Throughout Egypt’s long history, pottery sherds and flakes of limestone were commonly used for drawings and short-form texts in a number of languages. These objects are conventionally called ostraca, and thousands of them have been and continue to be discovered. This volume highlights some of the methodologies that have been developed for analyzing the archaeological contexts, material aspects, and textual peculiarities of ostraca.

Throughout Egypt’s long history, pottery sherds and flakes of limestone were commonly used for drawings and short-form texts in a number of languages. These objects are conventionally called ostraca, and thousands of them have been and continue to be discovered. This volume highlights some of the methodologies that have been developed for analyzing the archaeological contexts, material aspects, and textual peculiarities of ostraca.

The series Material Text Cultures is the publication organ of the Collaborative Research Center 933 of the same name at Heidelberg University, funded by the German Research Foundation (DFG). The series publishes collections and monographs dedicated to the Collaborative Research Center's main focus of research - that is, the materiality and presence of writing in non-typographic societies.

The volume The Materiality of Texts from Ancient Egypt contains nine contributions from well-known papyrologists, Egyptologists, archaeologists and technical specialists. They discuss the materiality of ancient writing and writing supports in various ways through methodological considerations and through practical case studies from the early Pharaonic to the Late Antique periods in Egypt, including Greek and Egyptian papyri and ostraca, inscriptions and graffiti. The articles in this volume present new approaches to the study of textual material and scribal practice, especially in the light of the ongoing development of digital techniques that uncover new information from ancient writing materials. The aim of the book is to encourage researchers of ancient texts to consider the benefits of using these new methods and technological resources.

In this book, Philip Zhakevich examines the technology of writing as it existed in the southern Levant during the Iron Age II period, after the alphabetic writing system had fully taken root in the region. Using the Hebrew Bible as its corpus and focusing on a set of Hebrew terms that designated writing surfaces and instruments, this study synthesizes the semantic data of the Bible with the archeological and art-historical evidence for writing in ancient Israel. The bulk of this work comprises an in-depth lexicographical analysis of Biblical Hebrew terms related to Israel’s writing technology. Employing comparative Semitics, lexical semantics, and archaeology, Zhakevich provides a thorough analysis of the origins of the relevant terms; their use in the biblical text, Ben Sira, the Dead Sea Scrolls, and ancient Hebrew inscriptions; and their translation in the Septuagint and other ancient versions. The final chapter evaluates Israel’s writing practices in light of those of the ancient world, concluding that Israel’s most common form of writing (i.e., writing with ink on ostraca and papyrus) is Egyptian in origin and was introduced into Canaan during the New Kingdom. Comprehensive and original in its scope, Scribal Tools in Ancient Israel is a landmark contribution to our knowledge of scribes and scribal practices in ancient Israel. Students and scholars interested in language and literacy in the first-millennium Levant in particular will profit from this volume.

The Handbook of Ancient Afro-Eurasian Economies offers in three volumes the first comprehensive discussion of economic development in the empires of the Afro-Eurasian world region to elucidate the conditions under which large quantities of goods and people moved across continents and between empires. Volume 3: Frontier-Zone Processes and Transimperial Exchange analyzes frontier zones as particular landscapes of encounter, economic development, and transimperial network formation. The chapters offer problematizing approaches to frontier zone processes as part of and in between empires, with the goal of better understanding how and why goods and resources moved across the Afro-Eurasian region. Key frontiers in mountains and steppes, along coasts, rivers, and deserts are investigated in depth, demonstrating how local landscapes, politics, and pathways explain network practices and participation in long-distance trade. The chapters seek to retrieve local knowledge ignored in popular Silk Road models and to show the potential of frontier-zone research for understanding the Afro-Eurasian region as a connected space.

In Ostraca from the Temple of Millions of Years of Thutmose III, Fredrik Hagen publishes an important new collection of texts illustrating life in an Egyptian temple.

Documents such as papyri and inscriptions are essential to our knowledge of ancient history in a broad sense. This volume turns the attention to the texts themselves, and explores in an interdisciplinary way how people communicated with each other in antiquity.

This survey of Greek letter writing from a well-known and respected author introduces students to the whole range of letter writing in the Greek world, and its problems. Greeks wrote letters to each other for business and diplomatic purposes, as teacher to pupil, and as addresses to the wider world.

Writing in the ancient Mediterranean existed against a backdrop of very high levels of interaction and contact. In the societies around its shores, writing was a dynamic practice that could serve many purposes – from a tool used by elites to control resources and establish their power bases to a symbol of local identity and a means of conveying complex information and ideas. This volume presents a group of papers by members of the Contexts of and Relations between Early Writing Systems (CREWS) research team and visiting fellows, offering a range of different perspectives and approaches to problems of writing in the ancient Mediterranean. They focus on practices, viewing writing as something that people do within a wider social and cultural context, and on adaptations, considering the ways in which writing changed and was changed by the people using it.