'Rhythm and pattern follow with precision the rich tonality of Lucas's visual and aural perceptions, delivered with just enough tension to allow a line to run free or a word to drop and hang alone where it dances, or stops.' --Amanda Joy, author of Cordite 'Lucas's collection shines with a clear intelligence and keen observation of the everyday, landscape, place, art, love and grief. The poems, evocative and moving, also sit so lightly on the page.' --Lucy Dougan, Philip Mead and Marcella Polain, Mary Gilmore Award Judges 2014 'Lucas's poems are composed of vivid bursts of colour.' --Cassandra Atherton, author of Exhumed Rose Lucas won the 2014 Mary Gilmore Award for Poetry (awarded by the Association for the Study of Australian Literature) for her previous collection, Even in the Dark (2013). [Subject: Poetry]

A poetry debut that’s “a lush, lyrical book about a world where women are meant to carry things to safety and men leave decisively” (Henri Cole). Luminous and electric from the first line to the last, Allison Adair’s debut collection navigates the ever-shifting poles of violence and vulnerability with a singular incisiveness and a rich imagination. The women in these poems live in places that have been excavated for gold and precious ores, and they understand the nature of being hollowed out. From the midst of the Civil War to our current era, Adair charts fairy tales that are painfully familiar, never forgetting that violence is often accompanied by tenderness. Here we wonder, “What if this time instead of crumbs the girl drops / teeth, her own, what else does she have”? The Clearing knows the dirt beneath our nails, both alone and as a country, and pries it gently loose until we remember something of who we are, “from before . . . from a similar injury or kiss.” There is a dark beauty in this work, and Adair is a skilled stenographer of the silences around which we orbit. Described by Henri Cole as “haunting and dirt caked,” her unromantic poems of girlhood, nature, and family linger with an uncommon, unsettling resonance. Winner of the 2019 Max Ritvo Poetry Prize Praise for The Clearing “A dark and bodily nod to folk- and fairy-tale energy.” —Boston Globe “The poems in Adair’s debut draw on folklore and the animal world to assert feminist viewpoints and mortal terror in lush musical lines, as when “A fat speckled spider sharpens / in the shoe of someone you need.” —New York Times Book Review, “New & Noteworthy Poetry” “Like Grimms’ fairy tales, Adair’s poems are dark without being bleak, hopeless, or disturbing. Readers will find the collections lush language and provocative imagery powerfully resonant.” —Publishers Weekly (Starred Review)

Have you ever entered a room and it just didn’t feel right, yet you couldn’t explain why? Do you sense a natural comfort with some people but are immediately stressed by others? The truth is that we’re all influenced far more than we realize by the invisible energy of the people and places around us. This, along with difficult experiences in your past that still weigh you down, can keep you from being a creative force in your life. Clearing is a gentle but powerful way to release the old stress you’re still carrying from your life history, as well as transform how you’re affected by the energy around you each day. Many people experience immediate shifts in their energy during a clearing, and significant change often unfolds in the days and weeks afterward. In fact, clearing has even been described as "accelerated meditation" because it can lead to a sense of calm and happiness that typically results only after years of a mindfulness practice. In this simple, elegant guide, Jean Haner teaches you, in easy-to-follow steps, how to clear your own energy or that of any person, as well as bring harmony to the energy of the spaces you inhabit, so you can reclaim your vitality and joy, and open up infinite new possibilities in life. Healers, intuitives, energy workers, highly sensitive people, and anyone who just wants to optimize their energy and live their best life will find this to be the perfect training. Jean refines energy clearing to its pure essence—the power of the compassionate heart!

Vita Sackville-West wrote Saint Joan of Arc in 1936 at the age of forty-four, and had, at that point, already been writing for thirty years. At fourteen, Sackville-West published her first book, and at fourteen Joan of Arc first heard the voices. Joan was seventeen when she took command of the armies of France--a peasant girl in the early fifteenth century in charge of a nation's forces. At nineteen she was captured by the British and tried as a witch by a church court. Before her twentieth birthday she was burned at the stake. In 1920 she was canonized by the Roman Catholic Church as a saint. In a clever, brisk voice, Vita Sackville-West tells the triumphant story of a French peasant girl raised in a country torn apart by the Hundred Years' War who rose from poverty to military greatness. With dazzling insight and clarity, Sackville-West breathes new life into Joan of Arc's beautiful and tragic story.