Unbound Voices brings together the voices of Chinese American women in a fascinating, intimate collection of documents—letters, essays, poems, autobiographies, speeches, testimonials, and oral histories—detailing half a century of their lives in America. Together, these sources provide a captivating mosaic of Chinese women's experiences in their own words, as they tell of making a home for themselves and their families in San Francisco from the Gold Rush years through World War II. The personal nature of these documents makes for compelling reading. We hear the voices of prostitutes and domestic slavegirls, immigrant wives of merchants, Christians and pagans, homemakers, and social activists alike. We read the stories of daughters who confronted cultural conflicts and racial discrimination; the myriad ways women coped with the Great Depression; and personal contributions to the causes of women's emancipation, Chinese nationalism, workers' rights, and World War II. The symphony of voices presented here lends immediacy and authenticity to our understanding of the Chinese American women's lives. This rich collection of women's stories also serves to demonstrate collective change over time as well as to highlight individual struggles for survival and advancement in both private and public spheres. An educational tool on researching and reclaiming women's history, Unbound Voices offers us a valuable lesson on how one group of women overcame the legacy of bound feet and bound lives in America. The selections are accompanied by photographs, with extensive introductions and annotation by Judy Yung, a noted authority on primary resources relating to the history of Chinese American women.

Step into the riveting world of William Gomes's Unbound Voices: A Polyphonic Rebellion, a powerful collection of poetry that delves deep into the human condition. This book is a profound exploration of resilience, diversity, and rebellion against the societal norms that oppress and silence. Each poem is a heartfelt testament to the struggles, victories, and quiet revolutions that shape our existence, giving voice to stories that are often marginalized or ignored. Through vivid imagery and compelling language, Gomes captures the essence of individuals grappling with identity, heritage, and resistance. Unbound Voices is not just a poetry collection; it's a vibrant manifesto of defiance and a celebration of human diversity. It challenges readers to question the status quo and encourages a collective response to injustices past and present. Gomes invites readers to join a movement of change through his words. The collection serves as both a solitary reflection and a call to communal action, urging us to partake in a chorus of voices that demand transformation and understanding. Whether experienced through the immersive audio of the audiobook or the tactile connection of the paperback, this collection promises to inspire and transform. The poetry features rich, evocative language that pulls readers into intense emotional landscapes. It focuses on themes of resistance and empowerment, overcoming societal constraints and celebrating the human spirit's capacity for resilience. The collection also celebrates individual stories, recognizing and honoring the unique struggles and triumphs of diverse lives. It encourages readers to reflect on their own lives and to engage actively with the broader community. Ideal for enthusiasts of contemporary poetry with a deep narrative and social commentary, readers looking to be moved and inspired by stories of courage and change, and book clubs and discussion groups eager for meaningful dialogue on poignant, topical issues. Dive into Unbound Voices: A Polyphonic Rebellion and let William Gomes's transformative poetry inspire your journey towards personal and collective liberation.

"A landmark contribution. . . . These rich materials—including proverbs, immigration interrogations, poems, articles, photographs, social workers' reports, recipes, and oral histories—add a new dimension to Asian American studies, U.S. women's history, Chinese American history, and immigration studies."—Valerie Matsumoto, University of California, Los Angeles

'A beautiful love letter to the diaspora, Haramacy is an essential collection of essays that push the conversation forward on issues to do with visibility, mental health, race and class' Nikesh Shukla 'A superbly crafted collection of essays. Often elegant, often visceral, always essential' Musa Okwonga Journalism in the UK is 94 per cent white and 55 per cent male, while only 0.4 per cent of journalists are Muslim and 0.2 per cent are Black. The publishing industry’s statistics are equally dire. Many publications will use British Black, Indigenous People of Colour when it’s convenient; typically, when the region the writer represents is topical and newsworthy. Otherwise, their voices are left muted. Haramacy amplifies under-represented voices. Tackling topics previously left unspoken, this anthology offers a space for writers to explore ideas that mainstream organisations overlook. Focusing on the experiences of twelve Middle Eastern and South Asian writers, the essays explore visibility, invisibility, love, strength and race, painting a picture of what it means to feel fractured - both in the UK and back home. Appreciating both heritage and adopted home, the anthology highlights the various shades that make up our society. The title, Haramacy, is an amalgamation of the Arabic word ‘haram’, meaning indecent or forbidden, and the English word ‘pharmacy’, implying a safe, trustworthy space that prescribes the antidote to ailments caused by intersectional, social issues. The book features contributions by novelists, journalists, and artists including Aina J. Khan, Ammar Kalia, Cyrine Sinti, Joe Zadeh, Kieran Yates, Nasri Atallah, Nouf Alhimiary, Saleem Haddad and Sanjana Varghese, as well as essays by editors Dhruva Balram, Tara Joshi and Zahed Sultan.

