Jackson Blackwell, the Shadow Master, returns. And lo, the multiverse shall tremble. Why? For someone dared to kidnap his daughter. In this third installment of the multiple award-nominated Shadow Master novels (which we perpetually lose), Jackson and his crew of malicious malcontents are going on a road trip! Er, well, space . . . trip? Look, this time we're mocking sci-fi, so you know, just go with it. While on a consultation trip to a sci-fi dimension, Evie Blackwell is taken by hired mercenaries, and Jackson is stranded on a remote planet. Using all of his devious and deadly tricks, Jackson must escape, assemble his team, and travel through space and time to find those responsible. Jackson will stop at nothing to prove his commitment to his family while wreaking his patented comedic havoc in a way that only a man-turned-god can. Follow this thrilling, hilarious, and yes, oddly touching book, as Jackson hops dimensions, fights the forces of light and shadow, and even confronts an entire pantheon of pissed-off gods. Won't this be a hoot?

When the Count's niece is kidnapped by elves, Kevin, a bard's apprentice, agrees to locate the young woman, unaware that she is not actually the Count's niece and that the elves are not actually elves.

The definitive history of the flamboyant life of Ian Fleming and his most famous creation, James Bond. This new biography of Ian Fleming presents a fresh and illuminating portrayal of the iconic creator of James Bond. Oliver Buckton provides the first in-depth exploration of the entire process of Ian Fleming’s writing—from initial conception, through composition, to his involvement in the innovative publication methods of his books. He also investigates the vital impact of Fleming’s work in naval intelligence during World War Two on his later writings, especially the wartime operations he planned and executed and how they drove the plots of the James Bond novels. Buckton considers the vital role of wartime deception, disinformation, and propaganda in shaping Fleming’s later techniques and imaginative creations. Offering a radically new view of Fleming’s relationships with women, Buckton traces the role of strong, independent, and intelligent women such as Maud Russell, Phyllis Bottome, and his wife, Ann, on Fleming’s portrayal of female characters. The book concludes with a thorough analysis of the James Bond films from Eon productions, and their influence in promoting, while also distorting, the public’s recognition of Fleming’s writing.

From the master of Story, Dialogue, and Character, ACTION offers writers the keys to propulsive storytelling. ACTION explores the ways that a modern-day writer can successfully tell an action story that not only stands apart, but wins the war on clichés. Teaming up with the former co-host of The Story Toolkit, Bassim El-Wakil, legendary story lecturer Robert McKee guides writers to award-winning originality by deconstructing the action genre, illuminating the challenges, and, more importantly, demonstrating how to master the demands of plot with surprising beats of innovation and ingenuity. Topics include: Understanding the Four Core Elements of Action Creating the Action Cast Hook, Hold, Pay Off: Design in Action The Action Macguffin Action Set Pieces The Sixteen Action Subgenres A must-add to the McKee storytelling library, ACTION illustrates the principles of narrative drive with precision and clarity by referencing the most popular action movies of our time including: Die Hard, The Star Wars Saga, Dark Knight, The Matrix, and Avengers: Endgame.

One dimensional television characters are a thing of the past--today's popular shows feature intricate storylines and well developed characters. From the brooding Damon Salvatore in The Vampire Diaries to the tough-minded Rick Grimes in The Walking Dead, protagonists are not categorically good, antagonists often have relatable good sides, and heroes may act as antiheroes from one episode to the next. This collection of new essays examines the complex characters in Orange Is the New Black, Homeland, Key & Peele, Oz, Empire, Breaking Bad, House, and Buffy the Vampire Slayer.

"This monumental work has now become... the indispensable tool of all folk narrative scholars." --Southern Folklore Quarterly "A work of this kind can never be quite complete, but in this work Stith Thompson has approached perfection." --Volkskunde "An invaluable aid to students and scholars... " --Reference & Research Book News Indiana University Press, with the generous support of the L. J. and Mary C. Skaggs Foundation, is pleased to announce the republication of this folklore classic, in honor of the centenary of the American Folklore Society.

Although moral earnestness has long been considered characteristic of the Victorians, Kucich maintains that English fiction in the nineteenth century was as interested in lies as in honesty. In this important book, Kucich explores the fascination with lying in novels by Anthony Trollope, Wilkie Collins, Elizabeth Gaskell, Ellen Wood, Thomas Hardy, and Sarah Grand.

What is evil? How do we understand it in our culture? The thirteen essays in this critical volume explore the different ways in which evil is portrayed in popular culture, particularly film and novels. Iconic figures of evil are considered, as is the repeated use of classic themes within our intellectual tradition. Topics covered include serial killers in film, the Twilight series, the Harry Potter series, Star Wars, and more. Collectively, these essays suggest how vital the notion of evil is to our culture, which in turn suggest a need to reflect on what it means to value what is good.

Featuring Cecelia Eaton Luschnig's annotated verse translations of Euripides' Electra, Iphigenia among the Tauri, and Orestes, this volume offers an ideal avenue for exploring the playwright's innovative treatment of both traditional and non-traditional stories concerning a central, fascinating member of the famous House of Atreus.

Gripping stories, whether modern or ancient, always include heroes and villains. The Synoptic Gospels, chock full of villains (religious leaders and others) in pursuit of an emerging hero (Jesus), are no different. Drawing first-century Jews into their familiar past and beckoning modern readers to join in its appreciation, these writers employ a literary tactic that intensifies this conflict; they depict these characters as Old Testament heroes and villains. To enter this fascinating, intertextual character portrayal, this book, in building on eighty years of lament studies, advances our understanding of the Synoptists's literary and rhetorical use of the Psalmic Lament in relation to other Old Testament motifs to characterize Jesus and his opponents. Other contributions made along the way, including insights into the Synoptists's literary appropriation of Isaiah's Servant, are all geared toward helping us better understand how Matthew, Mark, and Luke characterize their hero and villains.