An exceptional photographic report of the most beautiful city in the world, completely deserted, under the exceptional circumstances of the Corona virus lockdown.

Margaret Plant presents a wide-ranging cultural history of the city from the fall of the Republic in 1797, until 1997, showing how it has changed and adapted and how perceptions of it have shaped its reality.

If there is one city that might be said to embody both reason and desire, it would surely be Venice: a thousand-year triumph of rational legislation, aesthetic and sensual self-expression, and self-creation--powerful, lovely, serene. Unique in so many ways, Venice is also unique in its relation to writing. London has Dickens, Paris has Balzac, Saint Petersburg has Dostoevsky, Dublin has Joyce, but there is simply no comparable writer for, or out of, Venice. Venice effectively disappeared from history altogether in 1797 after its defeat by Napoleon. From then on, it seemed to exist as a curiously marooned spectacle. Literally marooned--the city mysteriously growing out of the sea, the beautiful stone impossibly floating on water--but temporally marooned as well, stagnating outside history. Yet as spectacle, as the beautiful city par excellence, the city of art, the city as art and as spectacular example, as the greatest and richest republic in the history of the world, now declined and fallen, Venice became an important site for the European imagination. Watery, dark, silent, a place of sensuality and secrecy; of masks and masquerading; of an always possibly treacherous beauty; of Desdemona and Iago, Shylock, Volpone; of conspiracy and courtesans in Otway; an obvious setting for many Gothic novels--Venice is not written from the inside but variously appropriated from without. Venice--the place, the name, the dream--seems to lend itself to a whole variety of appreciations, recuperations, and and hallucinations. In decay and decline, yet saturated with secret sexuality--suggesting a heady compound of death and desire--Venice becomes for many writers what is was for Byron: both "the greenest island of my imagination" and a "sea-sodom." It also, as this book tries to show, plays a crucial role in the development of modern writing. Tanner skillfully lays before us the many ways in which this dreamlike city has been summoned up, depicted, dramatized--then rediscovered or transfigured in selected writings through the years.

Shakespeare and Venice is the first book length study to describe and chronicle the mythology of Venice that was formulated in the Middle Ages and has persisted in fiction and film to the present day. Graham Holderness focuses specifically on how that mythology was employed by Shakespeare to explore themes of conversion, change, and metamorphosis. Identifying and outlining the materials having to do with Venice which might have been available to Shakespeare, Holderness provides a full historical account of past and present Venetian myths and of the city's relationship with both Judaism and Islam. Holderness also provides detailed readings of both The Merchant of Venice and of Othello against these mythical and historical dimensions, and concludes with discussion of Venice's relevance to both the modern world and to the past.

Whether you want to explore Piazza San Marco, take a gondola ride through the canals, or kick back with an aperitivo, the local Fodor's travel experts in Venice are here to help! Fodor's Venice guidebook is packed with maps, carefully curated recommendations, and everything else you need to simplify your trip-planning process and make the most of your time. This new edition has been fully-redesigned with an easy-to-read layout, fresh information, and beautiful color photos. Fodor's Venice travel guide includes: AN ILLUSTRATED ULTIMATE EXPERIENCES GUIDE to the top things to see and do MULTIPLE ITINERARIES to effectively organize your days and maximize your time MORE THAN 15 DETAILED MAPS and a FREE PULL-OUT MAP to help you navigate confidently COLOR PHOTOS throughout to spark your wanderlust! HONEST RECOMMENDATIONS FROM LOCALS on the best sights, restaurants, hotels, nightlife, shopping, performing arts, activities, side-trips, and more PHOTO-FILLED “BEST OF” FEATURES on “Best Museums in Venice” and more TRIP-PLANNING TOOLS AND PRACTICAL TIPS including when to go, getting around, beating the crowds, and saving time and money HISTORICAL AND CULTURAL INSIGHTS providing rich context on the local people, politics, art, architecture, cuisine, music, geography and more SPECIAL FEATURES on “Cruising the Grand Canal,” “The Basilica di San Marco,” “What to Watch, Read, and Listen to Before You Visit,” “What to Eat and Drink,” and “What to Buy” LOCAL WRITERS to help you find the under-the-radar gems Italian LANGUAGE PRIMERS with useful words and essential phrases UP-TO-DATE COVERAGE ON: St. Mark's Square, the Grand Canal, Rialto Bridge, San Marco, Dorsoduro, Cannaregio, Castello, Murano, Burano, Torcello, the Lido, San Michele, gondola rides, Basilica di San Marco, San Polo, Santa Croce, San Giorgio Maggiore, and the Giudecca. Side trips from Venice including Verona, Vicenza, Padua, Trieste, and more. Planning on visiting more places in Italy? Check out Fodor's Essential Italy, Fodor's Best of Italy, Fodor's Florence & Tuscany, Fodor's Rome, or Fodor's The Amalfi Coast, Capri & Naples. *Important note for digital editions: The digital edition of this guide does not contain all the images or text included in the physical edition. ABOUT FODOR'S AUTHORS: Each Fodor's Travel Guide is researched and written by local experts. Fodor's has been offering expert advice for all tastes and budgets for over 80 years. For more travel inspiration, you can sign up for our travel newsletter at fodors.com/newsletter/signup, or follow us @FodorsTravel on Facebook, Instagram, and Twitter. We invite you to join our friendly community of travel experts at fodors.com/community to ask any other questions and share your experience with us!

When ex-priest Tom Shaman, jaded from years in the Los Angeles ghetto, decides on a last-minute trip to Venice, he gets much more than he expected. A brutal killer is on the loose and Tom finds himself in the midst of a series of ritualistic killings unlike anything Venice has ever seen. Enlisted by the Italian police, Tom teams up with young investigator Valentina Morassi to dig deep into the city's darkest history, stretching from an ancient civilization to the sexual decadence of eighteenth-century Italy to the gritty underworld of modern-day Venice. As Valentina and Tom trace the killings through the centuries, they uncover a deadly secret that generations have killed to protect: a priceless mosaic known as the Gates of Hell. As the clock counts down, Tom and Valentina's adventure builds to an astonishing and satisfying end. Exotic and well-researched, The Venice Conspiracy will continue to build Christer's name in the hit-thriller genre.

Often hailed as one of the best travel books ever written, Venice is neither a guide nor a history book, but a beautifully written immersion in Venetian life and character, set against the background of the city's past. Analysing the particular temperament of Venetians, as well as its waterways, its architecture, its bridges, its tourists, its curiosities, its smells, sounds, lights and colours, there is scarcely a corner of Venice that Jan Morris has not investigated and brought vividly to life. Jan Morris first visited the city of Venice as young James Morris, during World War II. As she writes in the introduction, 'it is Venice seen through a particular pair of eyes at a particular moment - young eyes at that, responsive above all to the stimuli of youth.' Venice is an impassioned work on this magnificent but often maddening city. Jan Morris's collection of travel writing and reportage spans over five decades and includes such titles as Sydney, Coronation Everest, Hong Kong, Spain and Manhattan '45. Since its first publication, Venice has appeared in many editions, won the W.H. Heinemann award and become an international bestseller. 'The best book about Venice ever written' Sunday Times 'No sensible visitor should visit the place without it . . . Venice stands alone as the essential introduction, and as a work of literature in its own right.' Observer