Divided into three main sections on Phonology, Syntax and Semantics, this new volume on variation in French aims to provide a snapshot of the state of sociolinguistic research inside and outside metropolitan France. From a diatopic perspective, varieties in France, Belgium, Switzerland, Africa and Canada are considered, mainly with respect to phonological features but also focusing on syntactic and lexical evolutions (the relative clause in Ivorian French and discourse markers in Canadian French). The acquisition of stylistic features of French figures in chapters on both first and second language learners and variation across different genres is addressed with respect to non-standard non-finite forms. Finally, a section on semantic change traces the way that interactional and other socio-historical factors affect word meaning. The volume will appeal to (socio-)linguists with an interest in contemporary French as well as to advanced undergraduates and post-graduate students of French and specialists in the field.

In this study of space and power and knowledge in France from the 1830s through the 1930s, Rabinow uses the tools of anthropology, philosophy, and cultural criticism to examine how social environment was perceived and described. Ranging from epidemiology to the layout of colonial cities, he shows how modernity was revealed in urban planning, architecture, health and welfare administration, and social legislation.

Divided into three main sections on Phonology, Syntax and Semantics, this new volume on variation in French aims to provide a snapshot of the state of sociolinguistic research inside and outside metropolitan France. From a diatopic perspective, varieties in France, Belgium, Switzerland, Africa and Canada are considered, mainly with respect to phonological features but also focusing on syntactic and lexical evolutions (the relative clause in Ivorian French and discourse markers in Canadian French). The acquisition of stylistic features of French figures in chapters on both first and second language learners and variation across different genres is addressed with respect to non-standard non-finite forms. Finally, a section on semantic change traces the way that interactional and other socio-historical factors affect word meaning. The volume will appeal to (socio-)linguists with an interest in contemporary French as well as to advanced undergraduates and post-graduate students of French and specialists in the field.

Introduces the key features of French administrative law and institutions to English-speaking readers.

This groundbreaking book is about what ‘popular culture’ means in France, and how the term’s shifting meanings have been negotiated and contested. It represents the first theoretically informed study of the way that popular culture is lived, imagined, fought over and negotiated in modern and contemporary France. It covers a wide range of overarching concerns: the roles of state policy, the market, political ideologies, changing social contexts and new technologies in the construction of the popular. But it also provides a set of specific case studies showing how popular songs, stories, films, TV programmes and language styles have become indispensable elements of ‘culture’ in France. Deploying yet also rethinking a ‘Cultural Studies’ approach to the popular, the book therefore challenges dominant views of what French culture really means today.

This book offers a study of Danish, Norwegian, Swedish and French crime fictions covering a fifty-year period. From 1965 to the present, both Scandinavian and French societies have undergone significant transformations. Twelve literary case studies examine how crime fictions in the respective contexts have responded to shifting social realities, which have in turn played a part in transforming the generic codes and conventions of the crime novel. At the centre of the book’s analysis is crime fiction’s negotiation of the French model of Republican universalism and the Scandinavian welfare state, both of which were routinely characterised as being in a state of crisis at the end of the twentieth century. Adopting a comparative and interdisciplinary approach, the book investigates the interplay between contemporary Scandinavian and French crime narratives, considering their engagement with the relationship of the state and the citizen, and notably with identity issues (class, gender, sexuality and ethnicity in particular).

Our global literary field is fluid and exists in a state of constant evolution. Contemporary fiction in French has become a polycentric and transnational field of vibrant and varied experimentation; the collapse of the distinction between 'French' and 'Francophone' literature has opened up French writing to a world of new influences and interactions. In this collection, renowned scholars provide thoughtful close readings of a whole range of genres, from graphic novels to crime fiction to the influence of television and film, to analyse modern French fiction in its historical and sociological context. Allowing students of contemporary French literature and culture to situate specific works within broader trends, the volume provides an engaging, global and timely overview of contemporary fiction writing in French, and demonstrates how our modern literary world is more complex and diverse than ever before.

Problems and Perspectives- Studies in the Modern French Language looks at a number of interesting or problematic areas in the phonology, morphology, syntax and lexis of the French language and encourages the reader to think critically about different ways of approaching, describing and explaining these issues or data. The book is divided into two parts- the first section is a preliminary to, and contextualises, the discussion of the more specialised topics of the second part. Part two presents problematic and controversial areas in the description and analysis of the contemporary language. Where appropriate historical and sociolinguistic issues are also integrated into the discussion of modern French. Aimed primarily at advanced students and researchers in French linguistics, the introductory sections of part one also make this book accessible to undergraduates beginning their study of French linguistics, and to less specialised readers.

The study of French culture has long ceased to be purely centred on literature. Undergraduate French courses now embrace all forms of cultural production and consumption, and students need to have a broad knowledge of everything from day-time TV and the latest detective novels to debates about national identity and immigration policies. This stimulating text is an introduction to the full range of contemporary French culture. Written by a group of leading academics both within and outside France, each chapter focuses on a topic from the French cultural scene today. Starting with an overview of resources for further information (both in print and online), the text discusses the varied forms of French cultural expression and looks critically at what 'Frenchness' itself means. The book also explores examples of cultural production ranging from sport, media and literature to theatre, cinema, festivals and music. An essential resource for students and scholars alike, this text provides detailed material and analysis, as well as a launch-pad for further study.