This study shows that Zenodotus (first half of the 3rd century BCE) knew a more archaic form of the Homeric text than the one we now know, bringing to light important new elements for both Greek historical linguistics and Homeric studies.

Traditionally, writing--a graphic, multidimensional form of communication--has been approached as a vehicle for representing, and therefore conveying, the spoken word. Moving beyond this manner of analysis, this volume interrogates writing as a medium that is not simply a handmaiden to oral and aural exchange but a communication system that is richly layered and experienced. To exploit this aspect of visual code, scholars from the fields of Egyptology, Sinology, Hittitology, and Assyriology, together with Mesoamericanists, art historians, and a sign language specialist, are brought together in this volume. In its pages, these contributors incorporate into their analyses methods more commonly used in linguistics and semiotics, communication studies, art historical analysis, and traditional philology to new ends in order to form original trajectories of inquiry. Each contribution either lays bare explicit exploitation of visuality in scribal production as a means to cement power, reveal the mystical, induce humor, or expose clandestine views or it locates implicit knowledge schemes and cultural maps underlying and informing these same productions. The pioneering investigations presented in Seen Not Heard reveal that although writing may be heard, the fact that it can also be seen affects its reception and therefore the meaning of any transported phonological units.

Excavations at ancient Methone since 2003 by the Greek Ministry of Culture have uncovered remains from the Late Neolithic period through the fourth-century B.C. destruction by Philip II of Macedon. These discoveries extend the history of the city, a colony of Eretria (Euboia) since the late eighth century B.C., by nearly three thousand years into Greek prehistory. This volume presents results of the project in selected artefacts, burials, and structures representing the chief phases of the city, in chronological order. An introduction covers historical sources, excavations from 2003 to 2013, and the unique location of Methone. Part I details the prehistoric settlement at Methone, from the fourth millennium to 1000 B.C., and the Bronze Age burials. Part II focuses on the copious artifacts and ecofacts from the Early Iron Age "Hypogeion" shaft. Part III presents artifacts and architecture from the Archaic and Classical periods, through the final daysof the siege of the city in 354 B.C. The significance of this work lies in its interdisciplinary methods, combining stylistic analysis of artifacts and source-critical philology with natural history, bioarchaeology, materials analysis, and geochemistry, whose results reveal the long-term history of a site crucial to the economic and political history of Classical Greece and the north Aegean.

The work of the Latin elegiac poet Tibullus (c. 55-19 b.c.) is characterized by an artful, witty "simplicity," and it relies on repetition, ambiguity, irony, and paradox for its effect. His poetry appealed to his countrymen in his own time, as it still does to students today, and this textbook is designed to explain and enhance that appeal. The commentary presented here is limited to the sixteen poems which comprise the first two books of the corpus Tibullianum, that is, to poems authentically by Tibullus. The notes focus on the needs of students approaching Latin elegy for the first time, but they will also prove useful to the more experienced student of Latin or to scholars in other languages. The editor has tried to balance matters of fact with occasional fresh interpretations. One introduction records what is known of the poet's life and discusses the rise of Latin elegy. The meter of the poems is explained, and Tibullus' style is examined.

This volume investigates a wide range of topics in the study of Gothic, the oldest Germanic language to be attested in any substantial texts, some three centuries before the earliest Old English. It covers issues in sociolinguistics, historical linguistics, phonology, derivational morphology, verbal syntax, and discourse structure. Individual chapters examine Gothic-Latin bilingualism in sixth-century Italy, some hitherto undiscovered aspects of the production of the first edition of the Codex Argenteus associated with England, and the translations of Greek nominal compounds in the Gospels. Phonological and morphological topics covered include vowel lowering (?breaking?), the distinction between abstract nouns in -ei and -i?a, the shape of the 'yon'-word in Proto-Germanic, and the morphology and derivational history of the word fidur-dogs 'four-days-old'. The syntactic studies explore the development of verb + particle constructions in Gothic and Old Saxon, attempt to discern the order of noun plus adnominal possessive, and analyse the complex and in part cross-linguistically unparalleled markers of Gothic relative clauses. The volume concludes with two chapters that explore discourse structure: the first studies the particles nu and ?an in their dual roles as anaphoric elements ('now' and 'then') and as discourse particles, while the second examines the system of discourse articulation as a whole in the Gothic Gospels.