This collection of work by the Nigerian-born writer Ogali, includes short fiction, plays, and journalistic essays. Written in English, the pieces remain rooted in the traditional values of Ogali's native culture. Common to many of them is a strong humanism and a critique of Western individualism.

This collection of work by the Nigerian-born writer Ogali, includes short fiction, plays, and journalistic essays. Written in English, the pieces remain rooted in the traditional values of Ogali's native culture. Common to many of them is a strong humanism and a critique of Western individualism.

This 1973 text was the first detailed study of that phenomenon of the African literary scene, Onitsha market literature. Pen names and pamphlet titles adopted by Onitsha authors have often been the subject of amused comment, but it took a long time for Onitsha writing to be recognised for what it is: a genuinely popular literature, unique on Africa, written in English by Africans for an exclusively African audience. What are the origins of this literature? Why did it start in Onitsha? Why do certain themes recur? Where have the writer acquired their unconventional attitudes to love, marriage, sex? What influences have shaped the robust and unorthodox language they use? Dr Obiechina answers these questions and asks what we can learn from the Onitsha authors about social change in Nigeria - how do they attempt to reconcile the traditional rural community and the aggressive individualistic urban society with alien values?

Mazi Ogaranya makes money from government and private contracts. As a registered government contractor and member of a political party, he collects 'mobilisation fees' and then abandons the contracts. He also owns several companies employing beautiful girls permanently at his disposal, and has several wives. But his life is disrupted when one of these wives turns out to be a witch, and one of his sons, a thief in his own right. Ogali is one of the most prolific, versatile and successful popular writers in Nigeria. His works include: My Daughter (of Onitsha Market Literature Fame); Coal City; and The Juju Priest.

"COVID-19 has, like other crises, thrown into relief social injustices and gendered inequalities. BiAS 31/ ERA 8 offers theological responses to and reflections on the COVID-19 outbreak and pandemic. All are by African scholars and authors; some are academic, some experiential, and others creative or impressionistic in tone. Reflecting the ethos and commitment of the Circle of Concerned African Women Theologians ("The Circle") to nurture and promote the publications by and about African women and men committed to social justice and positive change, this issue contains the writings of some established but, predominantly, of emerging theologians. For some contributors, this is their first publication in an international series."

Christian and African Churches battle for supremacy in the Nigerian countryside, affecting morals and families adversely.

A Vintage Shorts “Short Story Month” Selection Mrs. Emenike resents that her husband drives a Mercedes while she is relegated the “noisy Fiat,” and she loathes the words “free primary education,” a new government initiative for which three of her servants have abandoned her. But, when the program is recalled, ten-year-old Vero, whose hopes of going to school have been dashed, is Mrs. Emenike’s next willing recruit—young, innocent, and desperate to do anything and everything she must to earn an education. In this masterful story by “the father of Nigerian writing,” Chinua Achebe portrays the devastating injustice done to young women by government corruption and wealth inequality. Selected from Achebe’s much-lauded collection of short fiction, Girls at War. An ebook short.