This collection of 500-plus pictures dramatically enhances the written record of World War II in the Pacific Theater. The images freeze in place the soldiers, weapons, the operations, the geography, and the tenor of the moment. The War Against Japan was one of the first volumes in the United States Army in World War II series, and it has stood the test of time. The book has also served as a useful resource for anyone looking to illustrate this stage of the war. Although this second edition keeps all the original photographs, captions, and short narrative historical introduction in each section, the Center of Military History has taken several steps to improve the appearance, currency, and utility of the book. New prints of all existing photographs ensure their clarity, replacing the old printing negatives with greatly improved examples. The Center staff also removed outdated references and developed an appendix that provides more detailed information on sources and photograph cataloging numbers. In visually documenting the World War II experience, this volume has proven to be an invaluable collection. By publishing this upgraded edition, the Center hopes to revive and expand the book's effectiveness in promoting an awareness of the determination, courage, and sacrifices of the American soldier in World War II.

Ichiro Sudan trained to be a kamikaze. Roscoe Brown was a commander in the Tuskegee Airmen, the first African American military aviators. Charin Singh, a farmer from Delhi, spent seven years as a Japanese prisoner of war and was not sent home until four years after the war ended. Uli John lost an arm serving in the German army but ultimately befriended former enemy soldiers as part of a network of veterans—"people who fought in the war and know what war really means." These are some of the faces and stories in the remarkable Veterans, the outcome of a worldwide project by Sasha Maslov to interview and photograph the last surviving combatants from World War II. Soldiers, support staff, and resistance fighters candidly discuss wartime experiences and their lifelong effects in this unforgettable, intimate record of the end of a cataclysmic chapter in world history and tribute to the members of an indomitable generation. Veterans is also a meditation on memory, human struggle, and the passage of time.

For many years, military historians and artists, collectors of militaria, war-gamers and war enthusiasts in general have felt the need for a comprehensive record of the uniforms, insignia and organisation of the fighting men of World War II. This remarkable book provides just such a record. Andrew Mollo is one of the leading British military historians with a worldwide reputation and his book is the result of years of study and research. His text not only details the design of uniforms and insignia but also describes their effectiveness in the field and how this affected the fighting ability of the troops themselves. An impressive series of 350 full-colour drawings has been specially commissioned for this book. These are supported by 160 photographs of the combatants in action, along with 53 plates of insignia. The authenticity of the drawings, together with the comprehensive descriptions, make The Armed Forces of World War II an invaluable source of reference for all students of military uniform.

Historians have made widespread use of diaries to tell the story of the Second World War in Europe but have paid little attention to personal accounts from the Asia-Pacific Theater. Writing War seeks to remedy this imbalance by examining over two hundred diaries, and many more letters, postcards, and memoirs, written by Chinese, Japanese, and American servicemen from 1937 to 1945, the period of total war in Asia and the Pacific. As he describes conflicts that have often been overlooked in the history of World War II, Aaron William Moore reflects on diaries as tools in the construction of modern identity, which is important to our understanding of history. Any discussion of war responsibility, Moore contends, requires us first to establish individuals as reasonably responsible for their actions. Diaries, in which men develop and assert their identities, prove immensely useful for this task. Tracing the evolution of diarists’ personal identities in conjunction with their battlefield experience, Moore explores how the language of the state, mass media, and military affected attitudes toward war, without determining them entirely. He looks at how propaganda worked to mobilize soldiers, and where it failed. And his comparison of the diaries of Japanese and American servicemen allows him to challenge the assumption that East Asian societies of this era were especially prone to totalitarianism. Moore follows the experience of soldiering into the postwar period as well, and considers how the continuing use of wartime language among veterans made their reintegration into society more difficult.

"In addition to the official photographs he turned over to his superiors, O'Donnell recorded some three hundred images for himself, but following his discharge from the Marines he could not bear to look at them. He put the negatives in a trunk that remained unopened until 1989, when he finally felt compelled to confront once more what he had seen through his lens during his seven months in post-war Japan." "Exhibited in Europe and Japan during the 1990s, O'Donnell's photographs were first published in book form in a 1995 Japanese edition. This edition, the first to appear in the United States, includes an additional twenty photographs and will bring O'Donnell's eloquent testament to the horrors of war to an even wider audience."--BOOK JACKET.

"John C. McManus, one of our most highly-acclaimed historians of World War II, takes readers from Pearl Harbor--a rude awakening for a ragtag militia woefully unprepared for war--to Makin, a sliver of coral reef where the Army was tested against the increasingly-desperate Japanese. In between were nearly two years of punishing combat as the Army transformed, at times unsteadily, from an undertrained garrison force into an unstoppable juggernaut, and America evolved from an inward-looking nation into a global superpower."--Provided by publisher.

Originally published in a limited, numbered edition in 1982, by Go For Broke, Inc. of Richmond, California. The author and editorial board selected 240 photos after combing through about 4,000. The text combines the author's recollections, reading, and research, with an oral history gathered from officers and soldiers. The 100th/442d, the most highly decorated unit in American history, was composed of Japanese Americans who had been interred during the war, and then were allowed to volunteer to fight. 11.5x9"Annotation copyrighted by Book News, Inc., Portland, OR

A history of the Chinese experience in WWII, named a Book of the Year by both the Economist and the Financial Times: “Superb” (The New York Times Book Review). In 1937, two years before Hitler invaded Poland, Chinese troops clashed with Japanese occupiers in the first battle of World War II. Joining with the United States, the Soviet Union, and Great Britain, China became the fourth great ally in a devastating struggle for its very survival. In this book, prize-winning historian Rana Mitter unfurls China’s drama of invasion, resistance, slaughter, and political intrigue as never before. Based on groundbreaking research, this gripping narrative focuses on a handful of unforgettable characters, including Chiang Kai-shek, Mao Zedong, and Chiang’s American chief of staff, “Vinegar Joe” Stilwell—and also recounts the sacrifice and resilience of everyday Chinese people through the horrors of bombings, famines, and the infamous Rape of Nanking. More than any other twentieth-century event, World War II was crucial in shaping China’s worldview, making Forgotten Ally both a definitive work of history and an indispensable guide to today’s China and its relationship with the West.

A two-volume account of the activities of the Corps in the zone of interior and efforts to maximize stockage through conservation, reclamation, and salvage.