Known as the Great Compromiser, Henry Clay earned his title by addressing sectional tensions over slavery and forestalling civil war in the United States. Today he is still regarded as one of the most important political figures in American history. As Speaker of the House of Representatives and secretary of state, Clay left an indelible mark on American politics at a time when the country’s solidarity was threatened by inner turmoil, and scholars have thoroughly chronicled his political achievements. However, little attention has been paid to his extensive family legacy. In The Family Legacy of Henry Clay: In the Shadow of a Kentucky Patriarch, Lindsey Apple explores the personal history of this famed American and examines the impact of his legacy on future generations of Clays. Apple’s study delves into the family’s struggles with physical and emotional problems such as depression and alcoholism. The book also analyzes the role of financial stress as the family fought to reestablish its fortune in the years after the Civil War. Apple’s extensively researched volume illuminates a little-discussed aspect of Clay’s life and heritage, and highlights the achievements and contributions of one of Kentucky’s most distinguished families.

Senator John J Crittenden was a central figure in Kentucky and he fathered a remarkable family. The fame of the family patriarch has overshadowed the contributions of his children George and Thomas Crittenden who held significant commands during the Civil War. This title deals with the Civil War, and how George and Thomas fight on opposite sides.

Many of us have worked to free ourselves from the rigid patriarchal values that have dominated our culture for so long. Dr. Sidra Stone helps us to take the next step by making us aware of the Inner Patriarch—the voice within each of us that echoes those values. This inner voice is called the Shadow King because he is invisible and works from the shadows to sabotage even the most liberated women. This books shows us how to transform our Inner Patriarch from an unseen enemy to a powerful ally so that we can claim our full feminine power.

I had to do something to escape Hitler's clutches, writes Esti Freud. Yet she waits with her then-16-year-old daughter, Sophie in Paris until German canons can be heard in the distance before deciding to escape by bicycle across France, as Sophie keeps looking back to see whether German tanks will overtake them. Both women survive and, in their own ways, come to feel a need to keep a personal record of those tumultuous times. Thus, in a memoir written at age 79, Esti Fraud, daughter-in-law of Sigmund Freud and wife of his oldest son, Martin, looks back on her life starting before the 20th century, lived on three continents, and stretched through two world wars and the Holocaust. Twenty years after her mothers' death, daughter Sophie turned to Esti's memoir as the scaffold for this book, expanding it through family letters, archival material, and her own diary penned as a teenager. Out of these documents, Sophie Freud has created a many-voiced mosaic, including letters and insights from a wide cast of characters who tell the story of a famous family—and of a century. This work gives an insider's, in-law view of the family Freud, its foundations, and flaws. The relationship between Esti, daughter of a wealthy Vienna attorney and her husband Martin Freud is foreshadowed by the young lovers' fathers. At first meeting Esti, Sigmund told his son the glamorous woman was too beautiful for the clan, meaning her splendor belied a lifestyle not conducive to the frugal Freud ways. And Esti's father, on hearing of her love for Martin, expressed regret she was involved with a man who was not a financially favorable linkage, and that his family was not respectable since patriarch Sigmund was just another psychiatrist, and one who writes pornography books at that. Thus begins the ill-fated relationship that would rock two families and a generation of children to come. Sophie weaves into the text letters she inherited, including letters from Martin while he was a prisoner of war, and excerpts from her own diary, kept as an adolescent. The resulting mosaic will fascinate—and perhaps disturb—readers interested in Freud and psychoanalysis, as well as those intrigued by relationships and family.

Cloyce Box was larger than life. He left his career as a Pro Bowl wide receiver for the Detroit Lions to rise to corporate fame and extravagant wealth in construction and the oil and gas industries. His sprawling estate in Frisco, Texas, was used as the original Southfork Ranch in the television soap opera Dallas. Cloyce ran both his companies and his family with a firm hand and inextricably linked the two by raising his sons in the business. When he finally passed, he left a wake of collapsing relationships at home and in the boardroom. Texas Patriarch is the taut family saga of four brothers’ struggle to determine the fate of the empire built by their father. In his long shadow, they fought over money and power, nearly destroying both the business and the family. After quarrels and litigation, they finally managed to rediscover each other and the importance of family. Author Doug Box, son of the Texas Patriarch, has made a career from this experience, guiding families through turmoil to retain both their wealth and their connections with each other. Now, you can witness his journey to avoid similar turmoil.

Amid so much twenty-first-century talk of a "Christian-Muslim divide"--and the attendant controversy in some Western countries over policies toward minority Muslim communities--a historical fact has gone unnoticed: for more than four hundred years beginning in the mid-seventh century, some 50 percent of the world's Christians lived and worshipped under Muslim rule. Just who were the Christians in the Arabic-speaking milieu of Mohammed and the Qur'an? The Church in the Shadow of the Mosque is the first book-length discussion in English of the cultural and intellectual life of such Christians indigenous to the Islamic world. Sidney Griffith offers an engaging overview of their initial reactions to the religious challenges they faced, the development of a new mode of presenting Christian doctrine as liturgical texts in their own languages gave way to Arabic, the Christian role in the philosophical life of early Baghdad, and the maturing of distinctive Oriental Christian denominations in this context. Offering a fuller understanding of the rise of Islam in its early years from the perspective of contemporary non-Muslims, this book reminds us that there is much to learn from the works of people who seriously engaged Muslims in their own world so long ago.

Now in paperback, Nocturnal Butterflies of the Russian Empire was acclaimed by The Hartford Courant as "a thrilling discovery ... a reversal of the letters [of] Saul Bellow's Herzog ... [with] a Nabokovian delight in words and texts." J. is a smuggler living in Russia, making his living fencing the flotsam of communism's collapse. In Istanbul he takes a commission to trap an endangered Russian butterfly and decides to use it as an opportunity to smuggle V., his Russian lover who has no papers, back into her homeland. In the port of Odessa, she disappears, and J. continues alone to a small village on the Black Sea. Letters from V. begin to arrive, and as J. hunts the butterfly, he seeks a way to lure V. back into his life. Equal parts bittersweet love story, international intrigue, and one man's quest to write the perfect love letter, Nocturnal Butterflies of the Russian Empire, wrote The Tennessean, is "an amazing jewel of a story ... that winks with wit [and] wears its astonishing craftsmanship lightly." "An aesthetically blissful reading experience ... Nabokov's spirit, alive and kind, has touched [Prieto] with its butterfly wings." -- Aleksandar Hemon, The Village Voice Literary Supplement "...Nocturnal Butterflies is an impressive performance by a writer whose gifts are clearly abundant." -- Richard Bernstein, The New York Times "A beautiful, lavish, seedy, poetic, and magical book.... Pure pleasure for the literary mind." -- Chris Kridler, The Baltimore Sun