First compilation of both furniture designs and architectural projects by Samuel Marx.

The book that helped spark the retro craze for fifties architecture and introduced the term googie to the world is back! First published by Chronicle in 1986, this key survey of mid-century coffee shop and commercial architecture is still the standard work on the subject Googie Redux is a thoroughly revised and expanded edition of the classic and perennial top-selling book that rekindled the craze for 1950s coffee shop and commercial architecture. Long derided by critics as popular folly, the style - so named after John Lautner's eccentric Los Angeles coffee shop - was emblematic of Southern California's car-oriented architecture. By the time of the first edition's debut, these buildings were being demolished by the score. Alan Hess' 1985 Chronicle book did much not only to educate, legitimize, and popularize the style that characterized this endangered architecture, but it helped spark a resurgence of interest into midcentury modern design. Completely revised and significantly expanded in both text and images (some of them recently unearthed for this edition), this redesigned package features is still an entertaining and informative look at the rise, fall, and resurgence of the commercial architecture that changed the American landscape. Includes a greatly expanded guided tour of the iconic buildings in Southern California.

Fantasirollespil.

We live in a pre-crime society where technological strategies and techniques are employed to achieve hyper-securitization. Exploring theories, technologies and institutional practices, this pioneering book explains how the pre-crime society operates in the ‘ultramodern’ age and proposes new directions in crime control policy.

This book, first published in 2000, examines the BBC's attempts to manipulate critical and public responses to contemporary music between 1922 and 1936.

Our childhood such a large cellar with no bulb. Jane Miller brings a painterly eye to the elegiac in an ambitiously linked sequence that explores ecstasy and desire, memory and loss, the ancient and the ultramodern. Suggesting the thunderbird of Native American lore as readily as modern American warfare, Thunderbird is a book of mourning and loss redeemed by the body and the mind. Jane Miller is the author of nine books of poetry, including A Palace of Pearls (Copper Canyon Press, 2005), which won the Audre Lorde Prize. Miller teaches at the University of Arizona and lives in Tucson, Arizona.

The first book on the architect's custom-built residences in California, tailor-made to the highest specification one could ask for. This collection of visionary residences takes us on a tour of the height in luxury, designed to accommodate all amenities available--from the indoor gym and hair salon to the movie theater, champagne vault and wine cellar, cigar room, and wellness room. California Living looks at McClean's rise to prominence, from his first Bird Streets home in the Hollywood Hills to houses that drew attention from the likes of fashion designer Calvin Klein and the record-setting Bel Air home of Beyoncé and Jay Z. In addition to incorporating water in all of his designs, he makes extensive use of glass to eliminate the barrier between the indoors/outdoors. His sleek designs seamlessly integrate the outdoors taking advantage of the spectacular views and landscapes. After an illustrated introduction, the portfolio section of twenty-four magnificent ultra-modern homes describes each house in detail with sketches and site plans, explaining the architect's work. McClean offers his reflections on these beautiful projects and the design strategies behind their creation, all completed in the past fifteen years. McClean Design has grown into one of the leading contemporary residential design firms in the fashionable areas of Los Angeles and Beverly Hills, with projects throughout the Western United States and beyond to Hawaii and British Columbia.

This text is an essay on the relationship between ways of thinking, the rich seams of contemporary thought and the forms of the house, of planning and living in it. The descriptive method is based on seven guided visits to a group of real or imaginary houses that make up a sufficiently extended panorama for understanding what the 20th century has bequeathed to us in the way of a heritage. In order to choose the houses to visit it was necessary to narrow things down, simplify them, by highlighting a series of archetypes defined by their most pronounced features. The reader, then, won't find any of the masterworks built by modern architects -neither the Villa Savoye, nor Fallingwater, nor the Villa Tugendhat-but mostly imaginary houses, houses constructed by manipulating different references. In short, this book invites the reader on a fantasy tour, one whose aim is not just to celebrate the diversity of the 20th-century house but also to stimulate the pleasure of thinking, planning and living intensely, to promote the appearance of a house that does not yet exist.

The poet Céline Arnauld (1885-1952) was at the heart of Paris Dada. Her experimental texts appeared in the most prominent avant-garde journals and she published almost a dozen books. Yet Arnauld predicted as early as 1924 that she would be written out of history. Isolated by personal loss and financially insecure, she took her own life in 1952. Her story is one of an individual with an elusive identity -- she was a Jewish émigré, born Carolina Goldstein in Romania -- who left behind a body of work rich in innovation. In this study, Ruth Hemus conveys the pleasure of discovering this neglected figure and her inventive writing. Charting one woman's navigation of the avant-garde over a thirty-year period (1918-1948), she sets out Arnauld's quest for an autonomous poetry that she herself called 'ultra-modern.' Ruth Hemus is a Reader in French and Visual Arts at Royal Holloway University.