In the nineteenth century Uncle Tom's Cabin sold more copies than any other book in the world except the Bible.

One of the most influential novels of the 19th century, Uncle Tom's Cabin tells the story of a slave named Tom and his struggle for freedom. Through vivid and often harrowing scenes, Harriet Beecher Stowe exposes the brutal realities of American slavery and challenges readers to confront their own complicity in the system. A landmark of American literature, Uncle Tom's Cabin remains a powerful indictment of racism and injustice. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Volume Two of the Harriet Beecher Stowe classic. Originally published beginning June 5, 1851 as a serial in The National Era, an abolitionist weekly published in Washington, DC., Stowe's anti-slavery novel was finished forty-three chapters and one year later. John Jewett's small publishing house published the book on March 20, 1852, a couple of weeks before the serial ended. Uncle Tom's Cabin was the best-selling novel of the 19th century and is credited with significantly advancing the abolitionist cause. Its historical impact was so great that it spawned the mythical story that Abraham Lincoln, upon meeting Stowe near the start of the Civil War, was heard to say, ""So this is the little lady who started this great war.""

Presents an annotated version of Harriet Beecher Stowe's classic novel "Uncle Tom's Cabin" that describes the lives of slaves and abolitionists in the 1800s, historical discussions of the Underground Railroad, slave trade, and plantation life, and advertisements that were influenced by the novel.

As Harriet Beecher Stowe’s novel Uncle Tom’s Cabin traveled around the world, it was molded by the imaginations and needs of international audiences. For over 150 years it has been coopted for a dazzling array of causes far from what its author envisioned. This book tells thirteen variants of Uncle Tom’s journey, explicating the novel’s significance for Canadian abolitionists and the Liberian political elite that constituted the runaway characters’ landing points; nineteenth-century French theatergoers; liberal Cuban, Romanian, and Spanish intellectuals and social reformers; Dutch colonizers and Filipino nationalists in Southeast Asia; Eastern European Cold War communists; Muslim readers and spectators in the Middle East; Brazilian television audiences; and twentieth-century German holidaymakers. Throughout these encounters, Stowe’s story of American slavery serves as a paradigm for understanding oppression, selectively and strategically refracting the African American slave onto other iconic victims and freedom fighters. The book brings together performance historians, literary critics, and media theorists to demonstrate how the myriad cultural and political effects of Stowe’s enduring story has transformed it into a global metanarrative with national, regional, and local specificity.

"Examines the artwork of Hammatt Billings, George Cruikshank, Winslow Homer, Eastman Johnson, Henry Ossawa Tanner, and Thomas Satterwhite Noble to show how, as Uncle Tom's Cabin gained popularity, visual strategies were used to coax the subversive potential of Stowe's work back within accepted boundaries that reinforced social hierarchies"--Provided by publisher.

The purpose of the Editor of this little Work, has been to adapt it for the juvenile family circle. The verses have accordingly been written by the Authoress for the capacity of the youngest readers, and have been printed in a large bold type. The prose parts of the book, which are well suited for being read aloud in the family circle, are printed in a smaller type, and it is presumed that in these our younger friends will claim the assistance of their older brothers or sisters, or appeal to the ready aid of their mamma.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.