This is the first full- length historical analysis of Victoria Falls. The text offers a critical examination of Victoria Falls providing new insight into the British Southern African project and reveals how Victoria Falls became one of the first modern African tourist destinations. This book makes a case for a critical reading of Victoria Falls as much more than a localized natural wonder. Europeans with multiple and often competing agendas, as well as African leaders and laborers were brought into contact with one another at Victoria Falls. Their visions of the past and hopes for the future shared Victoria Falls as a common point of inspiration. The value these parties placed on the Falls extended far beyond its location on the Zambezi and had broad implications for the British Empire in Southern and Central Africa.

This is the first full- length historical analysis of Victoria Falls. The text offers a critical examination of Victoria Falls providing new insight into the British Southern African project and reveals how Victoria Falls became one of the first modern African tourist destinations. This book makes a case for a critical reading of Victoria Falls as much more than a localized natural wonder. Europeans with multiple and often competing agendas, as well as African leaders and laborers were brought into contact with one another at Victoria Falls. Their visions of the past and hopes for the future shared Victoria Falls as a common point of inspiration. The value these parties placed on the Falls extended far beyond its location on the Zambezi and had broad implications for the British Empire in Southern and Central Africa.

The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals.

Alluring Opportunities examines the lives of African laborers in the tourism industry in the Portuguese colony of Mozambique and the social ascension that many of these workers achieved in spite of demanding conditions. From the origin of the colonial period until its end in 1975, the tourism industry developed on the backs of these laborers and ultimately became an important source of foreign exchange for Portugal. Todd Cleveland explores the daily experiences of local tourism workers in the genesis and expansion of this vital industry with an analytical utility that transcends Africa's borders by complicating the narrative established and reinforced by an expansive body of literature that stresses the exploitation of indigenous tourism workers. He argues that just as foreign tourists embraced the opportunity to travel to various locations in Mozambique, so too did many Indigenous laborers seize opportunities for employment in the tourism industry in an effort to realize social mobility via both the steady wages that they earned and their daily interactions with sojourning clientele. Alluring Opportunities reconstructs these workers' lives, highlighting their critical contributions to the local industry, while also prompting a reconsideration of Indigenous labor and social mobility in colonial Africa. As a result, Cleveland reveals new ways of thinking, more broadly, about the ways that tourism shapes processes of empire, interracial interactions, and power relations.

Articoli / Articles Jon Abbink, On “Good Governance”: Towards Reconciling State and Vernacular Views in Southwest Ethiopia Erika Grasso, Mapping a “Far Away” Town: Ethnic Boundaries and Everyday Life in Marsabit (Northern Kenya) Rosanna Tramutoli, A Sociolinguistic Description of Gíing’áwêakshòoda: A Register of Respect Among Barbaig Speakers in Tanzania Alice Bellagamba and Marco Gardini, What is a “Slave”? Neo-Abolitionism and the Shifting Meanings of Slavery in Two African Contexts (Highlands of Madagascar, Southern Senegal) Joanna Lewis, Dynasties and Decolonization: Chieftaincy, Politics and the Use of History at the Victoria Falls, from the Precolonial to the Post-independence Period Tom McCaskie, Alcohol and the Travails of Asantehene Osei Yaw Autori / Contributors

Featuring contributions from some of the most accomplished scholars on the topic, Holding the World Together explores the rich and varied ways in which women have wielded power across the African continent, from the precolonial period to the present. Suitable for classroom use, this comprehensive volume considers such topics as the representation of African women, their role in national liberation movements, their experiences of religious fundamentalism (both Christian and Muslim), their incorporation into the world economy, changing family and marriage systems, impacts of the world economy on their lives and livelihoods, and the unique challenges they face in the areas of health and disease. Contributors: Nwando Achebe, Ousseina Alidou, Signe Arnfred, Andrea L. Arrington-Sirois, Henryatta Ballah, Teresa Barnes, Josephine Beoku-Betts, Emily Burril, Abena P. A. Busia, Gracia Clark, Alicia Decker, Karen Flint, December Green, Cajetan Iheka, Rachel Jean-Baptiste, Elizabeth M. Perego, Claire Robertson, Kathleen Sheldon, Aili Mari Tripp, Cassandra Veney

Beyond Gold and Diamonds demonstrates the importance of southern Africa to British literature from the 1880s to the 1920s, from the rise of the systematic exploitation of the region's mineral wealth to the aftermath of World War I. It focuses on fiction by the colonial-born Olive Schreiner, southern Africa's first literary celebrity, as well as by H. Rider Haggard, Gertrude Page, and John Buchan, its most influential authorial informants, British authors who spent significant time in the region and wrote about it as insiders. Tracing the ways in which generic innovation enabled these writers to negotiate cultural and political concerns through a uniquely British South African lens, Melissa Free argues that British South African literature constitutes a distinct field, one that overlaps with but also exists apart from both a national South African literary tradition and a tradition of South African literature in English. The various genres that British South African novelists introduced—the New Woman novel, the female colonial romance, the Rhodesian settler romance, and the modern spy thriller—anticipated metropolitan literary developments while consolidating Britain's sense of its own dominion in a time of increasing opposition.

The first comprehensive and authoritative history of work and labour in Africa; a key text for all working on African Studies and Labour History worldwide.