Verbal Festivity in Arabic and Other Semitic Languages" edited by Lutz Edzard and Stephan Guth deals with one of the most essential and fascinating, though still much neglected aspects of Middle Eastern culture(s) - politeness and the ways it can be expressed or encoded in language. The contributions to the Proceedings of a workshop held in Bonn in 2009 attempt to shed spotlights on several aspects of Verbal Festivity. They include a comparative approach (English-German-Arabic) to the cultural concepts of "politeness", "Hoflichkeit", and "adab" in general (Stephan Guth); a survey of everyday-life polite formulae and expressions of courtesy in Palestinian Arabic (Avihai Shivtiel); a study of the morphological patterns of Arabic formulaic terminology itself (Pierre Larcher); a linguistic analysis of how the wish, or intention, to fulfill ethical duties or prescriptions is expressed in some neo-Aramaic dialects (Geoffrey Khan); a comparative investigation, covering several Semitic languages, of how to remain polite through suppressing explicit mentioning of the negative consequences the addressee will face if he does not comply with the speaker's suggestions (Lutz Edzard); and an analysis of formulae used in commercial documents at a 13th century Red Sea port (Andreas Kaplony).

This volume includes the reflections of leading researchers on Arabic and Semitic languages, also understood as systems and representations. The work first deals with Biblical Hebrew, Early Aramaic, Afroasiatic and Semitic. Its core focuses on morpho-syntactic, semantic, pragmatic, rhetoric and logic matters, showing Arabic grammar's place within the system of the sciences of language. In the second part, authors deal with lexical issues, before they explore dialectology. The last stop is a reflection on how Arabic linguistics may prevent the understanding of the Arabs' own grammatical theory and the teaching and learning of Arabic.

Revised and expanded papers from the International Workshop "Representations and Visions of Homeland in Modern Arabic Prose Literature and Poetry," held June 30-July 1, 2011 at the Lichtenberg Kolleg for Advanced Studies, University of Geottingen.

The Neo-Aramaic dialects are modern vernacular forms of Aramaic, which has a documented history in the Middle East of over 3,000 years. Due to upheavals in the Middle East over the last one hundred years, thousands of speakers of Neo-Aramaic dialects have been forced to migrate from their homes or have perished in massacres. As a result, the dialects are now highly endangered. The dialects exhibit a remarkable diversity of structures. Moreover, the considerable depth of attestation of Aramaic from earlier periods provides evidence for pathways of change. For these reasons the research of Neo-Aramaic is of importance for more general fields of linguistics, in particular language typology and historical linguistics. The papers in this volume represent the full range of research that is currently being carried out on Neo-Aramaic dialects. They advance the field in numerous ways. In order to allow linguists who are not specialists in Neo-Aramaic to benefit from the papers, the examples are fully glossed.

The notion of adab is at the very heart of the Islamicate cultures. Born in the crucible of the Arabic and Persian civilisations of the Late Antiquity period, nourished by Greek, Syriac and Indian influences, this polysemic notion could cover a variegated range of meanings, ranging from good behaviour, good manners, etiquette, proper knowledge of the rules, to belles-lettres, and finally, literature. This volume addresses the notion of adab through four perspectives, which correspond to the four parts into which it is divided: “Origins”; “Transmissions”; “Metamorphosis” of the “Origins” and finally “Origins” through the lens of modernity.

International politics often requires two or more languages. The resulting interlingual relations mean translation, either by interpreters who are quite literally in the middle of conversations, or by bilingual statesmen who negotiate internationally in one language and then legitimize domestically in another. Since no two languages are the same, what can be argued in one language may be impossible in another. Political concepts can thus be significantly reformulated in the translation process. State of Translation examines this phenomenon using the case of how 19th-century Ottoman and later Turkish statesmen struggled to reconcile their arguments in external languages (French, then English) with those in their internal language (Ottoman, later Turkish), and in the process further entangled them. Einar Wigen shows how this process structured social relations between the Ottoman state and its interlocutors, both domestically and internationally, and shaped the dynamics of Turkish relations with Europe.

