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Under Milk Wood was originally conceived by Dylan Thomas a a radio work--"A Play for Voices"--and was first broadcast on the B.B.C. Third Programme in January 1954, two months after his death. But during the three or four years that he was working on it, he made various revisions for solo performances and stage readings of the incomplete script. As a result, there are no less than eleven versions in which the text differs in greater or lesser degree. But none of them can rank as the definitive text of this world-famous work, which has been translated into well over a dozen languages, including Serbo-Croat, Japanese and even Welsh. Douglas Cleverdon was associated with Under Milk Wood from its beginnings, first produced it for radio, subsequently co-directed the stage production at the Edinburgh Festival and in the West End, and finally directed it on Broadway. Better than any other living man, he is qualified both to analyze the textual variations and to trace the complicated--and occasionally hilarious--development of the script. The first part of the volume describes the outstanding achievements of Dylan Thomas in radio, as actor, poetry-reader and writer; and recounts the history of Under Milk Wood after an amateur dramatic performance in Laugharne in 1939, through the tribulations of his last years, when debts and drinking and recital tours inhibited him from concentration on his writing, to the publication of the 1958 Acting Edition. The second part contains an analysis of all the textual variants in the eleven versions (which comprise published texts, duplicated typescripts for performances, and recordings). The analysis includes punctuation and the line indentations that affect the tempo and the rhythm of dramatic production. It is hoped that the meticulous attention to detail is justified by the interest shown throughout the world in the writings of Dylan Thomas.

A dazzling collection of prose from one of the greatest poets and storytellers of the twentieth century.

Thomas's unfinished novel of a Welsh boy's adventures in London is accompanied by twenty short stories.

An anthology of Dylan Thomas' work, which includes a selection of his poems, his most important short stories (including PORTRAIT OF THE ARTIST AS A YOUNG DOG) and UNDER MILK WOOD.

Winner of the James Tait Black Prize for Drama 2020 “What people you know can party through all of the earth's elements?” Carnival is here. The streets of Notting Hill are alive with history and amongst the pulsating soca, dazzling colour, and endless sequins and feathers, Jade and Nadine are fighting for space in a world they thought was theirs. A timely reflection on the Black British experience and sexual politics of Carnival, J'Ouvert is a piercing, hilarious and fearless story of two best friends, battling to preserve tradition in a society where women's bodies are frequently under threat.

This fascinating selection of never-before-seen photographs, including many originals from the film Under Milk Wood, traces some of the many ways in which the great Welsh poet Dylan Thomas was influenced by his country.

The most complete and current edition of Dylan Thomas' collected poetry in a beautiful gift edition celebrating the centenary of his birth The reputation of Dylan Thomas (1914-1953) as one of the greatest poets of the twentieth century has not waned in the fifty years since his death. A Welshman with a passion for the English language, Thomas’s singular poetic voice has been admired and imitated, but never matched. This exciting, newly edited annotated edition offers a more complete and representative collection of Dylan Thomas’s poetic works than any previous edition. Edited by leading Dylan Thomas scholar John Goodby from the University of Swansea, The Poems of Dylan Thomas contains all the poems that appeared in Collected Poems 1934-1952, edited by Dylan Thomas himself, as well as poems from the 1930-1934 notebooks and poems from letters, amatory verses, occasional poems, the verse film script for “Our Country,” and poems that appear in his “radio play for voices,” Under Milk Wood. Showing the broad range of Dylan Thomas’s oeuvre as never before, this new edition places Thomas in the twenty-first century, with an up-to-date introduction by Goodby whose notes and annotations take a pluralistic approach.

Margaret Forster's grandmother died in 1936, taking many secrets to her grave. Where had she spent the first 23 years of her life? Who was the woman in black who paid her a mysterious visit shortly before her death? How had she borne living so close to an illegitimate daughter without acknowledging her? The search for answers took Margaret on a journey into her family’s past, examining not only her grandmother's life, but also her mother’s and her own. The result is both a moving, evocative memoir and a fascinating commentary on how women’s lives have changed over the past century.