For centuries, the Lord Lieutenant of Ireland, or viceroy, was the representative of the British monarch in Ireland. For almost every viceroy who served at Dublin Castle there was also a vicereine; a wife who served with him. Once prominent in Irish life, the vicereines and their legacies are now almost entirely overlooked. This book sets out to recapture their lost stories by exploring the portraits and personal objects they left behind. Opulently dressed and elegantly posed, the women who gaze out from these paintings were often as dynamic, bold and influential as their husbands during their time at the apex of Irish society. They were activists, artists and aid workers; international campaigns to prevent famine in Ireland, the design of interiors, the popularisation of Irish fabrics at the royal courts of Europe and the development of hospitals were just some of their now overlooked achievements. Featuring critical essays by leading experts, analytical readings of key artworks and objects, and stunning colour portraits of the protagonists themselves, Vicereines of Ireland uncovers the considerable contributions these women behind the throne made to the social and cultural life o

"Aboriginal design is of a distinctly cultural nature, based in the Dreaming and in ancient practices grounded in Country. It is visible in the aerodynamic boomerang, the ingenious design of fish traps and the precise layouts of community settlements that strengthen social cohesion. Alison Page and Paul Memmott show how these design principles of sophisticated function, sustainability and storytelling, refined over many millennia, are now being applied to contemporary practices. Design: Building on Country issues a challenge for a new Australian design ethos, one that truly responds to the essence of Country and its people. About the series: Each book is a collaboration between Indigenous and non-Indigenous writers and editors; the series is edited by Margo Neale, senior Indigenous curator at the National Museum of Australia. Other titles in the series include: Songlines by Margo Neale & Lynne Kelly (2020); Country by Bill Gammage & Bruce Pascoe (2021); Plants by Zena Cumpston, Michael Fletcher & Lesley Head (2022); Astronomy (2022); Innovation (2023)."--

The Throne Room in Dublin Castle was the ultimate focus of vice-regal ceremony, royal visits and many great state occasions both before and after Irish independence in 1922. It has been a touchstone of British occupation and Irish autonomy that can be analysed through the details of its form and furnishing. Making Majesty is an elegant collection of essays, by leading Irish art and architectural historians, that cover a broad range of perspectives in refining our understanding of this tremendously lavish space, shedding new light on the major and minor figures who created, ornamented, decorated and used it. Volume One of a three-volume architectural history of Dublin Castle, Making Majesty presents original findings that are set to overthrow preconceptions about the nature of the presence of the British monarchy in Ireland. With deeply insightful analysis that draws upon uniquely accessed archives, Campbell and Derham bring to light every aspect of how Dublin Castle's authorities wished to be perceived and how that changed according to the whims of imperious Viceroys, renowned craftsmen, and an Irish state wishing to secure an image of its newfound self-determination. This fascinating work is of immediate interest to anyone with a passion for the history of Ireland, its art, design and architecture.

The late seventeenth and early eighteenth century was a period of great social and political change within Ireland, as the Protestant Ascendancy gained control of the country, aided by the English government and aristocracy, withwhom the ruling class in Ireland mixed through marriage and travel. The resulting Anglo-Irish elite, with its distinct transnational identity, differed markedly from the preceding Irish elite, but, at the same time, because of itsIrish dimension, was very different also from the contemporary English and Scottish upper classes. Women played key roles in this Anglo-Irish elite, and the nature of the Protestant Ascendancy can only be completely understood byconsidering women's roles fully. This book provides a thorough examination of the role of women in Ascendancy Ireland. It discusses marriage, family and social life; explores women's roles in economic and political life and in charitable activities; and places Irish elite women of this period in their wider historiographical context. The book is based on extensive original research, including among the papers of aristocratic families in Ireland and Britain, and provides a wealth of detail on elite women's lives in this period. Rachel Wilson completed her doctorate in modern history at Queen's University, Belfast.

This book investigates the impact of the dissolution of the monasteries on women religious and examines their survival in the following decades, showing how, despite the state's official proscription of vocation living, religious vocation options for women continued in less formal ways. McShane explores the experiences of Irish women who travelled to the Continent in pursuit of formal religious vocational formation, covering both those accommodated in English and European continental convents' and those in the Irish convents established in Spanish Flanders and the Iberian Peninsula. Further, this book discusses the revival of religious establishments for women in Ireland from 1629 and outlines the links between these new convents and the Irish foundations abroad. Overall, this study provides a rich picture of Irish women religious during a period of unprecedented change and upheaval.

