Vajra Speech, by Tulku Urgyen Rinpoche, renowned for his extra-ordinary experience and realization, is a wide ranging collection of pith instructions for the Dzogchen yogi. This Tibetan master's advice reduces negative emotions and naturally enables loving kindness, compassion and wisdom to flourish. "A swan can separate water and milk when drinking. The yogi should be like the swan in sepa rating the milk of original wakefulness from the water of ignorance." --Tulku Urgyen Rinpoche "Compared to many years studying books and going through analytical meditation, we found it more beneficial to ask questions of Tulku Urgyen and listen to his answers." --Orgyen Topgyal Rinpoche

A systematic presentation of the path of Dzogchen, the Great Perfection, by one of its most renowned proponents and rendered by a master translator. Düdjom Lingpa (1835–1904) was one of the foremost tantric masters of nineteenth-century Tibet, and his powerful voice resonates strongly among Buddhist practitioners today. The Vajra Essence is Düdjom Lingpa’s most extended meditation on the path of Great Perfection, in many senses a commentary on all his other Dzogchen works. Dzogchen, the pinnacle of practice in the Nyingma school, is a radical revelation of the pure nature of consciousness that is delivered from master to disciple and perfected in a meditation that permeates every moment of our experience. Revealed to Düdjom Lingpa as a visionary “treasure” text in 1862, the Vajra Essence takes the reader through seven stages of progressively deeper practice, from “taking the impure mind as the path” up to the practice of “direct crossing over” (tögal). The longest of Düdjom Lingpa’s five visionary works on Dzogchen, readers will find this a rich and masterful evocation of the enlightened experience. This is the first translation of this seminal work in any Western language, and B. Alan Wallace, with his forty-five-plus years of extensive learning and deep meditative experience, is one of the most accomplished translators of Tibetan texts into English.

The practice of Vajrabhairava is a practice of Anuttara Yogatantra. You must have an initiation and teachings by a qualified teacher. Please ask a center of Tibetan Buddhism for information. The word "Yoga" means exercise and the word "tantra" continuum. The exercise is to meditate and to understand the teachings. The sadhana practice should be done daily. The text is a symbolic text. You must have explanations. So you need teachings. Tantra is a practice exclusively for the advanced.

Inspired by years of scholarly training and decades of solitary retreat, Tibetan monk Gen Lamrimpa offers a concise overview of all phases of the Kalachakra practice: the preliminaries, the initiation, and finally, the stages of generation and completion. With remarkable clarity, he makes the Six-Session Guruyoga practice accessible to all practitioners, and deepens our understanding and appreciation of this sublime teaching of the Buddha. Gen Lamrimpa begins this eminently practical explanation by emphasizing the importance of a compassionate motivation for spiritual practice. He then explores the nature of suffering and the cycle of existence that traps all living beings, and concludes with a detailed account of the Six-Phase Yoga, which is meant to be recited and contemplated three times during the day and three times at night. Alan Wallace's introduction illuminates both Kalachakra's rich history and Gen Lamrimpa's unique contribution to our understanding. This book provides a clear explanation of Kalachakra as set forth within the context of the Six-Session Guruyoga, a daily meditation practice for initiates. Transcending Time presents all phases of Kalachakra practice--the preliminaries, the initiation, and finally, the stages of generation and completion.

This commentary on Guhyasamaja tantra is the seminal guide to deity yoga and tantric visualization for the Geluk school of Tibetan Buddhism. The Guhyasamaja Tantra, called the king of all tantras, is revered in Tibet, especially by the Geluk school. Ocean of Attainments, a commentary on Guhyasamaja practice, was composed by Khedrup Jé Gelek Palsang (1385–1438), a key disciple of the Geluk school founder, Tsongkhapa Losang Drakpa. It explores the creation stage, a quintessential Buddhist tantric meditation that together with the completion stage comprises the path of unexcelled tantra. In the creation stage, meditators visualize themselves as buddhas at the center of the celestial mandala, surrounded in all directions by male and female buddhas, bodhisattvas, and other enlightened beings. Yet creation-stage practice is not merely visualization but deity yoga—indivisibly uniting the meditation on emptiness with the visualization of the mandala. The creation stage uses the conceptualization in visualization to overcome conceptualization, thereby creating a nonconceptual and nonerroneous direct perception. Such a mind, profound and vast, can bring about a transformation that stops samsaric suffering. How can visions generated as mental constructs not be erroneous? To the awakened eye, the buddhas and other beings who dwell in the mandala are “reality,” and in a sense they are more than real. While the previously published Essence of the Ocean of Attainments is a concise exposition on the practice of the Guhyasamaja sadhana, Ocean of Attainments is far more detailed, providing extensive scriptural citations, clear explanation of the body maanala, arguments on points of contention, reference to other tantric systems, and critiques of misinterpretations. With its extensive and clear introduction, this volume is a vital contribution to the growing body of scholarship on Guhyasamaja and on Buddhist tantra in general.

