The two Galaxity agents’ investigation into the elemental forces appearing on Earth continues. While Laureline, dogged and efficient, follows a promising lead somewhere in outer space, Valerian is struggling to unravel the mysterious events plaguing our 20th century. Demonstrations of fantastic phenomena follow in quick succession, pushing poor Valerian to his limits. And matters will have to be settled simultaneously in New York and on an asteroid on the edge of the galaxy to save our world...

Originally published as: Valerian. Brooklyn station terminus cosmos. Paris: Dargaud, c1981.

Valerian and Laureline take a break from adventuring and go on a cruise, but Valerian feels uncomfortable among the idle and the powerful. He’s not bored for long, though, because when a quartet of mercenaries board the cruise ship to kidnap the son of the Caliph of Iksaladam, they end up taking Laureline as well. With the almighty Caliph offering a massive reward for his son’s return, Valerian’s quest to rescue his girl is suddenly hindered by every bounty hunter in the galaxy...

The (false?) gods of Hypsis are once again interfering with Human history. Tired of their lower status among their peers, the trinity in charge of planet Earth opens communications with megacorporation Vivaxis at the end of the 20th century – an occurrence Valerian and Laureline’s allies report to the two ex-agents. But to what end did the Hypsians initiate such a contact? And who is the mysterious Sat who, from the depths of Point Central, also endeavours to meddle with Human affairs?

Valerian, shot to death in an Indian fortress. Valerian, dead in 19th century London. Valerian, gunned down in San Francisco's Chinatown - And Laureline, paired up with an unpleasantly arrogant historian from Galaxity, forced to witness every demise of the man she loves on a succession of re-enacted pieces of human history. A very strange case that will take the two spatio-temporal agents to the limits of their endurance as they hunt down the mysterious architect of the false Earths.

Two agents of 24th century Earth patrol space and time to safeguard both the planet's future and its past. The 12th volume of Valerian and Laureline, one of the most influential science-fiction comic series of the past 40 years!

In this book you will find volumes 3 to 5: The Land Without Stars, Welcome to Alflolol and Birds of the Master – three stories that introduce the societal criticism aspect of the series. Battle of the sexes, totalitarianism and extreme productivism are lambasted, but never at the expense of fantasy or of the action. And as they travel from world to distant world, Laureline becomes a truly equal partner, far from the stereotypical female sidekick roles of the time. Finally, the second part of the exclusive interview with the authors and director Luc Besson is followed by an in-depth portrait of Pierre Christin, the writer.

On an interstellar cruise ships, a mysterious individual in full environmental suit is working hard to get to Earth. On Earth, meanwhile, another person in a spacesuit is exploring a nuclear reactor on behalf of its owners. That second man is Valerian, and since the disappearance of Galaxity, he’s been forced to make a living by putting his advanced knowledge and equipment to good use. But what he’s discovered insidethe plant is extremely worrisome...

By placing comics in a lively dialogue with contemporary narrative theory, The Narratology of Comic Art builds a systematic theory of narrative comics, going beyond the typical focus on the Anglophone tradition. This involves not just the exploration of those properties in comics that can be meaningfully investigated with existing narrative theory, but an interpretive study of the potential in narratological concepts and analytical procedures that has hitherto been overlooked. This research monograph is, then, not an application of narratology in the medium and art of comics, but a revision of narratological concepts and approaches through the study of narrative comics. Thus, while narratology is brought to bear on comics, equally comics are brought to bear on narratology.

Exploring Syrte, the capital planet of a system of one thousand worlds, agents Valerian and Laureline must decide whether this decaying empire poses any danger to Earth.