Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.

What is African American about African American literature? Why identify it as a distinct tradition? John Ernest contends that too often scholars have relied on nave concepts of race, superficial conceptions of African American history, and the marginalization of important strains of black scholarship. With this book, he creates a new and just r...

Harriet Beecher Stowe's second antislavery novel was written partly in response to the criticisms of Uncle Tom's Cabin (1852) by both white Southerners and black abolitionists. In Dred (1856), Stowe attempts to explore the issue of slavery from an African American perspective. Through the compelling stories of Nina Gordon, the mistress of a slave plantation, and Dred, a black revolutionary, Stowe brings to life conflicting beliefs about race, the institution of slavery, and the possibilities of violent resistance. Probing the political and spiritual goals that fuel Dred's rebellion, Stowe creates a figure far different from the acquiescent Christian martyr Uncle Tom. In his introduction to the classic novel, Robert S. Levine outlines the antislavery debates in which Stowe had become deeply involved before and during her writing of Dred. Levine shows that in addition to its significance in literary history, the novel remains relevant to present-day discussions of cross-racial perspectives.

IF ever a nation were taken by storm by a book, England has recently been stormed by "Uncle Tom's Cabin." It is scarcely three months since this book was first introduced to the British Reader, and it is certain that at least 1,000,000 copies of it have been printed and sold. The unexampled success of "Uncle Tom's Cabin" will ever be recorded as an extraordinary literary phenomena. Nothing of the kind, or anything approaching to it, was ever before witnessed in any age or in any country. A new fact has been contributed to the history of literature--such a fact, never before equaled, may never be surpassed. The pre-eminent success of the work in America, before it was reprinted in this country, was truly astonishing. All at once, as if by magic, everybody was either reading, or waiting to read, "the story of the age," and "a hundred thousand families were every day either moved to laughter, or bathed in tears," by its perusal. This book is not more remarkable for its poetry and its pathos, its artistic delineation of character and development of plot, than for its highly instructive power. A great moral idea runs beautifully through the whole story. One of the greatest evils of the world--slavery--is stripped of its disguises, and presented in all its naked and revolting hideousness to the reading world. And that Christianity, which consists not in professions and appearances, but in vital and vitalizing action, is exhibited in all-subduing beauty and tenderness in every page of the work.