years. This first major bibliography of his work covers his enormous output and numerous reprint editions. All students of Hamilton--and all major libraries--will want a copy of this bibliographical labor of love.