While the United States stumbles, an award-winning foreign correspondent chronicles China’s dramatic moves to become a dominant power. As the world’s second-largest economy, China is extending its influence across the globe with the complicity of democratic nations. Joanna Chiu has spent a decade tracking China’s propulsive rise, from the political aspects of the multi-billion-dollar “New Silk Road” global investment project to a growing sway on foreign countries and multilateral institutions through “United Front” efforts. Chiu offers readers background on the protests in Hong Kong, underground churches in Beijing, and exile Uyghur communities in Turkey, and exposes Beijing’s high-tech surveillance and aggressive measures that result in human rights violations against those who challenge its power. The new world disorder documented in China Unbound lays out the disturbing implications for global stability, prosperity, and civil rights everywhere.

Unbound Voices brings together the voices of Chinese American women in a fascinating, intimate collection of documents—letters, essays, poems, autobiographies, speeches, testimonials, and oral histories—detailing half a century of their lives in America. Together, these sources provide a captivating mosaic of Chinese women's experiences in their own words, as they tell of making a home for themselves and their families in San Francisco from the Gold Rush years through World War II. The personal nature of these documents makes for compelling reading. We hear the voices of prostitutes and domestic slavegirls, immigrant wives of merchants, Christians and pagans, homemakers, and social activists alike. We read the stories of daughters who confronted cultural conflicts and racial discrimination; the myriad ways women coped with the Great Depression; and personal contributions to the causes of women's emancipation, Chinese nationalism, workers' rights, and World War II. The symphony of voices presented here lends immediacy and authenticity to our understanding of the Chinese American women's lives. This rich collection of women's stories also serves to demonstrate collective change over time as well as to highlight individual struggles for survival and advancement in both private and public spheres. An educational tool on researching and reclaiming women's history, Unbound Voices offers us a valuable lesson on how one group of women overcame the legacy of bound feet and bound lives in America. The selections are accompanied by photographs, with extensive introductions and annotation by Judy Yung, a noted authority on primary resources relating to the history of Chinese American women.

The crippling custom of footbinding is the thematic touchstone for this engrossing study of Chinese women in San Francisco. Judy Yung, a second-generation Chinese American born and raised in San Francisco, shows the stages of "unbinding" that occurred in the decades between the turn of the century and the end of the World War II, revealing that these women - rather than being passive victims of oppression - were active agents in the making of their own history.

What would happen, I wondered, if I simply missed out the fifty per cent of the population whose voices have been credited with shaping this particular ‘cultural form’. If I coppiced the woodland, so to speak, and allowed the light to shine down to the forest floor and illuminate countless saplings now that a gap has opened in the canopy. . . There has, in recent years, been an explosion of writing about place, landscape and the natural world. But within this blossoming of interest, women’s voices have remained very much in the minority. For the very first time, this landmark anthology collects together the work of women, over the centuries and up to the present day, who have written about the natural world in Britain, Ireland and the outlying islands of our archipelago. Alongside the traditional forms of the travelogue, the walking guide, books on birds, plants and wildlife, Women on Nature embraces alternative modes of seeing and recording that turn the genre on its head. Katharine Norbury has sifted through the pages of women’s fiction, poetry, household planners, gardening diaries and recipe books to show the multitude of ways in which they have observed the natural world about them, from the fourteenth-century writing of the anchorite Julian of Norwich to the seventeenth-century travel journal of Celia Fiennes; from the keen observations of Emily Brontë to a host of brilliant contemporary voices. Women on Nature presents a groundbreaking vision of the natural world which, in addition to being a rich and scintillating anthology that shines a light on many unjustly overlooked writers, is of unique importance in terms of women’s history and the history of writing about nature.

Put your headphones on, close your eyes. Embrace the possibility of the life-changing power of music. And perhaps one of these songs will change your life too. Music can inspire our greatest creations, salve our deepest wounds, make us fall in – or out of – love. It can also be a window into another’s soul. Based on the popular live storytelling series, OneTrackMinds is a collection of twenty-five compelling answers to the question, ‘What was the song that changed your life?’ Featuring pieces from a stellar cast of contributors including Peter Tatchell, Inua Ellams, Cash Carraway, Rhik Samadder, Ingrid Oliver and Joe Dunthorne, alongside some of the UK’s most exciting new voices, the book compiles many of the standout stories from the live show so far. Just as rich and varied are the songs themselves, by artists ranging from Nina Simone and Joni Mitchell to Aphex Twin and the Replacements via Tupac, Prince and the Spice Girls. The result is an entertaining, enlightening musical guide to the best of what makes us human.