Varney the Vampire (Vol.1-3) stands as a monumental anthology within the gothic literature panorama, bridging the realms of supernatural folklore and the burgeoning Victorian anxieties surrounding modernity and morality. This collection, encompassing an array of narratives from the macabre to the romantic, showcases the diversity of literary styles and the depth of thematic exploration characteristic of the period. The works within these volumes are pivotal in tracing the evolution of the vampire myth in Western literature, offering readers a comprehensive view of the social and cultural undercurrents that shaped such tales. The anthology draws from the prolific outputs of Thomas Peckett Prest and James Malcolm Rymer, whose collaborative efforts are often overshadowed by their contemporary, Bram Stoker, yet remain crucial in the groundwork of vampiric literature. Their backgrounds as writers for penny dreadfuls allowed them to capture the zeitgeist of Victorian society, blending sensationalism with acute observations of human nature and societal change. This collection, therefore, encompasses not only stories of the supernatural but also serves as a commentary on the fears and fascinations of the era it was born in. Varney the Vampire (Vol.1-3) is an indispensable resource for those interested in the origins and evolution of vampire mythology and its intersection with cultural, social, and historical discourses of the 19th century. Readers are invited to delve into this collection not only for its entertainment value but also for its ability to illuminate the complexities of human nature, morality, and the supernatural. Through its diverse range of narrative voices and styles, this anthology offers a unique opportunity to engage with the foundational texts that continue to influence gothic literature and horror genres today.

Varney the Vampire Or the Feast of Blood is a horror story by Thomas Peckett Prest. Structured in different episodes, these are classic tales of blood sucking horrors at midnights, for fans of the genre.

An alien warlord embarks on his final purge in the third novel in the epic Star Requiem fantasy series following Thief of Dreams. Adrian Cole’s acclaimed Star Requiem series welcomes readers to Innasmorn, a planet where the elements are worshipped as gods . . . and where mankind is considered the enemy. As the last remnants of humankind face extinction at the hands of a ruthless alien foe, the ultimate battle is building. The terrible Csendook destroyers have gathered in the Warhive, a huge gladiatorial arena, ready to vanquish their enemy. But as the fearsome warlord Auganzar relentlessly searches the galaxy for his victims, internal and external forces conspire to bring about an end to the bloody, thousand-year crusade. It is only on the planet of Innasmorn where the last refuge of humanity lives, and it is up to the young, courageous Ussemitus to take up arms and defend their right not just to survive . . . but to thrive. A gathering storm of chaos and destruction looms . . . and only the strong will live. Don’t miss the entire Star Requiem quartet: Mother of Storms, Thief of Dreams, Warlord of Heaven, and Labyrinth of Worlds.

Wagner the werewolf represents the compiled exploits of one Fernand Wagner, a bitter old man visited on a stormy night by the legendary Dr. Faust. As in Faust's own tale, Wagner is made a tempting offer - renewed youth, intelligence and unlimited wealth. All he has to do is agree to accompany him for a time ... and to become a werewolf. When Wagner agrees, his youth is restored at a horrible price. on the last day of each month he becomes a mindless beast, part animal and part man. after realizing the error of his decision he begins a quest to find a cure. But Satan has a solution of his own for Wagner's condition ...

Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.

Discusses the life and Dracula writings of British horror writer Bram Stoker. Includes his influences and sources and the history of the work's publication.

The World of Darkness is the setting for all of the games in the Storyteller series, and for several fiction books. Game books listed with this icon belong to specific game lines, but together contain information that applies to the entire World of Darkness.

When Viscount Castlereagh, leader of the House of Commons and architect of the Grand Alliance, committed suicide in 1822, the coroner's inquest could consider only two legal verdicts: insanity or self-murder. Public outrage greeted his burial in Westminster Abbey; the tradition lingered that a suicide's burial place be at a crossroads, with a stake through the heart to keep the lost soul from wandering. Probing a remarkable variety of sources and individual cases, Barbara Gates shows how attitudes toward suicide changed between Castlereagh's death and the end of the century. By 1900 the Victorians' moral censure of suicide and the accompanying denial that it was a widespread problem had been replaced by a more compassionate response--and also by an unfounded belief in a "suicide epidemic," which Thomas Hardy described as a "coming universal wish not to live.". Exposing a rich area of interaction between history and literature, and utilizing the methodology of the new historicism, Gates discusses topics ranging from the plot for Wuthering Heights to Victorian shilling shockers. Among other findings she includes evidence that Victorian middle-class men, particularly, tended to make suicide the province of other selves--of men belonging to other times or places, of "monsters," or of women. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Here is the tale of Godfrey de Montferrat, a boy who became both a monk and a knight who swore an oath to defend the Kingdom of Jerusalem. It is also the tale of that kingdom, which men called Outremer-The Land Beyond the Sea. With the miraculous success of the First Crusade, all said that the heroic tales of old had come to life in that place. By Godfrey's time-the late 12th century-the Kingdom is dying, chivalry fading, hope growing cold, and foes pressing hard from every side. But Godfrey stands in contradiction to the prevailing rot-a young man striving to live up to the heroic ideal. Surrounded by greed and corruption, Godfrey must determine where his true loyalties lay: to friends? to prince? to love? to God? Around Godfrey swirl the loves, betrayals, triumphs, and disasters of the Kingdom's waning years. Knight of the Temple weaves together an exciting, multi-layered and historically faithful tale of the Land Beyond the Sea. From the desert wastes of Egypt, to the bustling streets of medieval Antioch, to the Holy City of Jerusalem itself, Nathan Sadasivan paints a vivid portrait of the Crusades strewn with unforgettable characters - Amalric, the ill-tempered King of Jerusalem; Malik, the proud young Saracen; Jacques, Godfrey's childhood friend; Tristan, the single-minded swordmaster, and Andronicus, the enigmatic Byzantine prince, among many others Knight of the Temple is the first book in the Crown of the World trilogy.