From the deeply unsettling to the possibly supernatural, these thirty-one border-crossing stories from around the world explore the uncanny in literature, and delve into our increasingly unstable sense of self, home, and planet. The Uncanny Reader: Stories from the Shadows opens with "The Sand-man," E.T.A. Hoffmann's 1817 tale of doppelgangers and automatons—a tale that inspired generations of writers and thinkers to come. Stories by 19th and 20th century masters of the uncanny—including Edgar Allan Poe, Franz Kafka, and Shirley Jackson—form a foundation for sixteen award-winning contemporary authors, established and new, whose work blurs the boundaries between the familiar and the unknown. These writers come from Egypt, France, Germany, Japan, Poland, Russia, Scotland, England, Sweden, the United States, Uruguay, and Zambia—although their birthplaces are not always the terrains they plumb in their stories, nor do they confine themselves to their own eras. Contemporary authors include: Chris Adrian, Aimee Bender, Kate Bernheimer, Jean-Christophe Duchon-Doris, Mansoura Ez-Eldin, Jonathon Carroll, John Herdman, Kelly Link, Steven Millhauser, Joyce Carol Oates, Yoko Ogawa, Dean Paschal, Karen Russell, Namwali Serpell, Steve Stern and Karen Tidbeck.

May Sinclair was an innovator of modern fiction, a late Victorian who was also a precursor to Virginia Woolf. In her Uncanny Stories (1923), Sinclair combines the traditional ghost story with the discoveries of Freud and Einstein. The stories shock, enthral, delight and unsettle. Two lovers are doomed to repeat their empty affair for the rest of eternity... A female telepath is forced to face the consequences of her actions... The victim of a violent murder has the last laugh on his assailant... An amateur philosopher discovers that there is more to Heaven than meets the eye.Specially included in this volume is 'The Intercessor' (1911), Sinclair's powerful story of childhood and abandoned love, a tale whose intensity compares with that of the Brontës.

This collection brings together 15 specially commissioned stories by internationally acclaimed writers and filmmakers, to explore and update Freud's classic theory of 'The Uncanny' - his piercing and all-encompassing dissection of what gives us the creeps.

Uncanny! I stared at Dad's eyes through the gas mask and remembered our handshake. A deal is a deal. With pounding heart, I walked into the soggy, wet mouth of the dead whale. It's uncanny . . . turning into a dung beetle, catching someone else's tattoos, being in bed with a ghost who tickles, seeing a flying dog.

Poised on the precipice of mystery and longing, each character in Now You Know It All also hovers on the brink of discovery—and decision. Set in small-town North Carolina, or featuring eager Southerners venturing afar, these stories capture the crucial moment of irrevocable change. A young waitress accepts an offer from a beguiling stranger; a troubled boy attempts to unleash the villain from an internet hoax on his party guests; a smitten student finds more than she bargained for in her favorite teacher’s attic; two adult sisters reconvene to uncover a family secret hidden in plain sight. With a sharp eye for rendering inner life, Joanna Pearson has a knack for creating both compassion and a looming sense of threat. Her stories peel back the layers of the narratives we tell ourselves in an attempt to understand the world, revealing that the ghosts haunting us are often the very shadows that we cast.

This collection of stories features "Button, Button," the basis for the motion picture, "The Box," starring Cameron Diaz and James Marsden. Button, Button: Uncanny Stories contains a number of tales that were also adapted for television, as well as a new introduction by Richard Matheson himself. What if every time you pushed a button you received $50,000...but someone you didn't know died? Would you still push the button? How many times? "Button, Button", which inspired a memorable Twilight Zone episode, is just one of a dozen unforgettable tales in this collection by Richard Matheson, the New York Times bestselling author of I Am Legend and What Dreams May Come. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

The Uncanny Valley…“…is a macabre serenade to a small town that may or may not exist, peopled with alive and dead denizens who wander about the hills and houses with creepy fluidity. Told by individual inhabitants, the stories recount tales of disappearing dead deer, enchanted gardens, invisible killer dogs, and rattlesnakes that fall from the sky; each contribution adds to a composite portrait that skitters between eerie, ghoulish, and poignant. Miller is a master storyteller, clearly delighting in his mischievous creations.”Thirty-Three Tales. Thirty-Three Tellers. One Lost Town.

Jaundice and Kale are back from their adventure on the high seas, and they are settling back into a quiet life in Dullsville, just the way they like it. The tea is tepid, the oatmeal is tasteless, and the socks are ripe for darning . . . until Aunt Shallot shows up and reveals herself to be anything but the dull relation they were expecting. Instead, she tells her nieces she is Magique, Queen of Magic, and she’s on her way to a big show and in need of two willing assistants. As Magique and the Bland sisters board the Uncanny Express, they meet a cast of mystifying characters. And when Magique goes missing, it’s up to Jaundice and Kale to solve the mystery—with the help of famous detective Hugo Fromage. An inventive story in the tradition of Agatha Christie’s Murder on the Orient Express, The Unintentional Adventures of the Bland Sisters: The Uncanny Express has all the whimsy and humor that readers who are looking for an anything-but-bland adventure will love.

An extraordinary collection of thematically linked essays, including THE UNCANNY, SCREEN MEMORIES and FAMILY ROMANCES. Leonardo da Vinci fascinated Freud primarily because he was keen to know why his personality was so incomprehensible to his contemporaries. In this probing biographical essay he deconstructs both da Vinci's character and the nature of his genius. As ever, many of his exploratory avenues lead to the subject's sexuality - why did da Vinci depict the naked human body the way hedid? What of his tendency to surround himself with handsome young boys that he took on as his pupils? Intriguing, thought-provoking and often contentious, this volume contains some of Freud's best writing.