Arabic letters on papyrus challenge the modern reader. There are few to no diacritical dots to distinguish homographs, no systematic spacing between single words, and in the majority of cases a low degree of graphical structuring. However, contemporary readers usually read and understood these documents easily – probably because the recipient of a letter knew what to expect. The letters are formulaic, and their information packaging follows an algorithm typical for their time and content. Here formulaic letter writing means not only the reuse of the same formulae or topoi but expressing thoughts in a predictable linguistic way and order, both as a matter of readability and as one of adequacy and politeness. The main concern of this work is to discover these unwritten rules and norms behind Arabic letter writing on papyrus.

In the Wake of the Compendia presents papers that examine the history of technical compendia as they moved between institutions and societies in ancient and medieval Mesopotamia. This volume offers new perspectives on the development and transmission of technical compilations, looking especially at the relationship between empirical knowledge and textual transmission in early scientific thinking. The eleven contributions to the volume derive from a panel held at the American Oriental Society in 2013 and cover more than three millennia of historical development, ranging from Babylonian medicine and astronomy to the persistence of Mesopotamian lore in Syriac and Arabic meditations on the properties of animals. The volume also includes major contributions on the history of Mesopotamian “rationality,” epistemic labels for tested and tried remedies, and the development of depersonalized case histories in Babylonian therapeutic compendia. Together, these studies offer an overview of several important moments in the development of non-Western scientific thinking and a significant contribution to our understanding of how traditions of technical knowledge were produced and transmitted in the ancient world.

The notion of adab is at the heart of Arab-Islamic culture. Born in the crucible of the Arabic and Persian civilization, nourished by Greek and Indian influences, this polysemic notion could cover a variegated range of meanings: good behavior, knowledge of manners, etiquette, rules and belles-lettres and finally, literature. This collection of articles tries to explore how the formulations and reformulations of adab during the first centuries of Islam engage with the crucial period of the first great spiritual masters, exploring the importance of normativity, but also of transgression, in order to define the rules themselves. Assuming that adab is ethics, the articles analyse the genres of Sufi adab, including manuals and hagiographical accounts, from the formative period of Sufism until the modernity. Contributors are: Alberto F. Ambrosio, Nelly Amri, Francesco Chiabotti, Rachida Chih, Ralf Elger, Eve Feuillebois-Pierunek, Maria Chiara Giorda, Denis Gril, Paul L. Heck, Nathan Hofer, Ahmet T. Karamustafa, Annabel Keeler, Pierre Lory, Catherine Mayeur-Jaouen, Erik S. Ohlander, Samuela Pagani, Luca Patrizi, Michele Petrone, Stefan Reichmuth, Lloyd Ridgeon, Elisha Russ-Fishbane, Florian Sobieroj, Renaud Soler, Jean-Jacques Thibon, Mikko Viitamäki.

Adab is a concept situated at the heart of Arabic and Islamic civilisation. Adab is etiquette, ethics, and literature. It is also a creative synthesis, a relationship within a configuration. What became of it, towards modernity ? The question of the "civilising process" (Norbert Elias) helps us reflect on this story. During the modern period, maintaining one's identity while entering into what was termed "civilisation" (al-tamaddun) soon became a leitmotiv. A debate on what was or what should be culture, ethics, and norms in Middle Eastern societies accompanied this evolution. The resilient notion of adab has been in competition with the Salafist focus on mores (akhlāq). Still, humanism, poetry, and transgression are constants in the history of adab. Contributors: Francesca Bellino, Elisabetta Benigni, Michel Boivin, Olivier Bouquet, Francesco Chiabotti, Stéphane Dudoignon, Anne-Laure Dupont, Stephan Guth, Albrecht Hofheinz, Katharina Ivanyi, Felix Konrad, Corinne Lefevre, Cathérine Mayeur-Jaouen, Astrid Meier, Nabil Mouline, Samuela Pagani, Luca Patrizi, Stefan Reichmuth, Iris Seri-Hersch, Chantal Verdeil, Anne-Sophie Vivier-Muresan.