A thrilling adventure from Lisle is set in the same fantasy world as the popular Secret Texts trilogy--a world where a sorcery called Dragon Magic draws its powers from the agony of slaves who are killed for sorcerous fuel until three heroes challenge this inhuman cruelty.

Battling over the Mirror of Souls, Kait Galweigh and Crispin Sabir don't realize that it contains the captive spirits of long-dead sorcerers who once conquered the world and are poised to wreak vengeance yet again.

This first volume of The Secret Texts trilogy builds a complete fantasy world with systems of magic, politics, geography & history.

A magical war challenges the ingenuity of even the bravest of heroes in this thrilling saga of destruction, devastation, and disaster. When Hardin fails to destroy this new threat, the Calimekkans bring back the few surviving Wolves who know the magic of the dark path. They offer endless sacrifices from their own people in a vain attempt to ward off the approaching evil. Meanwhile, protagonists Kait and Ry are on the run, trying to figure out a way to create a new Mirror of the Dead that will contain Luercas permanently. Luercas has figured out that Kait and Ry are his main obstacle and begins to seek them out to destroy them. Their only hope is to lure Luercas in and trap him in another Mirror of the Dead -- before he destroys them along with all of Ibera.

Presents articles on the horror and fantasy genres of fiction, including authors, themes, significant works, and awards.

Fantasy is a genre in motion, gradually expanding its reach and historical sources to embrace a global identity Historical Dictionary of Fantasy Literature, Second Edition is a snapshot of the genre in this moment, identifying new themes and sources that are emerging to inspire, enhance and invigorate the published works of fantasy writers.

In the conclusion to this highly praised series, the Final Battle ensues between the Falcons, a band of fugitive wizards committed to peace, and the Dragons, the soul-devouring necromancers wielding the enormous power of black magic. Aided by the long-banished Scarred, the unstoppable army is bent on conquest. Meanwhile, heroes Kait Galweigh and Ry Sabir struggle to destroy the sorcerer Luercas in a new Mirror of the Dead, before he destroys them -- and all of Iberia -- forever.

In a world where technology is magic, and war is the only way of life, Talyn is a soldier... ...raised from birth to fight for her people and her country. She long ago embraced her fate: to die in battle. So when a shocking peace sweeps her land, she's cast adrift, and easily seduced by an outsider's touch, his new magic -- but his passions are evil and run deep, and Talyn soon finds herself twisted by his touch. Through him she discovers darkness within herself she'd never suspected--and the mistreatment of prisoners of war, the creeping blackness sneaking through her land, the insidious evil that no one even suspected their peacekeepers of bringing. Now she must weigh her life against her honor if she is to help her people regain their freedom...

"Anyone will likely be captivated by this stern and stirring treatise on the dangers of enforced peace and the virtues of paranoid preparation for the worst.--"Publishers Weekly."

Once upon a time all literature was fantasy, set in a mythical past when magic existed, animals talked, and the gods took an active hand in earthly affairs. As the mythical past was displaced in Western estimation by the historical past and novelists became increasingly preoccupied with the present, fantasy was temporarily marginalized until the late 20th century, when it enjoyed a spectacular resurgence in every stratum of the literary marketplace. Stableford provides an invaluable guide to this sequence of events and to the current state of the field. The chronology tracks the evolution of fantasy from the origins of literature to the 21st century. The introduction explains the nature of the impulses creating and shaping fantasy literature, the problems of its definition and the reasons for its changing historical fortunes. The dictionary includes cross-referenced entries on more than 700 authors, ranging across the entire historical spectrum, while more than 200 other entries describe the fantasy subgenres, key images in fantasy literature, technical terms used in fantasy criticism, and the intimately convoluted relationship between literary fantasies, scholarly fantasies, and lifestyle fantasies. The book concludes with an extensive bibliography that ranges from general textbooks and specialized accounts of the history and scholarship of fantasy literature, through bibliographies and accounts of the fantasy literature of different nations, to individual author studies and useful websites.