In clear and lively prose that avoids jargon, the author carefully and systematically examines the many kinds of subtly nuanced words or word-pairs of everyday discourse such as 'and'-'but', 'before'-'ere', 'Chinese'-'Chink', and 'sweat'-'perspiration', that have proven resistant to truth-conditional explanations of meaning.

This book is a comprehensive study on the phonetic characteristics of citation tones in Chaoshan Chinese. It presents the tonal patterns of 65 localities in the Chaoshan area under the “multiple-register and four-level” tonal model. Three case studies are conducted to delve into the evolutionary paths of Chaoshan tones. This book not only provides a large-scale typological study on Chaoshan Chinese, but also offers a good example of how to figure out the evolutionary paths of tones from the perspective of variation. The natural alliance of phonetics, historical linguistics, sociolinguistics, and dialect geography is reinforced. It is also suggested in this book that the joint use of these four disciplines is very promising for the study of Chinese.

Tone: A Linguistic Survey is a nine-chapter text that considers the phonetics and phonology of tone from both a synchronic and a diachronic point of view. The first chapters deal with the physiological and perceptual correlations of tone. These chapters also describe the interactions of tonal and nontonal features. The succeeding chapters provide the phonetic basis for phonological tonal phenomena. These topics are followed by discussions of the physical and physiological aspects of tone, the number of possible contrastive tones in a language, and a suprasegmental representation of tones based on linguistic evidence. This text also summarizes the kinds of tone rules found in languages and the important syntactic function played by tone in a number of the world's languages, particularly those in Africa. The final chapters look into the general and specific principles that constrain historical tone change. This book will prove useful to students with phonology course.

This book investigates the diachronic change of the tone sandhi of Southern Min Chinese, which is known for its synchronic arbitrariness and opacity. It argues that in final-prominent tone sandhi, the change of final tones and the change of non-final tones can be highly independent and essentially different from each other. Accordingly, it proposes a new position-based diachronic approach to study the separate evolution of tones occurring at different positions. This book is the first study to rigorously and systematically explore the diachrony of Southern Min tone sandhi.

Tone is about melody and meaning, inflection is about grammar, and this book is about a bit of both. The contributions to this volume study possible and sometimes complex ways in which the tones of a language engage in the expression of grammatical categories. There is a widespread conception that tone is a lexical phenomenon only. This is partly a consequence of the main interest in tone coming from phonology, while the main interest in inflection has stemmed from segmental morphology. Similarly, textbooks on inflection and textbooks on tone give very few examples of the inflectional use of tone, and such examples are often the same ones or too similar. This volume aims to broaden our understanding of the link between tone and inflection by showing that there is more to tone than meets the eye. The book includes general chapters as well as case studies on lesser known languages of Asia, Africa and Papua New Guinea, with a special focus on the Oto-Manguean languages, a large and diverse linguistic stock of Mexico that inspired Kenneth Pike’s 1948 seminal work on tone. Most of the contributions to this volume provide first-hand data from recent fieldwork that stems from important language documentation activities.

This book has its unique value as the pioneer study on the regional variants of Mandarin by experimental phonetics methods, sociophonetic methods, and AI assisted big data methods. Dialectal Mandarins are commonly well-recognized variations for standards Mandarin that have regional characteristics. This book is divided into four parts. The first part introduces Chinese, Chinese dialects, and Mandarin tones. In part two, the book makes a comprehensive and systematic comparison among Beijing Mandarin, Shanghai Mandarin, and Guangzhou Mandarin as the three major Mandarin variants by both the experimental phonetic methods and by using deep learning method. In the deep learning chapter, this book explores whether deep learning can recognize regional dialects patterns from the large amounts of data, and whether it can successfully identify the tonal system of each region’s dialects. The experimental results show that deep learning performs perfectly well in regional dialect recognition and tonal system learning. Liu Yuxuan, a student from USST, provided important technical support for the deep learning experiment. The third part further deepens the research perspective, and studies the geographically close subregional Mandarin. This part involves both acoustic research and perceptual research on three geographically close subregional dialects of Mandarin. The last part is a report on two experiments investigating dialectal experience’s role in predicting listeners’ subjective depiction on both non-categorical and categorical tonal variants of the official language, Putonghua. The dialectal resources recorded in this book are also valuable. The book is supposed to contribute to new progress in academic study on language variation, language evolution, experimental phonetics methods, as well as AI programming.

This book conducts a thorough investigation of the variation in tone sandhi patterns of Shanghai and Wuxi Wu using quantitative rating experiments. Although Shanghai Wu has been well documented, to date there has never been any quantitative study that systematically investigates the factors that influence variability – a research gap this book fills. Further, Wuxi Wu is investigated as an additional case that demonstrates the unique phonological nature of tone sandhi, and how it changes how speakers learn and internalize the variable tone sandhi pattern. The findings presented here will shed new light on important issues of wordhood, the interface of morphosyntax and phonology, and the formal model of variability in phonology.