Victorian Alphabet Books and the Education of the Eye shows how the familiar genre went beyond mere reading instruction to offer nineteenth-century British writers, illustrators, and publishers a site for representing and re-thinking literacy itself. This interdisciplinary study traces how individuals throughout the Victorian era deployed alphabet books to promote visual literacy or oral culture as a vital complement to textual literacy. Their strategies ranged from puns and political allusions to elaborate designs that addressed adult audiences alongside or even instead of children. As the format became more familiar in the first part of Victoria's reign, George Cruikshank, William Makepeace Thackeray, Henry Cole, and Edward Lear were quick to recognize its critical potential. This history pivots around the mid-1860s and 1870s, when the production of illustrated alphabet books exploded thanks to evolving printing technology and national education reform. Case studies of individual works and makers show how a revolution in picture books reflected and responded to laws assuring children's access to schooling. On the one hand, Socialist artist Walter Crane was able to develop alphabetical illustration from a utilitarian mid-century product into an aesthetically rich, yet accessibly priced "education of the eye." On the other hand, Kate Greenaway, Hablot Knight Browne (Phiz), and their publishers tended to leverage commercialized nostalgia against pedagogy. This survey concludes by showing how market-oriented trends and the development of photographic reproduction toward the end of the century fed into interpretations of the alphabet, including works by Rudyard Kipling and Hilaire Belloc, that reflected growing ambivalence about industrialized print culture.

How to Do Things with Books in Victorian Britain asks how our culture came to frown on using books for any purpose other than reading. When did the coffee-table book become an object of scorn? Why did law courts forbid witnesses to kiss the Bible? What made Victorian cartoonists mock commuters who hid behind the newspaper, ladies who matched their books' binding to their dress, and servants who reduced newspapers to fish 'n' chips wrap? Shedding new light on novels by Thackeray, Dickens, the Brontës, Trollope, and Collins, as well as the urban sociology of Henry Mayhew, Leah Price also uncovers the lives and afterlives of anonymous religious tracts and household manuals. From knickknacks to wastepaper, books mattered to the Victorians in ways that cannot be explained by their printed content alone. And whether displayed, defaced, exchanged, or discarded, printed matter participated, and still participates, in a range of transactions that stretches far beyond reading. Supplementing close readings with a sensitive reconstruction of how Victorians thought and felt about books, Price offers a new model for integrating literary theory with cultural history. How to Do Things with Books in Victorian Britain reshapes our understanding of the interplay between words and objects in the nineteenth century and beyond.

This wide-ranging and innovative collection of essays addresses important issues in cultural studies and the history of the book. Multidisciplinary in approach, the essays consider different aspects of the production, circulation, and consumption of printed texts throughout the nineteenth century. Topics studied include market trends, modes of publication, the use of pseudonyms by women writers, readerships and reading ideologies, and copyright law; and the book examines a wide range of printed materials, from valentines, advertisements, illustrations, and fashionable annuals, to the more traditional literary genres of poetry, fiction and periodical essays. The authors under discussion include Dickens, the Brontës, George Eliot, Meredith, and Walter Pater. Contributors draw on speech-act, reader-response, and gender theory in addition to various historical, narratological, materialist, and bibliographical perspectives.

Explores what nineteenth-century alphabet books can tell us about literacy and constructions of childhood in Britain throughout this period. The volume shows how artists and writers including William Thackeray, Edward Lear, and Kate Greenaway participated in ongoing debates about what counted as literacy and how reading should be taught.

Once you start poppin', there's just no stoppin'! Raised buttons pop in on every page of these fun, tactile books so kids can press them as they read along, and learn to count. In this newest addition, kids can pop the buttons as they sing the alphabet and search for all the different eye-spy elements of this hunt-and-find animal alphabet adventure! This adaptation of the popular rhyme, "A My Name is Alice," teaches the alphabet in a whole new way!

A brief, elegant, rediscovered novel of the Fifties, much in the vein of the author's mentor Muriel Spark, about an Englishwoman who misunderstands her and her family's past."

This volume places Dickens at the centre of a dynamic and expanding Victorian print world and tells the story of his career against a background of options available to him. The collection describes a world animated by outpourings of print materials: books, serials, newspapers, periodicals, libraries, paintings and prints, parodies and plagiarisms, censorship, advertising, as well as theatre and other entertainment, and celebrity. It also shows this period as driven by a growing and more literate population, and undergirded by a general conviction that writing was a crucial component of governance and civic culture. The extensive introduction and selected articles anchor Dickens's attempts to establish better conditions for writers regarding copyright protection, pay, status, recognition, and effectiveness in altering public policy. They speak about Dickens's life as playwright, journalist, novelist, editor, magazine publisher, theatrical producer, actor, lecturer, reader of his own works, supporter of charities for impoverished authors and fallen women, exponent of a morality of Christian compassion and domestic affections sometimes put into question by his own actions, proponent and critic of British nationalism, and champion of education for all. This selection of essays and articles from previously published accounts by internationally renowned scholars is of interest to all students and professionals who are fascinated by the composition, manufacture, finance, formats, pictorializations, sales, advertising and influence of Dickens's writing.

This is the first full-length study of spectacles in the Victorian period. It examines how the Victorians shaped our understanding of functional visual capacity and the concept of 20:20 vision. Demonstrating how this unique assistive device can connect the histories of medicine, technology and disability, it charts how technology has influenced our understanding of sensory perception, both through the diagnostic methods used to measure visual impairment and the utility of spectacles to ameliorate its effects. Taking a material culture approach, the book assesses how the design of spectacles thwarted ophthalmologists’ attempts to medicalise their distribution and use, as well as creating a mainstream marketable device on the high street.

“A powerful opener to a series [that] will produce a combination of feisty protagonists and challenging circumstances to thoroughly involve not just young adults, but adult fantasy fans who seek epic stories fueled by powerful friendships and adversaries.” --Midwest Book Review (Diane Donovan) (re A Throne for Sisters) “Morgan Rice's imagination is limitless!” --Books and Movie Reviews (re A Throne for Sisters) From #1 Bestselling author Morgan Rice comes a new series for fantasy and middle grade readers (and adults, too)! Fans of Harry Potter and Percy Jackson—look no further! In THE SCEPTER OF FIRE: OLIVER BLUE AND THE SCHOOL FOR SEERS (BOOK FOUR), 12 year old Oliver Blue is dispatched on an urgent mission to save The School for Seers. He must travel back in time, to Florence, 1592, to find the only artifact that can save them all. Yet the secret is guarded by none other than Galileo himself. As Oliver searches for one of the great scientists and inventors of all time, the man who invented the telescope and who discovered planets, Oliver must wonder: is a he a seer, too? And what other secrets is he holding? His brother Chris, more powerful than ever, remains determined to kill Oliver for all time. Oliver soon realizes it is a race against time, as the fate of the school—and of the world—is at stake. An uplifting fantasy, THE SCEPTER OF FIRE is book #4 in a riveting new series filled with magic, love, humor, heartbreak, tragedy, destiny, and a string of shocking surprises. It will make you fall in love with OLIVER BLUE, and keep you turning pages late into the night. “The beginnings of something remarkable are there.” --San Francisco Book Review (re A Quest of Heroes)