This unique and authoritative reference work contains more than 2,000 clear and concise entries on all aspects of modern and contemporary art. Its impressive range of terms includes movements, styles, techniques, artists, critics, dealers, schools, and galleries. There are biographical entries for artists worldwide from the beginning of the 20th century through to the beginning of the 21st, from the Finnish architect Alvar Aalto to the French sculptor Jacques Zwobada. With international coverage, indications of public collections and publicly sited works, and in-depth entries for key topics (for example, Cubism and abstract art), this dictionary is a fascinating and thorough guide for anyone with an interest in modern and contemporary culture, amateur or professional. Formerly the Dictionary of 20th Century Art, the text has been completely revised and updated for this major new edition. 300 entries have been added and it now contains entries on photography in modern art. With emphasis on recent art and artists, for example Damien Hirst, it has an exceptionally strong coverage of art from the 1960s, which makes it particularly ideal for contemporary art enthusiasts. Further reading is provided at entry level to assist those wishing to know more about a particular subject. In addition, this edition features recommended web links for many entries, which are accessed and kept up to date via the Dictionary of Modern Art companion website. The perfect companion for the desk, bedside table, or gallery visits, A Dictionary of Modern and Contemporary Art is an essential A-Z reference work for art students, artists, and art lovers.

The dissolution of the Soviet Union brought a massive change in every domain of life, particularly in the cultural sector, where artists were suddenly "free" from party-mandated modes of representation and now could promote and sell their work globally. But in Russia, the encounter with Western art markets was fraught. The Russian field of art still remains on the periphery of the international art world, struggling for legitimacy in the eyes of foreign experts and collectors. This book examines the challenges Russian art world actors faced in building a field of art in a society undergoing rapid and significant economic, political, and social transformation and traces those challenges into the twenty-first century. Drawing on historical and ethnographic research, Art of Transition traces the ways the field of art has developed, evolved, and been sustained in Russia after socialism. It shows how Russia’s art world has grappled with its Soviet past and negotiated its standing in an unequal, globalized present. By attending to the historical legacy of Russian art throughout the twentieth century, this book constructs a genealogy of the contemporary field of postsocialist art that illuminates how Russians have come to understand themselves and their place in the world.

Scottish engineer Daniel Wilson (1790–1849) helped launch the industrial revolution in France and acquired a major art collection. His daughter, Marguerite (1836–1902), restored the château de Chenonceau, near the Loire Valley. His son, Daniel (1840–1919), close to Marguerite, became an MP, founded a newspaper chain, rose to become a leading republican politician, and married the daughter of President of the Republic Jules Grévy. The younger Daniel Wilson’s business activities and news strategies offended many and prompted his involvement in a scandal (the sale of the Legion of Honour decoration) that led to his downfall and that of President Grévy. Wilson’s name became and remains synonymous with political corruption. This book is the first to examine the nexus of political and press connections in early republican France from his viewpoint. The struggle for press freedom since the 1789 Revolution culminating in the 1881 Press Law is assessed by considering the stance of Wilson, Grévy, and the leading press magnate Emile de Girardin and other press tycoons. The flamboyant Marguerite, who hosted Gustave Flaubert in Chenonceau and journeyed to India, colours the saga.