This collection of all new essays seeks to answer a series of questions surrounding the Victorian response to poverty in Britain. In short, what did various layers of society say the poor deserved and what did they do to help them? The work is organized against the backdrop of the 1834 New Poor Laws, recognizing that poverty garnered considerable attention in England because of its pervasive and painful presence. Each essay examines a different initiative to help the poor. Taking an historical tack, the essayists begin with the royal perspective and move into the responses of Church of England members, Evangelicals, and Roman Catholics; the social engagement of the literati is discussed as well. This collection reflects the real, monetary, spiritual and emotional investments of individuals, public institutions, private charities, and religious groups who struggled to address the needs of the poor.

This collection of all new essays seeks to answer a series of questions surrounding the Victorian response to poverty in Britain. In short, what did various layers of society say the poor deserved and what did they do to help them? The work is organized against the backdrop of the 1834 New Poor Laws, recognizing that poverty garnered considerable attention in England because of its pervasive and painful presence. Each essay examines a different initiative to help the poor. Taking an historical tack, the essayists begin with the royal perspective and move into the responses of Church of England members, Evangelicals, and Roman Catholics; the social engagement of the literati is discussed as well. This collection reflects the real, monetary, spiritual and emotional investments of individuals, public institutions, private charities, and religious groups who struggled to address the needs of the poor.

Charity and Condescension explores how condescension, a traditional English virtue, went sour in the nineteenth century, and considers how the failure of condescension influenced Victorian efforts to reform philanthropy and to construct new narrative models of social conciliation. In the literary work of authors like Dickens, Eliot, and Tennyson, and in the writing of reformers like Octavia Hill and Samuel Barnett, condescension—once a sign of the power and value of charity—became an emblem of charity’s limitations. This book argues that, despite Victorian charity’s reputation for idealistic self-assurance, it frequently doubted its own operations and was driven by creative self-critique. Through sophisticated and original close readings of important Victorian texts, Daniel Siegel shows how these important ideas developed even as England struggled to deal with its growing underclass and an expanding notion of the state’s responsibility to its poor.

"Drawing on a comparative study of hospital records, Charity and the London Hospitals investigates how and why Victorians contributed in order to show that benevolence was rarely amenable to a single form or reason. Whilst charity remained central to the hospitals' raison d'etre, philanthropy's contribution was modified at a financial and administrative level as hospitals shifted from being philanthropic to medical institutions. Why this process occurred and the impact of professionalisation and scientific medicine are assessed."--BOOK JACKET.

Charles Booth’s seventeen-volume series, The Life and Labour of the People in London (1886–1903), is a staple of late Victorian social history and a monumental work of scholarship. Despite these facts, historians have paid little attention to its section on religious influences. Thomas Gibson-Brydon’s The Moral Mapping of Victorian and Edwardian London seeks to remedy this neglect. Combing through the interviews Booth and his researchers conducted with 1,800 churchmen and women, Gibson-Brydon not only brings to life a cast of characters – from “Jesusist” vicars to Peckham Rye preachers to women drinkers – but also uncovers a city-wide audit of charitable giving and philanthropic practices. Discussing the philosophy of Booth, the genesis of his Religious Influences Series, and the agents and recipients of London charity, this study is a frank testimony on British moral segregation at the turn of the century. In critiquing the idea of working-class solidarity and community-building traditionally portrayed by many leading social and labour historians, Gibson-Brydon displays a meaner, bleaker reality in London’s teeming neighbourhoods. Demonstrating the wealth of untapped information that can be gleaned from Booth’s archives, The Moral Mapping of Victorian and Edwardian London raises new questions about working-class communities, cultures, urbanization, and religion at the height of the British Empire.

Politicians, social administrators, economists, biographers and historians have shared the belief that the Charity Organisation Society effectively rationalised relief to the Victorian poor and illustrated the advantages of caring voluntarism over impersonal state handouts. It is now clear that in provincial England these impressions were illusory. The alleged sinful profligacy of other charitable bodies was persistently condemned by the Charity Organisation Society for fostering latant sin amongst the poor. By exposing how they failed in practice to satisfy their own prescriptions for appropriate poor relief this volume asks whether the Charity Organisation Society were themselves morally equipped to castigate others about sin.

Studies of Victorian governance have been profoundly influenced by Discipline and Punish, Michel Foucault's groundbreaking genealogy of modern power. Yet, according to Lauren Goodlad, Foucault's analysis is better suited to the history of the Continent than to nineteenth-century Britain, with its decentralized, voluntarist institutional culture and passionate disdain for state interference. Focusing on a wide range of Victorian writing—from literary figures such as Charles Dickens, George Gissing, Harriet Martineau, J. S. Mill, Anthony Trollope, and H. G. Wells to prominent social reformers such as Edwin Chadwick, Thomas Chalmers, Sir James Kay-Shuttleworth, and Beatrice Webb—Goodlad shows that Foucault's later essays on liberalism and "governmentality" provide better critical tools for understanding the nineteenth-century British state. Victorian Literature and the Victorian State delves into contemporary debates over sanitary, education, and civil service reform, the Poor Laws, and the century-long attempt to substitute organized charity for state services. Goodlad's readings elucidate the distinctive quandary of Victorian Britain and, indeed, any modern society conceived in liberal terms: the elusive quest for a "pastoral" agency that is rational, all-embracing, and effective but also anti-bureaucratic, personalized, and liberatory. In this study, impressively grounded in literary criticism, social history, and political theory, Goodlad offers a timely post-Foucauldian account of Victorian governance that speaks to the resurgent neoliberalism of our own day.

Edited by Eileen Gillooly and Deirdre David, Contemporary Dickens is a collection of essays that presents some of the most intriguing work being undertaken in Dickens studies today. Through an emphasis on the nineteenth-century origins of our current critical preoccupations and ways of knowing, these essays reveal Dickens to be our contemporary. The contributors argue that such issues as gender and sexuality, environmentalism, and the construction of national identity were frequently explored and sometimes problematically resolved by Dickens himself. They also illuminate the importance of Dickens's place in our current reassessment of critical methodologies. Drawing freely upon a variety of reading strategies (materialist, deconstructive, new historical, psychoanalytic, and feminist), the essays disclose new aspects of Dickens's engagements with a number of Victorian concerns--moral philosophy, the psychology of the emotions, and life writing among them--that have once again emerged as significant objects of study in early-twenty-first century criticism. Looking at such familiar topics from fresh perspectives, Contemporary Dickens is an original and challenging contribution to Dickens studies in particular and Victorian criticism in general. Contemporary Dickens will appeal to general readers and students of Victorian culture, as well as specialists in nineteenth-century literature, cultural studies, literary formalism, psychology, and gender studies.