The collapse of the supposedly ‘civilized’ German nation into the ‘barbarism’ of Hitler’s Third Reich has cast a long shadow over interpretations of German culture and society. In the remarkable work of Norbert Elias, himself a refugee from Nazi Germany, a deep concern with the distinctiveness of ‘the Germans’ is linked with an ambitious attempt to work out more general relations between broad historical processes – patterns of state formation, changing social structures – and the character of the individual self, as evidenced in changing thresholds of shame and embarrassment. In critical engagement with Elias’s notion of the ‘civilizing process’, the essays collected here explore moments of excess and transgression, moments when the very boundaries of ‘civilization’ are both constructed and challenged. Inter-disciplinary contributions – on topics ranging from medieval laughter, cursing and swearing, through to music, the bourgeois self, and aspects of modern violence – highlight the complexity of inter-relations between the individual imagination and creativity, on the one hand, and the brute facts of political power and social structural inequalities, on the other; and develop new insights into the changing patterns of culture and society in Germany from the Middle Ages to the present.

The book focuses on the distinctive contribution that Joseph Maguire has made to process sociology and the study of sport. Maguire’s work over the past three decades highlights how process sociology has a unique perspective on the relationship between sport, culture and society, and to the body, globalisation and civilisational analysis. Reflecting on this body of work and the use of process sociology, Maguire captures the research dynamic of ‘walking the line' between involvement and detachment, theory and observation, and engagement and critique. The book is structured around four broad sections: Theory, Sport and Society; The Meaning of Sport, Body and Society; Case Studies in Sport and Process Sociology; Globalisation, Sport and Civilisational Analysis. Providing an introduction to, and key examples of, a process sociology approach to the study of sport, the body, civilising processes and globalisation, this book will appeal to undergraduates, postgraduates and researchers in sport studies / sports science degrees, sociology, cultural studies and to those studying migration, globalisation and cross cultural civilisation relations. This book was previously published as a Special Issue of Sport in Society.

In The Better Angels of Our Nature Harvard psychologist Steven Pinker argued that modern history has witnessed a dramatic decline in human violence of every kind, and that in the present we are experiencing the most peaceful time in human history. But what do top historians think about Pinker's reading of the past? Does his argument stand up to historical analysis? In The Darker Angels of our Nature, seventeen scholars of international stature evaluate Pinker's arguments and find them lacking. Studying the history of violence from Japan and Russia to Native America, Medieval England and the Imperial Middle East, these scholars debunk the myth of non-violent modernity. Asserting that the real story of human violence is richer, more interesting and incomparably more complex than Pinker's sweeping, simplified narrative, this book tests, and bests, 'fake history' with expert knowledge.

By offering a fresh look at the strange history of this idea, Another Freedom delivers a nuanced portrait of freedom's unpredictable occurrences and unexplored plots, one whose repercussions will be felt well into the future. --Book Jacket.

In contrast to the vernacular literary traditions of France, Italy and England, comic tales in verse flourished in late medieval Germany, providing bawdy entertainment for larger audiences of public recitals as well as for smaller numbers of individual readers. In a sustained close analysis Sebastian Coxon explores both the narrative design and fundamental thematic preoccupations of these short texts. A distinctively performative tradition of pre-modern narrative literature emerges which invited its recipients to think, learn and above all to laugh in a number of different ways.

How do figurational sociologists approach the subjects of sport and leisure? How does their approach differ from other approaches in the field? This major collection, edited by leading writers on sport and leisure, offers a superb introduction to the figurational sociology of sport and leisure. The distinctive features of the approach are clearly explained and contributors show how figurational sociology is applied in the analysis of concrete problems. However, the collection also gives space to critics of the figurational approach. Included here are contributions which claim that the approach is inaccurate, blinkered and irrelevant.

Who thought of Europe as a community before its economic integration in 1957? Dina Gusejnova illustrates how a supranational European mentality was forged from depleted imperial identities. In the revolutions of 1917 to 1920, the power of the Hohenzollern, Habsburg and Romanoff dynasties over their subjects expired. Even though Germany lost its credit as a world power twice in that century, in the global cultural memory, the old Germanic families remained associated with the idea of Europe in areas reaching from Mexico to the Baltic region and India. Gusejnova's book sheds light on a group of German-speaking intellectuals of aristocratic origin who became pioneers of Europe's future regeneration. In the minds of transnational elites, the continent's future horizons retained the contours of phantom empires. This title is available as Open Access.

Set in a boarding school in a remote area of the Habsburg Empire at the turn of the last century, The Confusions of Young Torless is an intense study of an adolescent's psychological development as he struggles to come to terms with his conflicting emotions. Through his relationship with two other boys Torless is led into sadistic and sexual encounters with a third pupil which both repel and fascinate him. Estranged from everyday life, Torless gradually learns to accept his experiences and describe them with analytical precision.