Tells the stories of every Canadian winner of the Victoria Cross, the Commonwealth’s highest award for gallantry, during the First World War. With a scope that covers the entire global conflict, For Valour follows soldiers from across Canada, all united by valour above and beyond the call of duty.

War has erupted in the Banished Lands as the race for power intensifies. Corban flees his homeland searching for peace, but he soon discovers that there is no haven in the west as the agents of Rhin and roaming bands of giants hound his every step. Veradis leaves the battleground and rushes to his King's side. But he has witnessed both combat and betrayal and his duty weighs heavily upon him. Maquin seeks only revenge, but pirate slavers and the brutal world of pit-fighting stand in his way. Nathair becomes embroiled in the wars of the west as Queen Rhin marches against King Owain. The need to find the cauldron of the giants drives him on. Sides are chosen and oaths will be fulfilled or broken in a land where hell has broken loose.

Based on primary source research, this is the most comprehensive history of the Victoria Cross available, tracing the evolution of the award from its inception in 1856 to the most recent bestowals. The study also examines the evolution of the concept of heroism and how the definition of heroism changed along with the nature of warfare.

Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

THE STORY: At a beautiful Dutchess County farmhouse, eight men hash out their passions, resentments and fears over the course of three summer weekends. There's Perry and Arthur, a professional couple of long standing, whose relationship, while stra

In January 1992 the Canadian Broadcasting Corporation (CBC) broadcast The Valour and the Horror, a three-part television series on Canada's role in World War II. It sparked a major controversy among viewers, war veterans, and historians. Brian and Terence McKenna, the authors-producers of the series, were accused of distorting historical facts, maligning individuals such as commanders Arthur Harris and Guy Simonds, presenting a biased account of events, and overstepping the line between journalism and drama. The Valour and the Horror Revisited brings together source documents, original essays, and commentaries to provide an analysis of the specific accusations and of larger questions concerning responsible journalism. Included in the collection are reports by David Bercuson and S.F. Wise, who were asked by the CBC ombudsman to assess the series; the CBC ombudsman's report; the McKennas' response to the ombudsman's report; the ombudsman's commentary on the McKennas' response; and three new essays by historians John Ferris, William McAndrew, and Scot Robertson on the incidents covered in the series - Canadian involvement in the battles in Hong Kong and Normandy, and the bombing of Germany. The Valour and the Horror Revisited addresses such important issues as the dangers of "docudrama," the calibre of the Canadian media, the meaning of the Canadian experience in the war, and the nature of history.

War, Wine and Valour: Five years fighting the Nazis. War, Wine and Valour is the true account of a bunch of kids, almost all of them straight out of high school, caught up in the wave of patriotism that ran counter to the rantings and strategies of Adolf Hitler. Not as cruel and hopeless as Erich Remarque's "All Quiet On The Western Front", which took place in the area of a few trenches, this book reflects with the same intensity the spread of the 20th Century horror named World War Two. The narrative is as factual as the ongoing war diaries of the author's personal experiences which thread the story through its six long years. The boys grew into men almost always in the face of diabolical threats and acts of infamy which were called Nazism. The author was wounded on three separate occasions, twice dangerously, firstly in infantry in the battles of Gazala and El Alamein and thereafter in tanks in Italy leading to the capture of Florence. On one occasion he absconded from hospital in bandages and returned to his regiment to fight with his comrades again. The book is a study in the psychology of men at bay confronted repeatedly with bombardment, direct attack by Stukas and other Nazi terror, and replying with bayonet charges, fighting patrols at night, counter-attacks under creeping barrages and close combat in tank battles. Numerous living characters from the ranks carry the story with freshness and pace, humour and vivid imagery. The author's war diaries have provided settings with accurate richness of detail from the wilds of central Abyssinia to the mid-winter of 1944/5 in the Italian Apennines. Gripping events, graphic pictures, surprising maps and extraordinary detail! 522 pages with 33 maps and 52 pictures.