A noted historian examines the impact of culture and politics on the wartime attitudes and experiences of Americans and their expectations concerning the postwar world.

Tells of the Amerian efforts to provide equipment for World War II and tells of the situation in America at the time.

Describes life in the United States during World War II, discussing such activities as civil defense, the Japanese relocation, rationing, propaganda, and censorship.

Why have the major post-9/11 US military interventions turned into quagmires? Despite huge power imbalances in the United States' favor, significant capacity-building efforts, and repeated tactical victories by what many observers call the world's best military, the wars in Afghanistan and Iraq turned intractable. The US government's fixation on zero-sum, decisive victory in these conflicts is a key reason why military operations to overthrow two developing-world regimes failed to successfully achieve favorable and durable outcomes. In Zero-Sum Victory, retired US Army colonel Christopher D. Kolenda identifies three interrelated problems that have emerged from the government's insistence on zero-sum victory. First, the US government has no organized way to measure successful outcomes other than a decisive military victory, and thus, selects strategies that overestimate the possibility of such an outcome. Second, the United States is slow to recognize and modify or abandon losing strategies; in both cases, US officials believe their strategies are working, even as the situation deteriorates. Third, once the United States decides to withdraw, bargaining asymmetries and disconnects in strategy undermine the prospects for a successful transition or negotiated outcome. Relying on historic examples and personal experience, Kolenda draws thought-provoking and actionable conclusions about the utility of American military power in the contemporary world—insights that serve as a starting point for future scholarship as well as for important national security reforms.

Europe went to war in 1914 tot he sound of brass bands and cheering crowds; in every country, civilians and soldiers alike believed that the war would be won by Christmas time. By the time Christmas arrived, however, it became clear that this, indeed, would be a much longer war. In the months and years which followed, combatants perused the war with boundless intensity in order to emerge victorious. This was partially true of Germany where publicists pictured it as a life-and-death struggle for the survival of a nation surrounded by hostile enemies No nation involve din the conflict so completely mobilised its population, its resources, its energies into such a single-minded pursuit of the war. This unusual and incisive account chronicles Germany in World War 1 from the viewpoint of the solders who fought the battles and civilians who endured the ever increasing trauma of escalating casualties, widespread shortages, and declining conditions of living. It relates how Germany attempted to cope with a massive blockade, the scope of which had not been seen since the days of Napoleon, thus forcing German authorities to adopt a series of sometimes brutal measures, all of which rested on the underlying premise that victory, a clear-cut victory, could be the only acceptable option. Victory Must Be Ours explores the Germany which in 1914 took a prestigious leap into darkness. It explores the ingredients which make the Great War perhaps the single most fateful event in the Twentieth Century, setting in motion the most bloody conflict of all time, World War II.

The home front during World War II was one of blackouts, Victory Gardens, war bonds and scrap drives. It was also a time of social upheaval with women on the assembly line and in the armed forces and African-Americans serving and working in a Jim Crow war effort. See how Superman, Donald Duck, Mickey Mouse and others helped fight World War II via comic books and strips, single-panel and editorial cartoons, and even ads. Cartoons for Victory showcases wartime work by cartoonists such as Charles Addams (The Addams Family), Harold Gray (Little Orphan Annie), Harvey Kurtzman (Mad magazine), Will Eisner, as well as many other known cartoonists. Over 90% of the cartoons and comics in this book have not been seen since their first publication.

An examination of how some legal issues are losing cases - but that's okay because advances are still possible.

Was World War II really the `Good War'? In the years since the declaration of peace in 1945 many myths have sprung up around the conflict in the victorious nations. In this book, Peter Hitchens deconstructs the many fables which have become associated with the narrative of the `Good War'. Whilst not criticising or doubting the need for war against Nazi Germany at some stage, Hitchens does query whether September 1939 was the right moment, or the independence of Poland the right issue. He points out that in the summer of 1939 Britain and France were wholly unprepared for a major European war and that this quickly became apparent in the conflict that ensued. He also rejects the retroactive claim that Britain went to war in 1939 to save the Jewish population of Europe. On the contrary, the beginning and intensification of war made it easier for Germany to begin the policy of mass murder in secret as well as closing most escape routes. In a provocative, but deeply-researched book, Hitchens questions the most common assumptions surrounding World War II, turning on its head the myth of Britain's role in a `Good War'.

When Noel Bostock - aged ten, no family - is evacuated from London to escape the Blitz, he winds up in St Albans with Vera Sedge - thiry-six, drowning in debts. Always desperate for money, she's unscrupulous about how she gets it. The war's thrown up all manner of new opportunities but what Vee needs is a cool head and the ability to make a plan. On her own, she's a disaster. With Noel, she's a team. Together they cook up an idea. But there are plenty of other people making money out of the war and some of them are dangerous. Noel may have been moved to safety, but he isn't actually safe at all . . . Longlisted for the Baileys Women's Prize for Fiction, 2015

Secret Victory is captivating and disturbing in equal measure. It reveal's how the IRA was infiltrated, degraded and strategically defeated - at times with violent and deadly consequences. To read this book is to understand how intelligence drives irregular conflicts.