A translation of Jigme Lingpa’s eighteenth-century Tibetan Buddhist aspiration prayer for taking rebirth in the pure land Copper-Colored Mountain, accompanied by a commentary and analysis by the translators. While Pure Land Buddhism is generally thought of as an East Asian tradition with an Indian origin, the Copper-Colored Mountain is in fact the first and only pure land with scriptural origins entirely in the Tibetan tradition. It represents Tibetan culture’s fascinating intersection of traditional history with liturgical tantric practice. The Copper-Colored Mountain is understood to be the current abode of Padmasambhava, the Indian master credited with first bringing Buddhism to Tibet and founding Tibet’s first monastery, Samye. After leaving Tibet, it is said that Padmasambhava set up residence on Cāmara, one of the two islands on either side of the continent of Jambudvipa, our world according to Buddhist cosmology. After taming the resident ogres of Cāmara and converting them to Buddhism, he then built an octagonal palace where Buddhist practitioners may be transported in visions and dreams or reborn through aspiration prayers. This work is a translation and analysis of one such aspiration prayer. This prayer was composed by Jigme Lingpa, a treasure revealer of the Nyingma tradition in the eighteenth century and remains the most important prayer to this pure land in Tibetan Buddhism. Merging academic precision in representing the Tibetan texts and devotion to the principles of tantric Buddhism, translators Georgios T. Halkias and Christina Partsalaki enable a wider appreciation of the history and impact of this prayer in Tibetan Buddhist literature while elucidating its meaning for Buddhist practitioners.

The Tibetan Buddhist meditation practice known as Dzogchen is a pragmatic method for getting in touch with the pure, clear awareness that is hidden under our constant flow of anxious thoughts. Dzogchen Essentials makes available the methods to meet and utilize this rich spiritual path. Marcia Binder Schmidt, a long time, close attendant to one of the foremost Dzogchen Masters of the last century, Tulku Urgyen Rinpoche, has put together the most comprehensive and accessible collection of the essential instructions vital to this subject. She has organized them into a handbook for the genuine trainee of this tradition. The book includes a useful preface an introductory teaching by a leading Dzogchen Master as well as classical and original pieces that impart crucial explanations. This is a book for the layperson as well as the scholar. For centuries, Dzogchen has been a secretly held and privately transmitted teaching, which was unknown beyond the confines of Tibetan culture. But that changed in the final decades of the last century, as many Tibetans saw the long-awaited unfolding of a famous ninth-century prophecy: "When the Dark Age is rampant, the Dzogchen teachings will blaze like wildfire."

Reprint. originally published: Tharpa Publications, 1991.

An essential collection of tantric texts on a meditation practice essential to one of the largest traditions of Buddhism in Tibet. Yamantaka is the wrathful expression of the wisdom buddha Manjushri and was Tsongkhapa’s foremost personal deity, from whom he received direct visions that were a constant source of empowerment, inspiration, instruction, and even personal advice. The oral instructions on the practice of Yamantaka fall into two main streams. The quintessential instruction of both of these lineages, including both their generation- and completion-stage teachings, are contained in the two commentaries presented in this volume. First, we have commentary from the great scholar, siddha, and lineage holder of the Gelug Mahamudra lineage, Ngulchu Dharmabhadra, on the Thirteen Deity practice. These texts contain a wellspring of oral instructions that provide rich and highly accessible details concerning the practice of Yamantaka that are equally applicable to the Solitary Hero practice, the practice of the second stream. The second commentary, composed by the Fifth Ling Rinpoche, Losang Lungtog Tenzin Trinley, is concerned with the Solitary Hero practice and contains many extraordinary instructions that have not been written down in other texts but have been preserved through the oral lineage. This text is part of a highly secretive volume containing many texts on Solitary Hero Yamantaka entitled the Eighteen Steps of Solitary Hero. The combination of these two texts gives the reader an unprecedented panoramic perspective on the entire spectrum of Yamantaka practice. Also included in this amazing volume is the extensive sadhana of the Solitary Hero composed by Pabongkha Rinpoche that can be used as a reference to facilitate a more thorough understanding of the commentaries.

Guide to Dakini Land is the first complete explanation in English to the Tantric practice of Vajrayogini, the female Buddha of wisdom. The book provides detailed instructions on the eleven yogas of generation stage, which are special methods for transforming all our daily activities into the spiritual path. It also explains with perfect clarity the essential completion stage practices of Vajrayogini. It includes all the sadhanas of Vajrayogini and advice on how to do a Tantric retreat, and a wealth of additional material that will be indispensable to anyone wishing to rely upon Buddha Vajrayogini.