Early twentieth century China went through a tumultuous period, marked by the end of an ancient monarchy, political instability and profound cultural upheaval. The medical discourse both reflected and contributed to these transformations. Western medicine arrived in China as part of missionary, foreign imperialist and internal modernization efforts. In various ways it interacted with Chinese practices and belief systems. The contributions in this volume explore important episodes of this multi-faceted process, describing key institutions, personalities and their respective motives and interests. Collectively, the chapters reveal a complex web of interlocking dimensions, which evade simple categorizations of Western or Chinese, exploitive or supportive, traditional or modern.

The book examines the dynamic processes of the various social, political, and cultural negotiations that representatives of Christian groups engage in within authoritarian societies in Greater China, where Christianity is deemed a foreign religious system brought to China by colonial rulers. The book explores the political and social cooperation and negotiations of two particular Christian groups in their respective and distinct settings: the open sector of the Catholic Church in the communist People’s Republic on mainland China from 1945 to the present day, and the Presbyterian church of Taiwan in the Republic of China in Taiwan during the period of martial law from 1949 to 1987. Rather than simply confirm the ‘domination-resistance’ model of church–state relations, the book focuses on the various approaches adopted by religious groups during the process of negotiation. In an authoritative Chinese environment, religious specialists face two related pressures: the demands of their authoritarian rulers and social pressure requiring them to assimilate to the local culture. The book uses two case studies to support a wider theory of economic approach to religion.

From award-nominated writer John Langan comes a collection of uneasy meetings. A frustrated professor and his graduate student assistant accompany a group of soldiers to a remote Scottish island to learn what is buried there. A man plays an audiotape left for him by his late father and is initiated into a family story of monstrous deeds. A student learns frightening lessons in a surreal tutoring center. A young couple struggles to make their stand against a group of inhuman pursuers in a ravaged landscape. And, in a new story, an artist discovers a mysterious statue whose completion becomes his obsession.

Uneasy Military Encounters presents a historically and theoretically grounded political ethnography of the Thai military's counterinsurgency practices in the southern borderland, home to the greater part of the Malay-Muslim minority. Ruth Streicher argues that counterinsurgency practices mark the southern population as the racialized, religious, and gendered other of the Thai, which contributes to producing Thailand as an imperial formation: a state formation based on essentialized difference between the Thai and their others. Through a genealogical approach, Uneasy Military Encounters addresses broad conceptual questions of imperial politics in a non-Western context: How can we understand imperial policing in a country that was never colonized? How is "Islam" constructed in a state that is officially secular and promotes Buddhist tolerance? What are the (historical) dynamics of imperial patriarchy in a context internationally known for its gender pluralism? The resulting ethnography excavates the imperial politics of concrete encounters between the military and the southern population in the ongoing conflict in southern Thailand.

A brilliant, challenging revisionist history of the Jewish experience in America by Arthur Hertzberg, political leader, rabbi, social historian, and one of America'a most eminent Jewish thinkers.

A broken heart and a moment of drunken bravado inspires middle-aged, and typically rather cautious, journalist Mike Carter to take off on a life-changing six month motorcycle trip around Europe. Never mind that he hadn't been on two wheels since an inglorious three-month teenage chapter involving a Lambretta, four crashes and an 18-month ban for drink-driving, a plan had begun to loosely form... And so, having completed a six day residential motorcycle course and hastily re-mortgaged his flat, Mike sets off alone, resolving to go wherever the road takes him and enjoy the adventure of heading off into the unknown. He ends up travelling almost 20,000 miles and reaching the four extremes of Europe: the Arctic Circle in the north, the Mediterranean coast in the south, the Portuguese Atlantic to the west and the Iraqi border of Turkey in the east. But really it's a journey inwards, as, on the way, Mike finds his post-divorce scars starting to heal and attempts to discover what he, as a man in his forties who hasn't quite found his place in the world, should be doing. Self-deprecating, poetic and utterly engaging, his is a heroic journey taken for the rest of us too scared to leave our 9 to 5 office-bound existence.

John Langan, author of the Bram Stoker Award-winning novel The Fisherman, returns with a new book of stories. An aspiring actress goes to an audition with a mysterious director. An editor receives the last manuscript of his murdered friend. A young lawyer learns the terrible connection between her grandfather and an ancient race of creatures. A bodyguard drives her employer across a frozen road toward an immense hole in the earth. In these stories and others, John Langan maps the branches of his literary family tree, tracing his connections to the writers whose dark fictions have inspired his own. Introduction by Stephen Graham Jones.

How a new generation of counterculture talent changed the landscape of Hollywood, the film industry, and celebrity culture. By 1967, the commercial and political impact on Hollywood of the sixties counterculture had become impossible to ignore. The studios were in bad shape, still contending with a generation-long box office slump and struggling to get young people into the habit of going to the movies. Road Trip to Nowhere examines a ten-year span (from 1967 to 1976) rife with uneasy encounters between artists caught up in the counterculture and a corporate establishment still clinging to a studio system on the brink of collapse. Out of this tumultuous period many among the young and talented walked away from celebrity, turning down the best job Hollywood—and America—had on offer: movie star. Road Trip to Nowhere elaborates a primary-sourced history of movie production culture, examining the lives of a number of talented actors who got wrapped up in the politics and lifestyles of the counterculture. Thoroughly put off by celebrity culture, actors like Dennis Hopper, Christopher Jones, Jean Seberg, and others rejected the aspirational backstory and inevitable material trappings of success, much to the chagrin of the studios and directors who backed them. In Road Trip to Nowhere, film historian Jon Lewis details dramatic encounters on movie sets and in corporate boardrooms, on the job and on the streets, and in doing so offers an entertaining and rigorous historical account of an out-of-touch Hollywood establishment and the counterculture workforce they would never come to understand.

Uneasy Translations: Self, Experience and Indian Literature interweaves the personal journey of an academic into reflections around self, language and translation with an eye on the intangibly available category of experience. It dwells on quieter modes of being political, of making knowledge democratic and of seeing gendered language in the everyday. In an unusual combination of real-life incidents and textual examples, it provides a palimpsest of what it is to be in a classroom; in the domestic sphere, straddling the 'manyness' of language and, of course, in a constant mode of translation that remains incomplete and unconcluded. Through both a poignant voice and rigorous questions, Kothari asks what it is to live and teach in India as a woman, a multilingual researcher and as both a subject and a rebel of the discipline of English. She draws from multiple bhasha texts with an uncompromising eye on their autonomy and intellectual tradition. The essays range from questions of knowledge, affect, caste, shame and humiliation to other cultural memories. Translation avoids the arrogance of the original; it has the freedom to say it and not be held accountable, which can make it both risky and exciting. More importantly, it also speaks after (anuvaad) rather than only for or instead, and this ethic informs the way Kothari writes this book, breaking new ground with gentle provocations.