Henderson (English, U. of Toronto) and Williams (speech communication, U. of Missouri, Rolla) present this collection, which includes previously unpublished portions of two of Burke's manuscripts, Poetics, Dramatistically Considered and A Symbolic of Motives, as well as essays by seven U.S. and Canadian scholars. The ten pieces are organized into three sections on dialectics of expression, communication, and transcendence; criticism, symbolicity, and tropology; and transcendence and the theological motive. Annotation copyrighted by Book News Inc., Portland, OR

Previously unpublished writings by and about Kenneth Burke plus essays by such Burkean luminaries as Wayne C. Booth, William H. Rueckert, Robert Wess, Thomas Carmichael, and Michael Feehan make the publication of "Unending Conversations "a significant event in the field of Burke studies and in the wider field of literary criticism and theory. Editors Greig Henderson and David Cratis Williams have divided their material into three parts: Dialectics of Expression, Communication, and Transcendence, Criticism, Symbolicity, and Tropology, and Transcendence and the Theological Motive. In the first part, Williams s textual introduction and Rueckert s essay analyze the genesis and composition of Burke s "A Symbolic of Motives" and "Poetics, Dramatistically Considered." Henderson opens part two by showing how these two essays concerns with literary form hearken back to Burke s first book of criticism, "Counter-Statement. " Thomas Carmichael discusses Burke s relationship to thinkers such as Paul de Man, Jacques Derrida, Stanley Fish, Fredric Jameson, Jean-Francois Lyotard, and Richard Rorty. Wess analyzes the relation between Burke s dramatistic pentad of act, agent, scene, agency, and purpose and his four master tropesmetaphor, metonymy, synecdoche, and irony. In the third part, Booth mines his unpublished correspondence with Burke to demonstrate that Burke is a coy theologian. Michael Feehan discusses Burke s revelation in a 1983 interview that rather than rebounding from a naive kind of Marxism in "Permanence and Change," he was rebounding from what he had learned as a Christian Scientist. "

Probes the nature of linguistic or symbolic action as it relates to specific novels, plays, and poems.

Introduction : discursive conditions -- Language, philosophy, and sophistry -- Contributions to a conversation about the conversation of humanity : Heidegger and Gadamer, Oakeshott and Rorty -- Lectures and letters as conversation : Cavell as educator in cities of words -- Conclusion : redeeming words.

This study of Kenneth Burke's writings traces the critic's commitment and contribution to philosophy prior to 1945. The author contends that rather than belonging to the late-modernist tradition, Burke actually starts from a position closely akin to such postmodern figures as Michel Foucault.

This groundbreaking international bestseller lays to rest many myths about the Holocaust: that Germans were ignorant of the mass destruction of Jews, that the killers were all SS men, and that those who slaughtered Jews did so reluctantly. Hitler's Willing Executioners provides conclusive evidence that the extermination of European Jewry engaged the energies and enthusiasm of tens of thousands of ordinary Germans. Goldhagen reconstructs the climate of "eliminationist anti-Semitism" that made Hitler's pursuit of his genocidal goals possible and the radical persecution of the Jews during the 1930s popular. Drawing on a wealth of unused archival materials, principally the testimony of the killers themselves, Goldhagen takes us into the killing fields where Germans voluntarily hunted Jews like animals, tortured them wantonly, and then posed cheerfully for snapshots with their victims. From mobile killing units, to the camps, to the death marches, Goldhagen shows how ordinary Germans, nurtured in a society where Jews were seen as unalterable evil and dangerous, willingly followed their beliefs to their logical conclusion. "Hitler's Willing Executioner's is an original, indeed brilliant contribution to the...literature on the Holocaust."--New York Review of Books "The most important book ever published about the Holocaust...Eloquently written, meticulously documented, impassioned...A model of moral and scholarly integrity."--Philadelphia Inquirer

Jorge Luis Borges, Argentina s master fabulist, was also an extraordinary conversationalist. There s not a subject he doesn t throw surprising new light on, whether it s to do with Kipling or tango. In fact, there s an impish element in his thinking. In these dialogues with a receptive Osvaldo Ferrari, he covers Buddhism, love, Henry James, Dante and much more as he circles round and digresses at whim. One cannot be sure where the 84-year-old blind man s wit will lead him, except that it s his form of freedom. Even if he s covered the subject before, this time round there s a new flash of insight. He s an optimist. There s always more to say. As with his written work as a whole, these dialogues configure a loose autobiography of a subtle, teasing mind. Looking back on his long life, it s no surprise that time and dreaming become topics, but these dialogues are not a memoir for all time is now. As in his tale The Other, where two Borges meet up on a bench beside the river Charles, we have a dialogue between a young poet and the elder teller of tales where all experience floats in a frightening miracle that defies linear time."

Christianity's Source is the result of a quest that started almost eighty years ago. After reading the Catholic recommended writers like Augustine, and Aquinas, the author went through the Greeks, and many other well respected philosophers, coupled with a great deal of painful thinking. As each topic is developed questions are posed that ask the readers to make logical personal appraisals. It is proposed that any individual given the facts and information on each topic can use his/her own intellect to reach logical conclusions. The initial area of inquiry is where did Judeo-Christianity come from? This book is based on the works of highly respected Egyptologists, Anthropologists, Historians, and Biblical scholars. A few that were included are: Cheikh Anta Diop (1923-1986), Godfrey Higgins (1771-1834), Gerald Massey (1828-1907), Alvin Boyd Kuhn (1880-1963), Elaine Pagels, Bart Ehrman, Karen L. King, Paul Johnson, and Tom Harpur. You will see a list of over fifty specific basic beliefs that were copied and are backed-up with irrefutable proof going back to at least 3000 BC; and perhaps to 10,000 BC. The proof is in the Egyptian Book of the Dead, the Pyramid Texts, Amduat, and the Book of Troth.

For some time now, scholars have recognized the archive less as a neutral repository of documents of the past, and rather more as a politically interested representation of it, and recognized that the very act of archiving is accompanied by a process of un-archiving. Michel Foucault pointed to "madness" as describing one limit of reason, history and the archive. This book draws attention to another boundary, marked not by exile, but by the ordinary and everyday, yet trivialized or "trifling." It is the status of being exiled within – by prejudices, procedures, activities and interactions so fundamental as to not even be noticed – that marks the unarchived histories investigated in this volume. Bringing together contributions covering South Asia, North and South America, and North Africa, this innovative analysis presents novel interpretations of unfamiliar sources and insightful reconsiderations of well-known materials that lie at the centre of many current debates on history and the archive.

This volume brings together leading scholars in the area of symbolic interactionism to offer a broad discussion of issues including identity, dialogue and legitimacy.