Undressing the Ad aims to empower readers to become media literate through the work of deconstructing the consumer culture that surrounds them. By introducing critical scholarship on advertising in a way that is accessible, the book attempts to show how issues of race, class, and gender are expressed in contemporary advertising. The readings in this book take a decidedly critical political perspective and explore how representation in advertising upholds certain economic and political structures and subverts others, and exposes the myth that advertisements are merely messages aimed at selling goods and services. Rather they are texts that shape contemporary culture and shape our images of ourselves.

“Immediate, sensual, unrelentingly intense.” —NPR A breathtaking volume about the violence of desire and the peace of love from celebrated poet Li-Young Lee, The Undressing is a tonic for spiritual anemia; it attempts to uncover things hidden since the dawn of the world. Short of achieving that end, these mysterious, unassuming poems investigate the human violence and dispossession increasingly prevalent around the world, and the horrors the poet grew up with as a child of refugees. Lee draws from disparate sources including the Old Testament, the Dao De Jing, and the music of the Wu-Tang Clan. While the ostensive subjects of these layered, impassioned poems are wide-ranging, their driving engine is a burning need to understand our collective human mission.

Through a series of case studies, Fern L. Johnson examines how verbal and visual images produce meaning, exploring advertisements for cigarettes, alcohol, and cosmetics.

From Audrey Hepburn in Givenchy, to sharp-suited gangsters in Tarantino movies, clothing is central to film. In Undressing Cinema, Stella Bruzzi explores how far from being mere accessories, clothes are key elements in the construction of cinematic identities, and she proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis. Bruzzi uses case studies drawn from contemporary popular cinema to reassess established ideas about costume and fashion in cinema, and to challenge conventional interpretations of how masculinity and femininity are constructed through clothing. Her wide-ranging study encompasses: * haute couture in film and the rise of the movie fashion designer, from Givenchy to Gaultier * the eroticism of period costume in films such as The Piano and The Age of Innocence * clothing the modern femme fatale in Single White Female, Disclosure and The Last Seduction * generic male chic in Goodfellas, Reservoir Dogs, and Leon * pride, costume and masculinity in `Blaxploitation' films, Boyz `N The Hood and New Jack City * drag and gender confusion in cinema, from the unerotic cross-dressing of Mrs Doubtfire to the eroticised ambiguity of Orlando.

This book examines the social, psychological, legal, and ethical impact - perceived or proven - that may result from advertising in the booming Chinese market. The book provides readers with an understanding of the two-way relationship between advertising and Chinese society. Major issues addressed include rising consumerism, consumers' attitudes towards advertising and reactions to advertising appeals, cultural messages conveyed in advertisements, gender representations, sex appeal, offensive advertising, advertising law and regulation, advertising to children and adolescents, symbolic meanings of advertisements, public service advertising, and new media advertising and its social impact. Advertising and Chinese Society resorts to a variety of research techniques including content analysis, survey, experiment, semiotic analysis, and secondary data analysis. The book will enhance the sensitivity of scholars and practitioners interested in Chinese advertising and its social ramifications.

Kristin Hersh was a preternaturally bright teenager, starting university at fifteen and with her band, Throwing Muses, playing rock clubs she was too young to frequent. By the age of seventeen she was living in her car, unable to sleep for the torment of strange songs swimming around her head - the songs for which she is now known. But just as her band was taking off, Hersh was misdiagnosed with schizophrenia. Paradoxical Undressing chronicles the unraveling of a young woman's personality, culminating in a suicide attempt; and then her arduous yet inspiring recovery, her unplanned pregnancy at the age of 19, and the birth of her first son. Playful, vivid, and wonderfully warm, this is a visceral and brave memoir by a truly original performer, told in a truly original voice.

Taking it off in the name of history… Thirty-five-year-old American social media master Vanessa Roberts lives her thoroughly modern life with aplomb. So when her elderly Jane Austen–centric aunt needs her to take on the public relations for Julian Chancellor, a very private man from England who’s written a book called My Year as Mr. Darcy, Vanessa agrees. But she’s not “excessively diverted,” as Jane Austen would say. Hardbound books, teacups, and quill pens fly in the face of her e-reader, coffee, and smartphone… …Until she sees Julian take his tight breeches off for his Undressing Mr. Darcy show, an educational “striptease” down to his drawers to promote his book and help save his crumbling estate. The public relations expert suddenly realizes things have gotten…personal. But can this old-fashioned man claim her heart without so much as a GPS? It will take three festivals filled with Austen fans, a trip to England, an old frenemy, and a flirtatious pirate re-enactor to find out…

Written in an accessible and interesting style this book presents a clear and easy guide to the main approaches to advertising, and explores how advertising can be studied as a cultural industry.

Advertising as an object of study. Global trends in the advertising industry. Advertising and the media in motion. Current trends in advertising, media and society. Advertising, globalistion and world and world regions.

Get Naked For Me As director of a Boston art gallery, Mercy Rothell has made some hot deals in her time, but none like this. In order to sign the impossibly sexy, brilliant, and successful artist Shamus Montgomery to do a show of his celebrated erotic sculptures, Mercy must meet his curious but absolutely non-negotiable demand--she must pose for him in the nude, day after day, or he walks. Never one to back down from a challenge, Mercy agrees. Burning under the intense gaze of the hottest man she's ever known, watching his hands work their magic, Mercy feels vulnerable yet liberated and fully aroused, desperate for the kind of satisfaction only a master like Shamus can give. In fact, she would beg him to cross the line. And once he does, mercy is the last thing she desires. . . "Lee hits the mark time and time again. . .in a class by itself." --Romantic Times (4 1⁄2 Stars G, Top Pick) "An incredible gem of a story. . .different and extraordinary." --Just Erotic Romance Reviews "The love scenes are hot, hot, hot, and the story will keep you riveted from beginning to end. . .absolutely magnificent."--Fallen Angels Reviews (5 Angels) "Sexy and sensual and totally hot. . .will keep you turning the pages." --The Romance Studio Deanna Lee has received rave reviews for her e-published erotic fiction, including a 4 1⁄2-star, Gold Medal, Top Pick review from Romantic Times for Undressing Mercy. She lives in Alabama where she is currently working on the next novel in this planned trilogy.