Science fiction tales from “one of the genre's leading humorists” (The New York Times Book Review). In “Pilgrimage to Earth,” on a long-desired trip to the home planet, a young man finds a perfectly developed society and, finally, deep, true love—which, sadly, only lasts for a very limited time before the reset button removes all trace of it. The fourteen other stories in this collection are “All the Things You Are,” “Trap,” “The Body,” “Early Model,” “Disposal Service,” “Human Man’s Burden,” “Fear in the Night,” “Bad Medicine,” “Protection,” “Earth, Air, Fire, and Water,” “Deadhead,” “The Academy,” “Milk Run,” and “The Lifeboat Mutiny.” From the very beginning of his career, Robert Sheckley was recognized by fans, reviewers, and fellow authors as a master storyteller and the wittiest satirist working in the science fiction field. Open Road is proud to republish his acclaimed body of work, with nearly thirty volumes of full-length fiction and short story collections. Rediscover, or discover for the first time, a master of science fiction who, according to the New York Times, was “a precursor to Douglas Adams.”

An NYRB Classics Original Robert Sheckley was an eccentric master of the American short story, and his tales, whether set in dystopic city­scapes, ultramodern advertising agencies, or aboard spaceships lighting out for hostile planets, are among the most startlingly original of the twentieth century. Today, as the new worlds, alternate universes, and synthetic pleasures Sheckley foretold become our reality, his vision begins to look less absurdist and more prophetic. This retrospective selection, chosen by Jonathan Lethem and Alex Abramovich, brings together the best of Sheckley’s deadpan farces, proving once again that he belongs beside such mordant critics of contemporary mores as Bruce Jay Friedman, Terry Southern, and Thomas Pynchon.

Book 2 of The Amoveo Legend SHE SHOULD BE SEEN, BUT NEVER TOUCHED... Kerry Smithson's modeling career ensures that she will be admired from afar, which is essential since mere human touch sparks blinding pain and terrifying visions. EVERY GOOD MODEL NEEDS A HEAVENLY BODYGUARD... Dante Coltari is hired to protect Kerry from those who know who she is—or more importantly what she is—and want her dead because of it. Nothing could have prepared him for the challenge of keeping her safe. But, strangely, his lightest touch brings her exquisite pleasure rather than pain, and Dante and Kerry have an otherwordly connection that might just pull them through. The Amoveo Legend Series: Unleashed (Book 1, The Amoveo Legend) Untouched (Book 2, The Amoveo Legend) Untamed (Book 3, The Amoveo Legend) Undone (Book 4, The Amoveo Legend) Unclaimed (Book 5, The Amoveo Legend) Undenied (e-Novella) Praise for the Amoveo Legend series: "Sizzling sexual chemistry that is sure to please."—Yankee Romance Reviews "A moving tale that captures both the sweetness and passion of romance."—Romance Junkies, 5 Blue Ribbons "Fascinating...the characters haunted my dreams...I'm dying for the sequel."—Long and Short Reviews Best Book

In this meticulously researched and masterfully written book, Pulitzer Prize-winner Deborah Blum examines the history of love through the lens of its strangest unsung hero: a brilliant, fearless, alcoholic psychologist named Harry Frederick Harlow. Pursuing the idea that human affection could be understood, studied, even measured, Harlow (1905-1981) arrived at his conclusions by conducting research-sometimes beautiful, sometimes horrible-on the primates in his University of Wisconsin laboratory. Paradoxically, his darkest experiments may have the brightest legacy, for by studying "neglect" and its life-altering consequences, Harlow confirmed love's central role in shaping not only how we feel but also how we think. His work sparked a psychological revolution. The more children experience affection, he discovered, the more curious they become about the world: Love makes people smarter. The biography of both a man and an idea, The Measure of Love is a powerful and at times disturbing narrative that will forever alter our understanding of human relationships.

In “Gray Flannel Armor,” a man named Hanley finds perfection in a rigidly regular structure of social interaction—including for romance—and devises a system that the whole of humanity adopts. The eleven other stories in this collection are “Gray Flannel Armor,” “The Leech,” “Watchbird,” “A Wind Is Rising,” “Morning After,” “The Native Problem,” “Feeding Time,” “Paradise II,” “Double Indemnity,” “Holdout,” “Dawn Invader,” and “The Language of Love.” From the very beginning of his career, Robert Sheckley was recognized by fans, reviewers, and fellow authors as a master storyteller and the wittiest satirist working in the science fiction field. Open Road is proud to republish his acclaimed body of work, with nearly thirty volumes of full-length fiction and short story collections. Rediscover, or discover for the first time, a master of science fiction who, according to the New York Times, was “a precursor to Douglas Adams.”

"The Status Civilization" by Robert Sheckley. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Computers, now the writer's tool of choice, are still blamed by skeptics for a variety of ills, from speeding writing up to the point of recklessness, to complicating or trivializing the writing process, to destroying the English language itself. A Better Pencil puts our complex, still-evolving hate-love relationship with computers and the internet into perspective, describing how the digital revolution influences our reading and writing practices, and how the latest technologies differ from what came before. The book explores our use of computers as writing tools in light of the history of communication technology, a history of how we love, fear, and actually use our writing technologies--not just computers, but also typewriters, pencils, and clay tablets. Dennis Baron shows that virtually all writing implements--and even writing itself--were greeted at first with anxiety and outrage: the printing press disrupted the "almost spiritual connection" between the writer and the page; the typewriter was "impersonal and noisy" and would "destroy the art of handwriting." Both pencils and computers were created for tasks that had nothing to do with writing. Pencils, crafted by woodworkers for marking up their boards, were quickly repurposed by writers and artists. The computer crunched numbers, not words, until writers saw it as the next writing machine. Baron also explores the new genres that the computer has launched: email, the instant message, the web page, the blog, social-networking pages like MySpace and Facebook, and communally-generated texts like Wikipedia and the Urban Dictionary, not to mention YouTube. Here then is a fascinating history of our tangled dealings with a wide range of writing instruments, from ancient papyrus to the modern laptop. With dozens of illustrations and many colorful anecdotes, the book will enthrall anyone interested in language, literacy, or writing.