'Women of the Irish Revolution' tells the story of the role that women played both directly and indirectly in the Irish revolution. These women were vital to the revolutionary movement. They were part of a generation who made a conscious decision to stand up for not only their rights, but also the rights of future generations, at a time when society viewed the role of women as that of mother and wife. The independence movement could not have succeeded without their contribution, which saw them put themselves in great danger in order to help free their country. The book also tells the story of those who, though not directly involved, lost so much as a result of that conflict. For they were the wives, mothers, sisters and girlfriends of the men who fought for Irish freedom, and their story is one that needs to be told. History, they say, is written by the victors, and more often than not the victors are men. The women from this period are the forgotten generation and it is now time to remember them.

"Ïn this volume an attempt is made to embody, in narrative form, the results of a collation of printed and unpublished documents and chronicles, bearing upon the chief administrators of the English government in Ireland, from its establishment to the termination of the reign of Henry VII in 1509"--Preface.

This book documents the history of Government House and Barrackpore Park along with a photographic series of its present day restoration.

The fascinating life of Frances Jennings, elder sister of Sarah, Duchess of Marlborough, charting her marriages and changes of fortune, her exile and return, her ambition, political manoeuvring and sincere piety.Frances Jennings, elder sister of Sarah, duchess of Marlborough, had an interesting and eventful life, most notably as the influential wife of Richard Talbot, earl of Tyrconnell, Catholic viceroy of Ireland under James II. Born circa 1649 into a Hertfordshire gentry family, she was a noted beauty at the Restoration court. There, she met and married George Hamilton, a Catholic officer who, after 1667, served in Louis XIV's army. In Paris, Frances raised three daughters, converted to Catholicism, and became an active member of the English Catholic émigré community. Following Hamilton's death, she remarried to Richard Talbot. As vicereine of Ireland, Frances helped re-establish Catholic hegemony, assisting in the foundation of convents and re-consecration of Christ Church cathedral. During the Williamite-Jacobite War in Ireland (1689-91), Frances fled to James II's exiled court in France. In 1691, she received word that her husband, now Jacobite duke of Tyrconnell, had died. Attainted for high treason, she used the Marlboroughs' influence to recover her Irish estates. In 1708, she returned to Dublin, where she died in 1731. Highlighting Frances's political manoeuvrings, religious identity and deep family attachments, this book portrays a complex and contested figure, a woman who acted on multiple stages, in diverse roles, challenging expectations of rank, gender, and 'nationality' in unexpected ways.te-Jacobite War in Ireland (1689-91), Frances fled to James II's exiled court in France. In 1691, she received word that her husband, now Jacobite duke of Tyrconnell, had died. Attainted for high treason, she used the Marlboroughs' influence to recover her Irish estates. In 1708, she returned to Dublin, where she died in 1731. Highlighting Frances's political manoeuvrings, religious identity and deep family attachments, this book portrays a complex and contested figure, a woman who acted on multiple stages, in diverse roles, challenging expectations of rank, gender, and 'nationality' in unexpected ways.te-Jacobite War in Ireland (1689-91), Frances fled to James II's exiled court in France. In 1691, she received word that her husband, now Jacobite duke of Tyrconnell, had died. Attainted for high treason, she used the Marlboroughs' influence to recover her Irish estates. In 1708, she returned to Dublin, where she died in 1731. Highlighting Frances's political manoeuvrings, religious identity and deep family attachments, this book portrays a complex and contested figure, a woman who acted on multiple stages, in diverse roles, challenging expectations of rank, gender, and 'nationality' in unexpected ways.te-Jacobite War in Ireland (1689-91), Frances fled to James II's exiled court in France. In 1691, she received word that her husband, now Jacobite duke of Tyrconnell, had died. Attainted for high treason, she used the Marlboroughs' influence to recover her Irish estates. In 1708, she returned to Dublin, where she died in 1731. Highlighting Frances's political manoeuvrings, religious identity and deep family attachments, this book portrays a complex and contested figure, a woman who acted on multiple stages, in diverse roles, challenging expectations of rank, gender, and 'nationality' in unexpected ways.achments, this book portrays a complex and contested figure, a woman who acted on multiple stages, in diverse roles, challenging expectations of rank, gender, and 'nationality' in unexpected ways.