Sign of sublime excess and transgression, guardian of the threshold and uncanny creature par excellence, the monster of late has also become a mainstay of urban narratives – even while its presence in these texts remains untheorized. The authors in this collection show how artists and writers across the past two hundred years, from William Wordsworth to China Miéville, figure the monster as a barometer of changing urban patterns. Here, monstrosity becomes the herald of embryonic social forms and marginalized populations in portrayals of cities across media – from video games, film and avant-garde sonic experiments to written tales of urban fantasy and gothic ruin. This volume suggests that poetic and municipal structures evolve in tandem. Within its chapters, unearthly buildings and beings signal a host of new urban dispensations.

Time, the City, and the Literary Imagination explores the relationship between the constructions and representations of the relationship between time and the city in literature published between the late eighteenth century and the present. This collection offers a new way of reading the literary city by tracing the ways in which the relationship between time and urban space can shape literary narratives and forms. The essays consider the representation of a range of literary cities from across the world and consider how an understanding of time, and time passing, can impact on our understanding of the primary texts. Literature necessarily deals with time, both as a function of storytelling and as an experience of reading. In this volume, the contributions demonstrate how literature about cities brings to the forefront the relationship between individual and communal experience and time.

This unique field guide draws on modern sightings, folklore, urban legends, and mythology to give novices all they need to begin a fearless foray into the world of monsterology. 75 photos.

This innovative text examines the development of modernist writing in four European cities: London, Paris, Berlin and Vienna.

An enlightening collection of inter-disciplinary research on the multifarious incarnations of the monster, 'Monstrous Manifestations' invites the reader to venture into the deepest anxieties of the human psyche.

A collection of studies on the ecologies of European cities, including Paris, Zurich, and Amsterdam among others. Discussion includes the natural and historical development of each city, local flora, the environmental impact of city growth, and environmental planning, design, and management.

Emerging from darkness, daring to take form and become something more than the Other, monsters stalk these pages, shifting form in true monstrous fashion as they inhabit literature and film, history and parallel communities modelled after our own. They become enmeshed in popular music, run rampant through cities, take androgynous form to rally for their own identities, their own futures, and their own families, and they hold up mirrors while we are caught shattering our sense of Self. Both the past and the future are rich fodder for the evil that monsters do, and from freak show to homunculus to serial killer to cyborg, they remind us that they are never far from sight - and that we cannot look away even if we wish to. Monstrosity from the Inside Out takes as the paradox that monsters are simultaneously impossible and very much a part of what it means to be human.

The Cambridge Companion to American Gothic offers an accessible overview to both the breadth and depth of the American Gothic tradition. This subgenre features works from many of America's best-known authors: Edgar Allan Poe, Toni Morrison, Stephen King, Anne Rice, Henry James, Edith Wharton, William Faulkner, and Flannery O'Connor. Authored by leading experts in the field, the introduction and sixteen chapters explore the American Gothic chronologically, in relation to different social groups, in connection with different geographic regions, and in different media, including children's literature, poetry, drama, film, television, and gaming. This Companion provides a rich and thorough analysis of the American Gothic tradition from a twenty-first-century standpoint, and will be a key resource undergraduates, graduate students, and professional researchers interested in this topic.

′The Emancipatory City is a wonderful addition to a growing literature on the public culture of the city. In these spaces, tolerance and intolerance, difference and indifference, transgressions, resistances, and playful spontaneity erupt to give texture to urban life. The book broadens our gaze and deepens our understanding of how cities enable people to express themselves and be free′ - Robert A Beauregard, New School University, New York Who are cities for? What kinds of societies might they most democratically embody? And, how can cities be emancipatory sites? The ambivalent status of urban space in terms of emancipation, democratisation, justice and citizenship is central to recent work in urban geography, `new′ cultural geography, critical geography and postmodern planning, as well as literature on urban social justice, public space and the politics of identity. Seeking alternative and progressive visions of the emancipatory city through an exploration of the tensions and possibilities between the freedoms and constraints offered by the city, the authors of The Emancipatory City? build on this wealth of current perspectives to present an critical analysis of urban experience.

Winner of the 2012 Isaac and Tamara Deutscher Memorial Prize. Monsters of the Market investigates the rise of capitalism through the prism of the body-panics it arouses. Drawing on folklore, literature and popular culture, the book links tales of monstrosity from early-modern England, including Mary Shelley’s Frankenstein, to a spate of recent vampire- and zombie-fables from sub-Saharan Africa, and it connects these to Marx’s persistent use of monster-metaphors in his descriptions of capitalism. Reading across these tales of the grotesque, Monsters of the Market offers a novel account of the cultural and corporeal economy of a global market-system. The book thus makes original contributions to political economy, cultural theory, commodification-studies and ‘body-theory’.