This volume brings together essays written over two decades by a leading authority in the field. The collection includes 2 recent essays that are published here for the first time. The articles cover major aspects of the discussion of Jewish apocalypticism, in relation to the Hebrew bible, the New Testament and the Hellenistic-Roman world. Distinctive strengths of the volume include clusters of essays on the Sibylline oracles and on the relationship between apocalypticism and wisdom. A section of the book is devoted to studies on Daniel. This publication has also been published in paperback, please click here for details.

The Protean Virgil argues that when we try to understand how and why different readers have responded differently to the same text over time, we should take into account the physical form in which they read the text as well as the text itself. Using Virgil's poetry as a case study in book history, the volume shows that a succession of material forms - manuscript, printed book, illustrated edition, and computer file - undermines the drive toward textual and interpretive stability. This stability is the traditional goal of classical scholarship, which seeks to recover what Virgil wrote and how he intended it to be understood. The manuscript form served to embed Virgil's poetry into Christian culture, which attempted to anchor the content into a compatible theological truth. Readers of early printed material proceeded differently, breaking Virgil's text into memorable moral and stylistic fragments, and collecting those fragments into commonplace books. Furthermore, early illustrated editions present a progression of re-envisionings in which Virgil's poetry was situated within a succession of receiving cultures. In each case, however, the material form helped to generate a method of reading Virgil which worked with this form but which failed to survive the transition to a new union of the textual and the physical. This form-induced instability reaches its climax with computerization, which allows the reader new power to edit the text and to challenge the traditional association of Virgil's poetry with elite culture.

This pioneering study reveals the central place held by Virgil's 'messianic' Eclogue in the art and literature of Renaissance Italy.

Emil Schürer's Geschichte des judischen Volkes im Zeitalter Jesu Christi, originally published in German between 1874 and 1909 and in English between 1885 and 1891, is a critical presentation of Jewish history, institutions, and literature from 175 B.C. to A.D. 135. It has rendered invaluable services to scholars for nearly a century. The present work offers a fresh translation and a revision of the entire subject-matter. The bibliographies have been rejuvenated and supplemented; the sources are presented according to the latest scholarly editions; and all the new archaeological, epigraphical, numismatic and literary evidence, including the Dead Sea Scrolls and the Bar Kokhba documents, has been introduced into the survey. Account has also been taken of the progress in historical research, both in the classical and Jewish fields. This work reminds students of the profound debt owed to nineteenth-century learning, setting it within a wider framework of contemporary knowledge, and provides a foundation on which future historians of Judaism in the age of Jesus may build.