Located on a prominent site overlooking Galway Bay in the west of Ireland, Tyrone House was once one of the country’s finest Georgian mansions. Dating from the 1770s, the building was home to generations of the French and St George families, a powerful symbol of their wealth and power. The interior of the house was lavishly decorated and furnished, beginning with the entrance hall, dominated by a life-size marble statue of Lord St George. But despite their advantages, over the course of the nineteenth century, the family went into irreversible decline and eventually forsook their great residence, which was destroyed by fire in 1920. This book tells the story of the rise and fall of the St Georges and their fate, embodied in what became of Tyrone House, which is today a little more than a gaunt ruin.

Located on a prominent site overlooking Galway Bay in the west of Ireland, Tyrone House was once one of the country's finest Georgian mansions. Dating from the 1770s, the building was home to generations of the French and St George families, a powerful symbol of their wealth and power. The interior of the house was lavishly decorated and furnished, beginning with the entrance hall, dominated by a life-size marble statue of Lord St George. But despite their advantages, over the course of the nineteenth century, the family went into irreversible decline and eventually forsook their great residence, which was destroyed by fire in 1920. This book tells the story of the rise and fall of the St Georges and their fate, embodied in what became of Tyrone House, which is today a little more than a gaunt ruin.

This book is a comprehensive study of the ascendancy novel from Maria Edgeworth's Castle Rackrent (I800) through contemporary reinventions of the form. Kreilkamp argues that Irish fiction needs to be rescued from the critical assumptions underlying attacks on the historical mythologies of Yeats and the Literary Revival. Exploring the uniquely Irish dimensions of colonial and post-colonial societies, Kreilkamp charts the self-critical formulations of a gentry culture facing its extinction—more often and more successfully with comic irony than nostalgia. Kreilkamp positions the Big House novels within current debates in postcolonial criticism and theory. She argues that these fictional representations of a beleaguered society provide a complex, nuanced gaze into a hybrid colonial group that distanced itself from the self-aggrandizements of the revivalists. As she examines the gothic, revisionist, and postmodern permutations of an enduring national form, she illustrates the ways ascendancy women transformed conventions of an English domestic genre into political fiction. Her attention to Edgeworth's Irish works, the fiction of the neglected Victorian novelist Charles Lever, and the gothic forms of the Big House by Sheridan Le Fanu and Charles Maturin provide a historical context for later reformulations of the genre by Somerville and Ross, Elizabeth Bowen, Molly Keane, William Trevor, Jennifer Johnston, Aidan Higgins, and John Banville.

Go on a journey with Robert O’Byrne as he brings fascinating Irish ruins to life. Fantastical, often whimsical, and frequently quirky, these atmospheric ruins are beautifully photographed and paired with fascinating text by Robert O’Byrne. Born out of Robert’s hugely popular blog, The Irish Aesthete, there are Medieval castles, Georgian mansions, Victorian lodges, and a myriad of other buildings, many never previously published. Robert focuses on a mixture of exteriors and interiors in varying stages of decay, on architectural details, and entire scenarios. Accompanying texts tell of the Regency siblings who squandered their entire fortune on gambling and carousing, of an Anglo-Norman heiress who pitched her husband out the window on their wedding night, and of the landlord who liked to walk around naked and whose wife made him carry a cowbell to warn housemaids of his approach. Arranged by the country’s four provinces, the diverse ruins featured offer a unique insight into Ireland and an exploration of her many styles of historic architecture.

The county families of the United Kingdom or, Royal manual of the titled and untitled aristocracy of Great Britain and Ireland. Containing a brief notice of the descent, birth, marriage, education, and appointments of each person, his heir apparent or presumptive, as also a record of the offices which he has hitherto held, together with his town adress and country residences.