Richard Bulliet's timely account provides the essential background for understanding the contemporary resurgence of Muslim activism around the globe. Why, asks Bulliet, did Islam become so rooted in the social structure of the Middle East and North Africa, as well as in those parts of Asia and Africa to which it spread after the tenth century? In assessing the historical evolution of Islamic society, Bulliet abandons the historian's typical habit of viewing Islamic history "from the center", that is, focusing on the rise and fall of imperial dynasties. Instead, he examines the question of how and why Islam became - and continues to be - so rooted in the social structure of the vast majority of people who lived far from the political center and did not see the caliphate as essential in their lives. Focusing on Iran, and especially the cities of Isfahan, Gorgan, and Nishapur, Bulliet examines a wide range of issues, including religious conversion; migration and demographic trends; the changing functions and fortunes of cities and urban life; and the roots and meaning of religious authority. The origins of today's resurgence, notes Bulliet, are located in the eleventh century. "The nature of Islamic religious authority and the source of its profound impact upon the lives of Muslims - the Muslims of yesterday, of today, and of tomorrow - cannot be grasped without comprehending the historical evolution of Islamic society", he writes. "Nor can such a comprehension be gained from a cursory perusal of the central narrative of Islam. The view from the edge is needed, because, in truth the edge ultimately creates the center".

Blizzards, drought, fire, floods, hail, tornadoes, and wind are the violent forces of nature that define extreme living in the upper Midwest. In View From the Edge, Warren Swier opens a door into the hearts of those who live in rural America and eloquently exposes the complexity of their character. He offers a glimpse into the joys and struggles that farmers incur while planting and harvesting a crop, which run parallel to the delights and challenges that parents encounter while raising a family. Warren also details the endearing essence of small-town life and reveals the moral fiber of rural people. Farm folks, rural residents, and urban dwellers alike will laugh and cry and, in the end, see the raw beauty of this View From the Edge.

"I've been there with my books and bones. And what has it given me? A bad marriage and a visit to the nut house." So says Joshua Feenics, a University Professor recovering from a psychotic breakdown. He returns to work only to face a dull life without mea

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We live in reality in the moments and interactions of the day-to-day. We have faith in reality, because without it, there is no meaning and no truth. What is reality, though? Is it defined by the senses taste, touch, smell, sight or is it a state of mind? Does it only exist within the human brain, and if so, can one person's reality be in direct opposition to that of another? A View of the Edge of the World is a collection of stories that escapes the realm of our known reality and delves into the extraordinary. An obese child struggles to find meaning with the help of a supernatural stranger. A disillusioned soldier on the verge of insanity wrestles against time to save his mind, while strangers trapped in an all-night diner fight to solve a murder and save their lives. Each story takes a trip to the edge of the world, whether that edge is physical, psychological, or spiritual. Each story questions the truth of our reality. From the depths of space to the horrors created by one man's imagination, ask yourself: do you have the strength to step to the edge and look over? Or will the view leave you questioning your own sense of reality and possibly your sanity?

12-16 yrs.

From the beginning, abstraction has been intrinsic to photography, and its persistent popularity reveals much about the medium. Now available in an affordable paperback edition, The Edge of Vision: The Rise of Abstraction in Photography is the first book in English to document this phenomenon and to put it into historical context, while also examining the diverse approaches thriving within contemporary photography. Author Lyle Rexer examines abstraction at pivotal moments, starting with the inception of photography, when many of the pioneers believed the camera might reveal other aspects of reality. The Edge of Vision traces subsequent explorations--from the Photo-Secessionists, who emphasized process and emotional expression over observed reality, to Modernist and Surrealist experiments. In the decades to follow, in particular from the 1950s through the 1980s, a multitude of photographers--Edward Weston, Aaron Siskind, Barbara Kasten, Ellen Carey and James Welling among them--took up abstraction from a variety of positions. Finally, Rexer explores the influence the history of abstraction exerts on contemporary thinking about the medium. Many contemporary artists--most prominently Penelope Umbrico, Michael Flomen, and Adam Broomberg and Oliver Chanarin--reject classic definitions of photography's documentary dimension in favor of other conceptually inflected possibilities, somewhere between painting and sculpture, that include the manipulation of process and printing. In addition to Rexer's engagingly written and richly illustrated history, this volume includes a selection of primary texts from and interviews with key practitioners and critics, such as Alvin Langdon Coburn, László Moholy-Nagy, Gottfried Jägger, Silvio Wolf and Walead Beshty.

This stunning photographic essay opens a new frontier for readers to explore through words and images. Microbial studies have clarified life’s origins on Earth, explained the functioning of ecosystems, and improved both crop yields and human health. Scott Chimileski and Roberto Kolter are expert guides to an invisible world waiting in plain sight.

History carves its imprint on human lives for generations after. When we think of the radical changes that transformed America during the twentieth century, our minds most often snap to the fifties and sixties: the Civil Rights Movement, changing gender roles, and new economic opportunities all point to a decisive turning point. But these were not the only changes that shaped our world, and in Living on the Edge, we learn that rapid social change and uncertainty also defined the lives of Americans born at the turn of the twentieth century. The changes they cultivated and witnessed affect our world as we understand it today. Drawing from the iconic longitudinal Berkeley Guidance Study, Living on the Edge reveals the hopes, struggles, and daily lives of the 1900 generation. Most surprising is how relevant and relatable the lives and experiences of this generation are today, despite the gap of a century. From the reorganization of marriage and family roles and relationships to strategies for adapting to a dramatically changing economy, the challenges faced by this earlier generation echo our own time. Living on the Edge offers an intimate glimpse into not just the history of our country, but the feelings, dreams, and fears of a generation remarkably kindred to the present day.

The advent of photography revolutionized perception, making visible what was once impossible to see with the human eye. In At the Edge of Sight, Shawn Michelle Smith engages these dynamics of seeing and not seeing, focusing attention as much on absence as presence, on the invisible as the visible. Exploring the limits of photography and vision, she asks: What fails to register photographically, and what remains beyond the frame? What is hidden by design, and what is obscured by cultural blindness? Smith studies manifestations of photography's brush with the unseen in her own photographic work and across the wide-ranging images of early American photographers, including F. Holland Day, Eadweard Muybridge, Andrew J. Russell, Chansonetta Stanley Emmons, and Augustus Washington. She concludes by showing how concerns raised in the nineteenth century remain pertinent today in the photographs of Abu Ghraib. Ultimately, Smith explores the capacity of photography to reveal what remains beyond the edge of sight.