First published in 2006. This book by Stephen Graham is a supremely unique take on travel through Russia and the Caucasus. Graham takes to the road in a modest fashion, with a bag and his camera at his side. As he arrives in Moscow not long after the Russian Revolution in 1917 he is not welcomed with open arms. Instead, Graham is greeted by a group of soldiers as he walks down the street and is arrested. He recounts this experience, as well as every moment of his time spent 'vagabonding' across the Caucasus with glorious detail. His photographs to accompany the text capture the fleeting moments of this politically heated time in Russia with candid accuracy. This momentous work is not to be overlooked by anyone interested in travel or history, or anyone with a taste for an unconventional account of the land of the Caucasus.

Selected by The New York Times Book Review as a Notable Book of the Year A revelatory tale of science, adventure, and modern myth. When the writer Donovan Hohn heard of the mysterious loss of thousands of bath toys at sea, he figured he would interview a few oceanographers, talk to a few beachcombers, and read up on Arctic science and geography. But questions can be like ocean currents: wade in too far, and they carry you away. Hohn's accidental odyssey pulls him into the secretive world of shipping conglomerates, the daring work of Arctic researchers, the lunatic risks of maverick sailors, and the shadowy world of Chinese toy factories. Moby-Duck is a journey into the heart of the sea and an adventure through science, myth, the global economy, and some of the worst weather imaginable. With each new discovery, Hohn learns of another loose thread, and with each successive chase, he comes closer to understanding where his castaway quarry comes from and where it goes. In the grand tradition of Tony Horwitz and David Quammen, Moby-Duck is a compulsively readable narrative of whimsy and curiosity.

An intense and lively debate on literature and art between thinkers who became some of the great figures of twentieth-century philosophy and literature. With an afterword by Fredric Jameson No other country and no other period has produced a tradition of major aesthetic debate to compare with that which unfolded in German culture from the 1930s to the 1950s. In Aesthetics and Politics the key texts of the great Marxist controversies over literature and art during these years are assembled in a single volume. They do not form a disparate collection but a continuous, interlinked debate between thinkers who have become giants of twentieth-century intellectual history.